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James Wilson Morrice: Paintings and Drawings of Venice is the first comprehensive overview of the artist’s images of Venice, Italy. Living in Paris for most of his life, Morrice (1865–1924) was the first Canadian painter to make regular trips to Venice from the mid 1890s to about 1908. This book situates Morrice within the history of Venice and Venetian art in the late 19th and early 20th centuries by looking carefully at his more than 100 modernist paintings and numerous drawings of “La Serenissima.” During his lifetime, Morrice’s Venetian pictures appeared in art exhibitions in Paris, London and other European countries, as well as in Montreal and the United States. Constantly cited in exhibition reviews, Morrice was praised for his modernity, and his Venice works have ensured his fame and importance for years to come.

This book, published to accompany the exhibition of the same title, explores Jean-Paul Riopelle’s interest in northern Canada and his works devoted to this theme. It highlights in particular the wonderful series of paintings he made in the 1970s, including both the works themselves and archival materials that delve into this period when Riopelle was especially energetic. It was a time when he organised a number of trips to the region to fish, hunt, and immerse himself in nature, seeking the communion that was so dear to him.

But it was not just the vegetation in northern Canada that attracted Riopelle; the indigenous peoples he encountered were also a source of great inspiration for him. In combination, these two aspects of the land filled his imagination and molded his intellectual and artistic perspective.

The reader will become acquainted with his less well known and unpublished works, and follow Riopelle’s artistic development as he ranged over the frozen landscapes of the far north and the limitless forests further south, taking stock of the way the natives adapted to their environment. The book emphasises the fact that Riopelle’s oeuvre deliberately kept its distance from works that depicted nature as the defining emblem of the Canadian nation. Rather, the artist was the bearer of a unique personal sensibility that was able to visually evoke that particular territory in a dialogue between reality and imagination.

The more than 100 works included in the book (paintings, sculptures, prints, and mixed-media works) are part of a narrative consisting of four main sections (Canadian Nordicity as Viewed from Paris; The Experience of the North; Borrowing from the North; The North and Art), whose themes are examined in essays contributed by specialists in relevant fields.

“Words and ideas are as one – and at war – in Finlay’s witty, elegant work…”  — The Guardian
In celebration of the centenary of artist, poet and landscape designer Ian Hamilton Finlay’s birth, Fragments draws together 100 of his artworks. With each piece accompanied by a short text, either by the artist or by a noted writer on Finlay’s work, this book accompanies a series of eight exhibitions taking place in Basel, Brescia, Edinburgh, Hamburg, Palma de Mallorca, London, New York and Vienna in May 2025.

Best known for his Little Sparta – a seven-acre site at Stonypath farm in Scotland that has attained almost-mythical status – and for his installed guillotines, A View to the Temple, at Documenta Kassel 1987, Finlay’s large body of work can be found in museums, parks and gardens worldwide. His artistic creations also incorporate short stories, poems and concrete poetry, many of which have been published by his own publishing house Wild Hawthorn Press, and which, with a mixture of wit and beauty, engage with the relationship between violence and civilisation. 

This book presents around 100 buildings that were erected between 1917 and 2017, and are already considered to be classics of architectural history. With informative texts accentuated by photos, plans, archive material and, most importantly, facts (planners, construction period, addresses, access), this book is the holistic guide to Stuttgart’s incredible architecture that the world has been waiting for. Featured buildings are by: Theodor Fischer, Martin Elsaesser, Paul Bonatz, Paul Schmitthenner, Rolf Gutbrod, Paul Stohrer, Günther Behnisch, Hans Kammerer, Fritz Leonhardt, Frei Otto, Hans Scharoun, James Stirling, Schlaich und Partner, LRO, UN Studio, Auer und Weber, Atelier 5, Hascher Jehle, Wulf und Partner, and many more.

