“Offers readers a chance to look again at modern British architecture through the eyes of all sorts of experts.” – Architectural Digest
“Very sophisticated and thoroughly researched.” – Bevis Hillier
“An eclectic selection with an unsurprising bias towards Modernism.” – Design Insider

This is a compact guide to Britain’s best buildings of the last 100 years, with an intriguing twist: the choices come from a wide range of experts with strong and sometimes unexpected opinions. The contributors include architects Norman Foster, Piers Gough, Charles Holland and Richard Rogers; critics and historians such as Elain Harwood, Bevis Hillier, Jonathan Meades, Alan Powers, Alice Rawsthorn and Peter York. Everyone involved contributed their ten choices, and all these lists are reproduced at the end of the book. In the main section featuring 75 key buildings, everything selected more than once is illustrated and examined in more detail.

The result is a fascinating cocktail of undisputed greats and genuinely surprising entries. Alongside the work of Wells Coates, Denys Lasdun, James Stirling and John Outram, you’ll find post-War prefabs, Preston Bus Station and the ruins of St Peter’s Seminary in Cardross. Whether you’re after a slightly unorthodox selection of Britain’s finest modern buildings, or just curious about what major architects and critics consider as their favourites, this book is your ideal guide.

All the following contributed a list of their favourite buildings: John Allan, Stephen Bates, Keith Bradley, Peter Clegg, Nigel Coates, Richard Hywel Evans, Kathryn Ferry, Jenny Fleming, Norman Foster, Piers Gough, John Grindrod, Ivan Harbour, Claire Harper, Elain Harwood, Birkin Haward, Simon Henley, Bevis Hillier, Charles Holland, Owen Hopkins, David Jenkins, Owen Luder, Jonathan Meades, David Nixon, Stefi Orazi, James Perry, Alan Powers, Alice Rawsthorn, Richard Rogers, Jonathan Sergison, Anne Ward, Peter York, Paul Zara.

The British architect Tony Fretton has long been renowned as a pioneer of London’s architectural scene, winning many commendations and prizes for his buildings. Highlights include the Lisson Gallery in London, for which he attracted initial attention in 1990, as well as the Red House in London (2001) and the Danish Fuglsang Art Museum (2008).

The three parts of this comprehensive and conclusive monograph address all aspects of his creative oeuvre: including his buildings, sketches, project ideas and his non-architectural photographic work. The reserved design of this overall presentation reflects his own rational, unembellished work, which is inspired by each respective location.

In the last twenty-five years contemporary art in Scotland has grown from a tiny and tightly knit scene to a globally recognised centre of artistic innovation and experiment. Generation Reader provides the first collection of key documents from the period including essays, interviews, critical writing and artists’ own texts. This publication will fill a significant gap in the scholarship of the period and provide a resource for the future, an illustrated guide to the ideas, events and debates that shaped a generation. The selected archive texts from the period will sit alongside some newly-commissioned writing which includes essays by the novelist Louise Welch and by Nicola White, Dr Sarah Lowndes, Francis McKee, Professor Andrew Patrizio and Julianna Engberg. GENERATION is a landmark series of exhibitions tracing the remarkable development of contemporary art in Scotland over the last twenty-five years. It is an ambitious and extensive programme of works of art by more than 100 artists at over 60 galleries, exhibition spaces and venues the length and breadth of Scotland between March and November 2014.

László Hudec (László Edvard Hudec, or Ladislaus Edward Hudec) can only be described as a legend. As one of the foreign architects who fled his native country of Austria-Hungary during troubled times, he ended up making his mark on more than 50 projects, including over 100 buildings during his 29-year (1918 to 1947) stay in a city far away from home.

Among them, 25 projects have been listed as Shanghai’s Most Historical Buildings. His signature work, the Park Hotel, is counted as national heritage. How did Hudec come to enjoy his legendary status in a foreign land, especially as he arrived with almost nothing in his pocket? Why does he continue to attract new followers even in the 21st century?

For the last 14 years, Dr. Hua Xiahong has devoted herself to the study of Hudec and his architecture. The Shanghai Hudec Architecture has shown the essence of Hudec’s projects, which is also one part of the essence of Shanghai’s architecture. To know Hudec, is to know the history of Shanghai and the city’s future.

Like an encyclopaedia of architecture, his style has gone through Neo-classicism, Expressionism, Art Deco and Modernism, which not only reflects European and American influences, but also the architect’s personal creativity. Hudec has left behind a lot of work that is remarkable in Shanghai’s architectural history.

Text in English and Chinese.

A beautiful collection of stories from one of the most beloved fairy-tale writers of all time: Hans Christian Andersen.

Hans Christian Andersen’s tales are among the most famous and loved by children everywhere. This stunningly illustrated collection includes some of his best-known works – The Little Mermaid, Thumbelina, The Tin Soldier and The Princess and the Pea – as well as other less-familiar but equally magical stories: The Snow Queen, The Wild Swans, The Tinderbox, and The Emperor and the Nightingale.

Francesca Rossi’s gorgeous watercolour illustrations enrich and enhance the text, making this beautiful volume perfect for Andersen’s many fans. Ages: 6 plus

David Hume Kennerly: On the iPhone is Pulitzer prize-winning photographer David Hume Kennerly’s philosophical journey through his photographic career, combining lessons he has learned along the way with suggestions that will help everyone make better pictures. Kennerly’s journey is seen through the lens of his second picture-a-day-for-a-year project, this time using only the camera built into his mobile phone. David Hume Kennerly: On the iPhone proves that memorable photographs are created less by the equipment than the eye behind the lens. This book uses examples from his 2013 picture-a-day journey along with anecdotes and tips from the past that explore his own joy, passion and approach to shooting, while helping others to improve their pictures.

Life’s game is measured in episodes of awareness, i.e. self-awareness, an awareness of the way things work, or that things are not always what they seem. Systems dynamics are full of shocks to the system. Whether we are witnessing the physics of a rational system or the profundity of an irrational system, the shocks come with a sense of, ‘You mean you can do that?’ This book examines systems dynamics from the perspective of the author’s own triangulated model comprised of common environments (those shared environments at risk of over-use or degradation), the institutions we design to manage those commons, and the human behavior associated with our investment in the triad. The Feedbacks between the three comprise the Policy Arena for collective decision-making and form a backdrop for shaping personal actions. Beautifully illustrated with student case study research covering a range of topics from the past twelve years, the work is written for a wide audience including academics, researchers, designers, and the concerned citizen.

For its 34th Curve commission (2021), the Barbican presents the first major London solo exhibition by Mumbai-based artist Shilpa Gupta, whose celebrated practice explores physical and ideological boundaries and how, as individuals, we come to feel a sense of isolation or belonging.
Gupta presents and builds on her acclaimed project For, In Your Tongue, I Cannot Fit (2017–18), an experiential sound installation of 100 microphones suspended above 100 metal spikes, each piercing a page inscribed with a fragmented verse of poetry by a writer who has been imprisoned for their work, writings or beliefs. Spanning the eighth to the 21st centuries, the soundscape alternates between languages, each microphone uttering verses of poetry, echoed by its 99 counterparts. Giving a voice to those who have been silenced, Gupta’s haunting installation highlights the fragility of personal expression while raising urgent questions of censorship and resistance. Gupta also presents new drawings and sculptures that reflect on issues of confinement and the right to free expression. The book includes a loose-insert postcard featuring a poem in Urdu and English by the revolutionary Pakistani poet Faiz Ahmad Faiz.

“The book “Rihanna and the Clothes She Wears” satisfies the cravings of fans and fashion enthusiasts alike, boasting over 100 images of Rihanna and her favorite designers who have influenced her taste.” — HOLA! Magazine
“I grew up on a really small Island, and I didn’t have a lot of access to fashion, but as far as I could remember, fashion has always been my defence mechanism. Even as a child I remember thinking, she can beat me, but she cannot beat my outfit.” – Rihanna, accepting the CFDA Fashion Icon of the Year Award in 2014.