In The 500 Hidden Secrets of Madrid, Anna-Carin Nordin presents 500 must-know addresses in the Spanish capital, such as the 5 trendiest but affordable restaurants, 5 shops with the coolest sunglasses, 5 places that are decorated by the new generation of Madrid’s designers, 5 buzzing after-work bars or the 5 most curious street names… Madrid has so much to offer, and this guide helps you to choose where to start discovering this beautiful city. It is the perfect book for those who wish to discover the city, but avoid all the usual tourist haunts, as well as for residents who are keen to track down the city’s best-kept secrets.

With the help of 100 artworks, this book guides you through the collection of the Stedelijk Museum Amsterdam. Learn more about Kazimir Malevich’s groundbreaking abstract paintings, the ingeniously knotted chair by Marcel Wanders, nearly kitschy art by Jeff Koons, and Rineke Dijkstra’s intense portraits.

Ten introductory texts impart everything you need to know in 1,000 words about modern art, photography, and design. For instance, why waste and junk can also be art. Or why skillfully appropriated art is better than badly conceived. Or why an unsuspecting visitor may suddenly find themselves part of a work of art. Included with the guide is a sheet of stickers featuring 100 works from the collection. With this guide, every curious visitor can be well prepared for their next encounter with modern art.

“Understanding Jewellery is a love letter to glorious pieces from the last hundred years.” —M. J. Rose, The Adventurine

“An enjoyably scholarly romp through the past and a feast for the eyes for the novice and the consummate jewelry fan and collector.”Beth Bernstein, Forbes

“A must-have coffee table book for jewellery aficionados…”Elisa Vallata, Departures International

“As with stocks, education is the way to begin. There are many excellent books on the jewelry market, but start with Understanding Jewellery, the industry bible by two former Sotheby’s jewelry executives, David Bennett and Daniela Mascetti.”Bloomberg

“Speaking of classic books, one that I recommend to friends who want a readable, educational and beautifully illustrated book about antique and vintage jewelry is Understanding Jewellery, by David Bennett and Daniela Mascetti…” — Instore
Understanding Jewellery
, by authors David Bennett and Daniela Mascetti, is often described as the must-have jewellery book of our time – a ‘Bible’ in the jewellery trade. First published in 1989, it has remained in print ever since, amassing a loyal following of devotees who admire its detailed information and stunning imagery.
In this new work, Bennett and Mascetti have taken the original concept of Understanding Jewellery a stage further. Now, with the benefit of 20 years of hindsight, they have concentrated on the 20th century alone by conducting a detailed survey of each decade, identifying the key players, trends and movements. The book is an encyclopedic history of the various forms, techniques and materials employed by the companies and individuals who defined jewellery in the 20th century.
Most significantly, this book includes a new set of photographs, which make Understanding Jewellery: The Twentieth Century one of the most dazzling, absorbing and varied collections of jewellery images ever assembled in a book. This large format hardback volume is a perfect gift for all lovers of jewellery and the definitive guide for those who desire a deeper understanding of the subject. 

For thousands of years, people have built so-called calendar buildings: buildings that served as sundials for measuring time or were used for astronomical calculations. The most famous examples include the Pyramids of Giza, the Megalithic Temples of Malta, the Solarium Augusti on Rome’s Campus Martius, or the ancient observatories in Korea, Baghdad, Cairo, or Samarkand. The oldest known archaeo-astronomical device dates back to around 6000 BC and was discovered only some 20 years ago at Nabta Playa in Egypt.

The German photographer Hans Pieler (1951-2012) dedicated himself comprehensively to these calendar buildings. In a wide-ranging photographic project spanning 15 years, Pieler travelled the world in the search for such sites, studied them, and recorded many of them in striking photographs. His interest was focused both on the architecture and its particular coding through the respective culture as well as on the theory of photography, the allegorical image of the time.

Due to Pieler’s premature death in 2012, the fascinating project remained unfinished and unpublished. This book now for the first time features a selection of some 100 of the best shots from the artist’s estate. Complemented by illuminating essays, they form a unique photographic study of these architectures and their meaning and purpose as a reflection of time in stone.