From the author of the runaway bestseller Harry Styles and the Clothes He Wears comes a new, fresh look at style icon Rihanna.

Rihanna has learnt how to define her own terms whatever she does – whether in the worlds of fashion, music, beauty, philanthropy, business, or activism, she is both muse and creative, a collaborator and pioneer. To date she has 135 million Instagram followers and counting. In 2022 at the age of 34, largely because of her Fenty Beauty empire, she became Forbes’ youngest self-made billionaire.

But it is her personal wardrobe and the way she wears it that embodies Rihanna’s charisma, integrity, and humour most: everything she does reflects what she wears herself. She is a risk-taker, but as she said on the red-carpet in 2014 “you will never be stylish if you don’t take risks.” The gamble has paid off. Rihanna’s mix-and-match method of wearing high fashion and streetwear, young designers and vintage, hip-hop classics, and avant-garde custom-made pieces, has meant that she has equal footing in both the music and fashion industries. Chairman and CEO of the LVMH group, Sidney Toledano says she is: “a style icon for today’s generation”.

The breadth of Rihanna’s fashion knowledge and style is astounding. In Rihanna and the Clothes She Wears, Terry Newman steps into the world of this fashion icon by examining her style. From couture catwalks to her own empire Fenty, political statements to high street casual, this chic book fizzles with facts about Rihanna’s styling choices, presenting the star’s most revered looks. With quotes from key designers, this is the perfect gift for any fan.

Not Interesting proposes another set of terms and structures to talk about architecture, without requiring that it be interesting. This book explores a set of alternatives to the interesting and imagines how architecture might be positioned more broadly in the world using these other terms. The alternatives presented here are labelled as boring, confusing, and comforting. Along with interesting, these three terms make up the four chapters of the book. Each chapter introduces its topic through an analysis of a different image, which serves to unpack the specific character of each term and its relationship to architecture. In addition to text, the book contains over 50 case studies using 100 drawings and images. These are presented in parallel to the text and show what architecture may look like through the lens of these other terms.

Always New: The Posters of Jules Chéret highlights ​the role that French artist Jules Chéret (1836–1932) ​played in transforming the ​illustrated poster into a form of ephemeral art that embraced the public’s interest in novelty and rapid change during the 19th century. Recognised as the father of the poster, Chéret was ​one of the first artist​s to bring colourful, large-scale advertisements to the streets of Paris. ​People strolling down the boulevards were captivated not only by Chéret’s vibrant images, but also by how frequently new designs appeared. Chéret’s printmaking innovations allowed him to produce astonishing numbers of posters rapidly and inexpensively enough to publicise the latest pleasures the city had to offer. Drawing from the largest collection of Chéret posters in the ​United States, the book features ​over 100 works that span the artist’s career and includes both his most celebrated and lesser-known images. Always New brings Chéret into focus as a master of his medium, an artist who celebrated the ephemeral nature of posters and shaped the way they were created and experienced.

Revised, updated, and expanded by nearly 100 projects, this new edition of the catalogue for the “a_show,” Architekturzentrum Wien’s (Az W) permanent exhibition on Austrian architecture of the 20th and 21st century, has become a stand-alone reference book. Its scope extends beyond the themes of the exhibition. Apart from condensing the current discourse on Austrian architecture of the last 150 years, it also documents relevance and singularity of the Az W collection.

Featuring more than 2,300 images and plans, accompanied by explanatory texts structured chronologically as well as thematically the book points out both historical connections and contemporary tendencies. Paired with a timeline, and also offering an overview of all relevant media since 1836, brief biographies, and an index, this is the authoritative survey of modern and contemporary Austrian architecture.