Text in English and German.

A festive photographic collection of the laughs, shouts, tears, kisses, pledges, oaths, toasts, and above all, joys of weddings. In the tradition of Abbeville’s Tiny Folio Hug and Kisses, Weddings brings readers down the aisle in an intimate and touching portrait of this most public of private ceremonies. With more than 100 images drawn from the finest wedding photographers around the world, this small book captures all aspects of the big day, from the first primping and preening to the seriousness (or absolute lack of seriousness) of the ceremony, from the perfect, still beauty of every bride to the furious celebration that seals the day in every guest’s memory. Poetic quotes trumpet the complex joys of weddings throughout, adding depth to the proceedings. A perfect gift for the future bride and groom.

The 2000s proved a turning point for the skateboard and its relationship to art. Previously restricted to practical use, the skate deck left the pavement to appear on the walls of galleries and auction houses. Such was the advent of an entirely new contemporary art movement, laconically baptised Skate Art. From silk-screening to Posca markers, from repurposing and twisted shapes to upcycling broken boards, this volume provides an overview of the most significant techniques and decks of the last two decades. Artists from the realm of Street Art have long had a close relationship with Skate culture, and figures like Shepard Fairey, D*Face and ROA are among the first to have applied their art to this support. At the other end of the spectrum, Mark Gonzales, Thomas Campbell and Ed Templeton are pure products of the skater world, and it was through their collaborations with brands to produce boards that they acceded to the title of artist. In its 320 pages, this anthology presents a specialised and eclectic selection of decks made by artists from all over the world.

Text in English and French.

The perfect guide for those who want to explore a different, trendy side of Berlin. Photographer Silvie Bonne presents 100 scenic, impressive and ‘Instagrammable’ spots in Berlin. Some are classics but most are hidden gems only locals know about. Every hotspot is accompanied by a fascinating background story, some fun facts, and practical information. The true eyecatchers are of course the original Instagram images, along with some expert tips and trips on how to shoot them.

Also available:
NYC Guide for Instagrammers ISBN 9789460582264

“Sumptuous, extra-large coffee-table book with readily understandable texts.” Bild der Wissenschaft
“This coffee-table book looks like breaking a record. Its two-page photographs demonstrate that the Large Hadron Collider is the mother of all machines. For those who could never be on site, photographer Peter Ginter provides an impressive and aesthetic look into the World Machine.” Physik Journal
“It took fifteen years to complete the 27 kilometres long ‘Large Hadron Collider’ at the European research centre CERN. For the entire fifteen years, photographer Peter Ginter accompanied and documented the construction of the LHC and created breathtaking pictures of the technology and the people dedicated to uncovering the last secrets of particle physics.” Frankfurter Allgemeine
The Large Hadron Collider is the largest particle accelerator in the world, a 27-kilometre ring of superconducting magnets in a tunnel 100 m beneath the Franco-Swiss border at the CERN research laboratory. It was built to answer the most fundamental question of our universe: where do we come from? Peter Ginter, one of the world’s leading photographers, acclaimed author Franzobel and Rolf-Dieter Heuer, Director General of CERN, tackle the subject of this largest and most complex machine ever imagined by man, the ‘World Machine’, a huge underground particle physics experiment, which will offer science insights into the beginnings of our universe. Unique and amazing photographs make the invisible visible. Peter Ginter has documented the making of the LHC over more than 15 years, not only at CERN, but also by visiting locations across the world where significant contributions have been made to the construction of the LHC. The book was published in scientific, editorial and artistic collaboration with CERN and UNESCO. Text in English, German & French.

Pretiosa Vitrea, whose title is inspired by the Latin definition of glass given by Gaius Petronius in the Satyricon written in the late first century AD, emphasises the heritage of glass manufacturing through the showcase of artefacts nowadays preserved in the state museums of Tuscany and in important private collections within the region. The quality of these 100 findings is comparable in excellence to the artefacts that can be found in the most renowned international museums. The book brings together such relevant archaeological findings of Roman glass manufacturing in Tuscany, as the glass cameo from Torrita di Siena or the chrysography of Arezzo. Alongside these exclusive glass products, a wide variety of findings will be showcased to illustrate the evolution of mass-production techniques, from the use of moulds to the discovery of the glass-blowing technique in the middle of the first century BC, which soon demonstrated clear advantages compared to the traditional ceramic production in terms of lower cost and preserving unchanged the taste of contained food and liquids.

Text in English and Italian.

Eclectic, eccentric and tirelessly innovative, art crafted from cut paper has experienced an exciting renaissance in recent years. Published to accompany a travelling exhibit organised by the Museum of Arts and Design in New York, Slash: Paper Under the Knife examines the resurgence of traditional handicraft materials and techniques in contemporary art and design. Highlighting the work of forty-five international artists, among them Olafur Eliasson, Tom Friedman, William Kentridge, and Kara Walker, the book features not only cut but also burned, torn, laser-cut, shredded and sculpted paper art. In addition, the book includes cut-paper animation, as well as cut paper incorporated in photography and fashion. Works range from small-scale intricate cuttings to large-scale architectural inventions and sculptures. With an essay by well-known decorative arts expert David Revere McFadden, this singular book reveals that, with ingenuity and craftsmanship, one of our most familiar implements can be transformed into unforgettable works of art.

The theatre is the central theme of this fourth volume in our series titled ‘Art Brut – The Collection’, published to coincide with the fourth Art Brut Biennale. After exploring architecture, vehicles, and bodies, attention turns to the theatre, a theme that is developed in its various aspects. The simplest example is the depiction of theatrical architecture, as in the work of Eugen Gabritschevsky or Victorien Sardou. Other artists create works that are intimately connected to the world of theatre, however without necessarily being a part of it. For example, for Giovanni Battista Podestà or Vahan Poladian, a public stage is a place where they put on a ‘performance’ that responds to a society that consigns them to its margins. Their intrinsically ephemeral approach uses clothing or accessories as a means of communication and to have their voices or protestations heard. Other artists conceive whole cosmogonies that take the form of a gigantic staging of a fanciful, phantasmagoric world, as in the case of Aloïse Corbaz, whose work is to be viewed as a ‘Theatre of the universe’, or in that of Marguerite Burnat-Provins, with her graphic work titled ‘Ma Ville’. The book includes over 100 illustrations, many of which are published for the first time, carefully chosen to enable the reader to explore the theme of the theatre in Outsider Art, or Art Brut. Also available in the series: Vehicles ISBN 9788874396580 Architecture ISBN 9788874397105 Body ISBN 9788874397884

Shanghai, second largest city in the world, is a hub of humanity. Never sleeping, never quiet, it is a flourishing centre of commerce, finance and art. To Jin Yucheng, bestselling author of Blossoms, Shanghai is home. His art is steeped in the city’s rhythms and quirks. The paintings in this volume compose a love poem to Shanghai, while acknowledging the lonely absurdity of modern urban life, and offering incisive commentary on traditional and modern China.

From the famous Lujiazui skyline to the bustling crowds, from cosy corners to vibrant streetscapes, these pages capture the Shanghai of the present. Yucheng also delves into Shanghai’s history, paying particular attention to the 1960s-1990s. Later chapters focus on Chinese culture, the contrast between megacities and remote villages, and Yucheng’s favourite animal – the horse. While this book is the perfect companion piece to Blossoms, a novel set in late-20th-century Shanghai, it will also appeal to anyone interested in Chinese culture and art.

The Brothers Grimm collected some of Europe’s most popular folk tales, immortalising stories whose origin goes way back in time. This book, with beautiful watercolours by the imaginative illustrator Francesca Rossi, gathers ten of their most famous and magical works. Children will love meeting such favourite characters as Cinderella, the Brementown musicians, Hansel and Gretel, Rapunzel, and Snow White. Ages: 6 plus.