Following on from the 2017 House 1 project, a public architectural intervention in Zurich, ALICE’s teaching programme and the All About Space series enter the realm of urban and suburban space. The series’ latest volume Beyond the Object: The Imagination of Space proposes an alternative idea and cultural history of architecture that is derived from the notion of spatial design rather than that of technical objects and constructions. Thus current topics like urban planning, the correlation of public and private spaces, social and economic development are wrapped up into more general questions: What are our common and scientific understandings of space and spatial correlations and how can they apply to contemporary architectural practice and education? The underlying narrative of Beyond the Object: The Imagination of Space is loosely tied to the exemplary urban context of Zurich. Yet it addresses the topic with decidedly global scope. And like the previous books The Invention of Space and House 1 Catalogue, the new volume combines fact with fiction to broaden the view upon future scenarios.

Riegler Riewe Architects is among the most distinguished and internationally renowned Austrian architectural firms with branches in Berlin and Katowice, Poland. Since establishing the firm in Graz in 1987, Florian Riegler and Roger Riewe have been rejecting the mere pictorial with striking continuity and consistency. Riegler Riewe focus on use-orientated, yet still usage-neutral spatial structures and aim for an inquiring, “undesigned”, yet precise and subtle architecture. This position is evident in their buildings that embody both the “common” and the ambiguous and offer latitude rather than rigid form at all scales, in floor plan as well as in urban planning. The new monograph Riegler Riewe – 10 Years 20 Projects presents twenty built and unrealised projects between 2004 and 2014, most of them published here for the first time. Richly illustrated with images and plans, the book features essays by internationally renowned authors analysing Riegler Riewe’s work in the contexts of both architecture and urbanism.

For 65 years now, Cartoonfestival Knokke-Heist in Belgium, the oldest in its kind in the world, has been calling on the international cartoon community to submit their best work for the international cartoon contest Golden Hat. Successfully so, because each year the call results in a wealth of cartoons. Some are hilariously funny, others cleverly sharp. Cartoons 2025/2026 collects the hundred best cartoons of the past contest in one book. It is the accompaniment to the yearly Cartoonfestival during the months of July and August, in Knokke-Heist in Belgium. Cartoons 2025/2026 is a sought-after book for avid cartoon fans and the mix of styles and themes will appeal to anyone with a love of the genre. This year, the cartoon book was given a new look, so that it can face the future all refreshed. 

Text in English and Dutch.

The LAMY 2000 fountain pen and the KM 3 food processor are well known even beyond design circles. Nevertheless, their designer, Gerd A. Müller, has faded into obscurity. His designs can be considered pioneering for the development of a new, pared-back design language among well-known companies. Together with Dieter Rams, he was one of the first form designers at Braun. Now, for the very first time, the highly diverse body of work created by this industrial, graphic, ecological and exhibition designer from Frankfurt has been compiled in a publication. Here, the focus is firmly on Gerd A. Müller’s product designs, which have helped shape German industrial design to this day.

Text in English and German.

00s is the first exhibition that explores the 2000s, taking as its starting point one of the most important European collections of contemporary art – the Cranford Collection. This accompanying catalogue selects 100 works from the collection, and includes pieces by artists such as Louise Bourgeois, Cindy Sherman, Damien Hirst, Gerhard Richter, Raymond Pettibon, and Josh Smith.

With an introduction by Nicolas Bourriaud, the CEO of MO.CO, and interviews with Muriel and Freddy Salem, the Patrons of the Cranford Collection.

Text in English and French.

Peter Liechti (1951-2014) was a Swiss film author and director, cinematographer, and producer. Many of his more than 100 documentaries, music and experimental films have been shown at international festivals. His last and unfinished project Dedications he began when he was already suffering from a terminal illness. Originally intended to become a trilogy dedicated to the Swiss writer Robert Walser (1878-1956), the Dutch painter Vincent van Gogh (1853-1880), and to “the unknown Sudanese Chief”, the progress of his illness made him alter his concept to a very personal review and reflection on his life’s most significant personal and artistic impressions and moments. Liechti’s widow and working partner Jolanda Gsponer, together with a group of his former collaborators, has assembled all the material of Dedications in three parts to preserve it and make the work visible. Part one is a filmed reading by Liechti from the diary he kept during his stays at the hospital and which was intended to be the film’s underlying text. Part two is an audio-visual installation of the raw material for Dedications. Part three is this book, a self-contained publication of Liechti’s entire diary, illustrated with some 100 video stills with captions, and including a DVD with the film’s unedited 15 opening minutes.