00s is the first exhibition that explores the 2000s, taking as its starting point one of the most important European collections of contemporary art – the Cranford Collection. This accompanying catalogue selects 100 works from the collection, and includes pieces by artists such as Louise Bourgeois, Cindy Sherman, Damien Hirst, Gerhard Richter, Raymond Pettibon, and Josh Smith.

With an introduction by Nicolas Bourriaud, the CEO of MO.CO, and interviews with Muriel and Freddy Salem, the Patrons of the Cranford Collection.

Text in English and French.

Born and bred New Yorker Jill Gill is equal parts artist and author, commentator and collector, a true inamorata of the ever-changing city. Since the mid-1950s, she has captured the buildings and streetscapes of the city (especially those about to be lost to urban renewal) in a series of more than 100 watercolour and ink paintings. The New York she portrays is one of classic movies, vintage postcards, and hand-painted wall advertisements.

The scenes in Site Lines: Lost New York, 1954–2022 extend from Midtown South, home of the artist from the mid-1940s to the mid-1960s, to the Upper East Side, where she and her family lived in a historic Rhinelander townhouse. Along the way she passes through Midtown, including storied Fifth Avenue and the Theater District, and the Upper West Side.

Her work includes buildings both important and unimportant that would otherwise have been lost to memory: the glorious Helen Hayes Theater, the Art Deco Horn & Hardart Automat on 57th Street, and blocks upon blocks of ordinary yet distinctive retail and commercial structures. In addition, Gill includes buildings that have themselves been quietly observing the changing city, often changing along with it: St. Bart’s, the Villard Houses, and MoMA before it “ate” 53rd Street. Each scene is accompanied by text that blends in-depth research with first-hand observation.

Los Angeles has so much to offer, and this guide helps you to choose where to start when discovering this beautiful city. Where are the best farmers’ markets? Which street foods are not to be missed? What are the liveliest places to go dancing? What are some unlikely places to spot celebrities? Which art galleries are worth a visit? In The 500 Hidden Secrets of Los Angeles, Andrea Richards shares 500 must-know addresses in one of the coolest cities in the United States. It is an affectionate guide to the City of Angels that avoids the touristy places and points out the urban details you are likely to miss. From the best outdoor concert venues to the most beautiful country escapes, this guide is the perfect companion visitors who want to make the most of their stay and residents who want to get to know their city even better. 

Also available: The 500 Hidden Secrets of Miami, The 500 Hidden Secrets of New York, The 500 Hidden Secrets of Toronto, The 500 Hidden Secrets of Vancouver and many more. Discover the series: the500hiddensecrets.com

The virus, the war, the climate, inflation, poverty and loneliness make people feel insecure. In these troubled times, there is more interest than ever for what is truly important in life: happiness, hope and love. What does science teach us today? Are we still allowed to strive towards happiness? And how do we do that? Leo Bormans asked the same question over and over again to a hundred professors all over the world: established names and young up-and-comers. Every scientist briefly summarises their recent research after which they formulate their insights in one single sentence: the essence. To this they link at least three concrete pieces of advice: for our own lives, for our friends and for society. With contributions from the most prominent experts in positive psychology, such as: Prof. Martin Seligman (University of Pennsylvania), author of more than 20 international bestsellers and the founding father of positive psychology; Richard Easterlin (University of Southern California), one of the most respected and renowned authorities in happiness research, Prof. Sir Richard Layard (The London School of Economics), one of the most influential voices in the global study of happiness and well-being; and Jan-Emmanuel De Neve (Oxford University), editor of The World Report on Happiness (UN).

Always New: The Posters of Jules Chéret highlights ​the role that French artist Jules Chéret (1836–1932) ​played in transforming the ​illustrated poster into a form of ephemeral art that embraced the public’s interest in novelty and rapid change during the 19th century. Recognised as the father of the poster, Chéret was ​one of the first artist​s to bring colourful, large-scale advertisements to the streets of Paris. ​People strolling down the boulevards were captivated not only by Chéret’s vibrant images, but also by how frequently new designs appeared. Chéret’s printmaking innovations allowed him to produce astonishing numbers of posters rapidly and inexpensively enough to publicise the latest pleasures the city had to offer. Drawing from the largest collection of Chéret posters in the ​United States, the book features ​over 100 works that span the artist’s career and includes both his most celebrated and lesser-known images. Always New brings Chéret into focus as a master of his medium, an artist who celebrated the ephemeral nature of posters and shaped the way they were created and experienced.

Petra Rephotographed represents an exploration of time and change across the iconic archaeological city of Petra, Jordan, through repeat photography––meticulously replicating historic images of the landscape and monuments a century later.

In the early 1920s, retired civil engineer Sir Alexander Kennedy set out to explore and photograph the archaeological wonder of Petra, an ancient city of ruins nestled in the striking Jordanian Highlands. Armed only with a field camera of the day, Sir Kennedy captured the Rose Red City’s magnificent features: dramatic stone façades, sweeping vistas, and hewn carvings—shedding light on what was then a mostly untouristed region. One hundred years later, Dr. Kaelin Groom, a noted heritage scientist and geographer with over a decade of experience in Petra, retraces Sir Kennedy’s footsteps with a modern field camera, meticulously rephotographing his 100-year-old images in the contemporary landscape. Studying Petra a century later, now a UNESCO World Heritage Site and one of the New Seven Wonders of the World, Dr. Groom visualises the profound resiliency of the indomitable Rose Red City through modern imagery and observes the influence humans have had on the landscape for generations. Petra Rephotographed takes the reader on a historic photographic journey, incorporating meticulously replicated images of the past which help the reader visualise changes and evolution of the archaeological city’s iconic monuments and timeless landscapes.

“Offers readers a chance to look again at modern British architecture through the eyes of all sorts of experts.” – Architectural Digest
“Very sophisticated and thoroughly researched.” – Bevis Hillier
“An eclectic selection with an unsurprising bias towards Modernism.” – Design Insider

This is a compact guide to Britain’s best buildings of the last 100 years, with an intriguing twist: the choices come from a wide range of experts with strong and sometimes unexpected opinions. The contributors include architects Norman Foster, Piers Gough, Charles Holland and Richard Rogers; critics and historians such as Elain Harwood, Bevis Hillier, Jonathan Meades, Alan Powers, Alice Rawsthorn and Peter York. Everyone involved contributed their ten choices, and all these lists are reproduced at the end of the book. In the main section featuring 75 key buildings, everything selected more than once is illustrated and examined in more detail.

The result is a fascinating cocktail of undisputed greats and genuinely surprising entries. Alongside the work of Wells Coates, Denys Lasdun, James Stirling and John Outram, you’ll find post-War prefabs, Preston Bus Station and the ruins of St Peter’s Seminary in Cardross. Whether you’re after a slightly unorthodox selection of Britain’s finest modern buildings, or just curious about what major architects and critics consider as their favourites, this book is your ideal guide.

All the following contributed a list of their favourite buildings: John Allan, Stephen Bates, Keith Bradley, Peter Clegg, Nigel Coates, Richard Hywel Evans, Kathryn Ferry, Jenny Fleming, Norman Foster, Piers Gough, John Grindrod, Ivan Harbour, Claire Harper, Elain Harwood, Birkin Haward, Simon Henley, Bevis Hillier, Charles Holland, Owen Hopkins, David Jenkins, Owen Luder, Jonathan Meades, David Nixon, Stefi Orazi, James Perry, Alan Powers, Alice Rawsthorn, Richard Rogers, Jonathan Sergison, Anne Ward, Peter York, Paul Zara.