When African Modernism was first published in 2015, it was showered with international praise and has been sought after ever since it went out of print in 2018. Marking Park Books’ 10th anniversary, this landmark book will now be available again.
Over the course of the 1950s and 1960s, most African countries gained independence from their respective colonial powers. Architecture became one of the principal means by which the newly formed states expressed their national identity. African Modernism investigates the close relationship between architecture and nation-building in Ghana, Senegal, Côte d’Ivoire, Kenya, and Zambia. It features 100 buildings with brief descriptive texts, images, site plans, selected floor plans and sections. The vast majority of images were taken by Iwan Baan and Alexia Webster especially for the book’s first edition, documenting the buildings in their present state. Each country is portrayed through an introductory text and a timeline of historic events. Additional essays on specific aspects and topics of postcolonial Africa, likewise richly illustrated with images and documents, round out this outstanding volume.

Conradin Clavuot’s work is based on his dedication to his own roots, his discussions during his training in the field of Analogue Architecture, and the values he learned to implement while working for the architect Peter Zumthor. With his minimalist approach and integration of natural elements, Conradin Clavuot has played a key role in shaping the modern architectural landscape in the last 30 years. The works of the Chur-based architect are characterised by clear lines and a harmony with the landscape, while also combining conception, functionality, regionalist cultural interests and constructive sophistication. In recognition of his overall work, this publication compiles his most formative buildings in hand-stitched volumes and a striking slipcase. The publication presents projects including the school facility in Laax (2023), the emergency unit of the Waldhaus Psychiatric Clinic in Chur (2022), the Carboni-Brot single-family home in Rhäzüns (2014), the Kuoni house in San Nazzaro (2012), the ­railway station in Chur (2006), the school with a multipurpose hall in St. Peter (1998) and the Vorderprättigau Substation in Seewis (1995).

Text in English and German.

Christmas at the White House is the most beautiful and grand celebration of the year. As Chief of Floral Design during the Obama administration, Laura Dowling was responsible for the dazzling floral pieces that made the season so memorable. Here, she invites readers behind the scenes of this complex year-long planning process, where some of the most innovative and ambitious hand-made craft displays were created. From architectural details including intricate hydrangea-covered archways, illusionary cube-patterned column covers, and gilded maple leaf rosette panels, to sugar paste floral vases and robotic versions of the First Family’s dogs, the décor inspired and delighted visitors and guests from across the country and around the world.  

In addition to her White House experiences, Laura shares advice and ideas, tips and techniques for planning holiday-themed displays at home, including step-by-step instructions for re-creating some of the most popular and original White House holiday designs.

Jean-Michel Wilmotte and his collaborators are leading more than 100 projects in 27 different countries, from the biggest to the smallest, from the most spectacular to the most ordinary, with the same fervour from the initial sketch to completion. This practice has recently completed the Russian Orthodox Spiritual and Cultural Center in Paris (France), the headquarters of L’Oréal Group in Clichy (France), the headquarters of Unilever group in Rueil-Malmaison (France), the Center for Arts of the International School of Geneva (Switzerland), the Allées Richaud & Allées Foch high-end residential buildings in Versailles (France), the Cultural Center of Daejeon (South Korea), the 36,200-seat Allianz Riviera Stadium in Nice (France), the London headquarters of Google and JCDecaux (United Kingdom), the Ferrari Sporting Management Center (Formula 1) in Maranello (Italy), a Convention and Exhibition Center in São Paulo (Brazil), and an ecological park in Baku (Azerbaijan) for the 2015 European Games. In these projects, which are both innovative and sustainable, the design always takes into account landscaping, lighting, materials, and finishes, while being respectful of the local and historic context of the site. This new title, as part of IMAGES’ renowned Leading Architects series, delves into the extraordinary work of this firm and the process of its innovative and creative team. Showcasing projects throughout the book with rich, full-colour images, detailed plans, and informative texts, this monograph is a must-have for any professional design collection.