An extraordinary volume of the most important luxury watches. From the watch that flew to the moon (Omega Speedmaster), to the smallest calibre with the dimensions of 14 x 4.8 x 3.4 millimetres (Jaeger-LeCoultre Calibre 101), that Elizabeth II wore as a bracelet watch on her coronation day, and the watch model that has been in continuous production for over 100 years (Cartier Tank). Watch expert Gisbert L. Brunner present 100 extraordinary watch models and explains their history and uniqueness.
Text in English and German.
Everyone loves baby animals! Cute, tender and a bit goofy, the baby animals of each species are naturally born funny. This book shows the baby animals in their original sizes, showing them as they appear in nature. Page after page, the reader will be surprised by the details and characteristics of each baby, while learning everything about their behaviours and physical development. The latest title of our bestselling 100% Full Size series. After animals and bugs, children will learn from the pages all the real sizes of the cute baby animals included in this big format volume. Ages: 6 plus
There are few subjects that fascinate children as much as animals: they never tire of reading about their characteristics, but they rarely get the opportunity to see their favourite creatures in person. This book gives readers the possibility to explore the animal world as though its inhabitants were right in front of them, exactly as they are in reality, with their real dimensions. It will thus be possible, for instance, to compare fangs and tails and discover that it’s not the lion that has the longest claws, but the sloth! Young readers will be able to compare a cat’s nose with that of its wilder and more dangerous cousin, the tiger. With these immediate comparisons children will finally be able get to know animals the ways they are in real life! Ages: 6 and up
Scientists have discovered more than a million different species of insects that every day, in every part of the world, live their very diverse lives. Many fly, others walk or bore through wood. Some are pleasing to the eye, like butterflies; others, like cockroaches, a bit less. For the most part, insects are small – sometimes so small that you need a magnifying lens to see them – and that is the way we are used to thinking of them. But in this book, the insects are presented in their actual sizes and in many cases readers will be genuinely surprised to find some veritable giants among them. The book includes other impressive insect characteristics – how much they weigh, how fast they are, how large and small insects differ from each other – all of which can be seen in the life-size illustrations that make the insects seem as though they have just landed on the page. Ages: 7 plus
“…sumptuous large illustrations of the selected Works, with a beautifully printed tonality”
“lt is exciting to think about how this important collection can continue to grow while this publication is already a beautiful tribute to Scottish art.” — Journal of the Scottish Society for Art History, Volume 29, 2024-2025, p.128
The National Galleries of Scotland is home to the most important collection of Scottish art in the world. This beautifully illustrated book introduces the collection through 100 works, specially chosen by the curatorial team who care for them.
The selection ranges chronologically from a 16th-century portrait of a Scottish king to 21st-century installations and prints. Some of the most famous painters in Scotland’s history feature alongside some of the finest artists working in Scotland today. Many of the most distinctive movements in Scotland’s artistic heritage are represented, including the Celtic Revival, Arts and Crafts, the Glasgow Boys and the Scottish Colourists.
Each of the 100 works is reproduced alongside a text by one of 23 expert contributors. The introduction gives an overview of the collection and Scottish art history more broadly. It is perfect for those who already love Scottish art, and those who are yet to discover its riches.
The catalogue Friedrich Einhoff. 100+ includes 100 works on paper by the Hamburg-based artist Friedrich Einhoff (1936–2018) as well as 32 further works on canvas dating from various periods of his work. Einhoff’s pieces, which employ a wide range of painting and drawing techniques, all revolve around the central image of humankind and its ambivalent and fragile nature. Anonymous traces of figures, torn off fragments of bodies and facial contours oscillate between concentration and dissolution and speak to an image of humankind that is subject to constant change. In their alienation, displacement and fragmentation, in their isolated juxtaposition, his figures search for their sacrosanct state of being.
Text in English and German.
Since the nineties, Walter Van Beirendonck has been fascinated with masks. They change your identity, invoke a certain atmosphere and have an instant impact. Many artists, among whom are André Breton, Pablo Picasso and even Brueghel, have been influenced by them. Power Mask – The Power of Masks elaborates on the many different aspects of masks: the link between Western art and African masks, the supernatural aspect, rituals about masks, masks in fashion or as a fetish… Walter Van Beirendonck is “a truly engaged visionary and a passionate designer, artist and teacher.” – Jurgi Persoons, fashion designer. “Walter Van Beirendonck succeeded where I have failed; he turned me into a muscle-man instantly. He is a true artist and there’s not many of them around.” – Bono, lead singer of U2 “Come along and take a ride into the crazy helter-skelter, inside-out, upside-down world of Walter Van Beirendonck. Colours and shapes reach psychedelic dimensions to charm and astound you.” – Stephen Jones, milliner. This book accompanies an expo in the Wereldmuseum (World Museum) Rotterdam, from 1 September 2017 until 7 January 2018. Facebook @waltervanbeirendonckfanpage, @wereldmuseum Twitter @wereldmuseum Instagram @waltervanbeirendonck, @wereldmuseum www.waltervanbeirendonck.com, www.wereldmuseum.nl
Men in stately black, women with huge ruffs, children with golden rattles, old women with wizened faces, and self-satisfied artists… These are the main players in just about every portrait ever painted in the Southern Netherlands. From the15th to the 17th centuries, the tract of land that we today call Flanders was the economic, cultural, intellectual and financial heart of Europe. And money flows – with everyone who could afford it investing in a portrait.
Today, these cherished status symbols of the past have largely lost their original significance. But beyond their functional and emotional aspects, these portraits turn their subjects into gateways to the past. This book takes masterpieces from the collection of The Phoebus Foundation and outlines the broad context in which they came into being, peeling back levels of meaning like the layers of an onion. Whether captured in an impressive Rubens or Van Dyck, or an intimate portrait by a forgotten artist, the persons portrayed were once flesh and blood, each with their own peculiarities, hidden agendas and ambitions. Some portraits are very personal and hyper-individual. Others are a little dusty, the ladies and gentleman being children of their time. In most cases, however, their dreams and aspirations are surprisingly timeless and soberingly recognisable.
The Bold and the Beautiful
is an appointment with history: a meeting through portraiture with men and women from bygone centuries. But for those willing to look closely, the border between the present and the past is paper-thin.
Published on the occasion of the exhibition Blind Date. Portretten met blikken en blozen, Autumn 2020, in Snijders&Rockoxhuis Antwerp, curated by Dr. Katharina Van Cauteren & Hildegard Van de Velde with a scenography by Walter Van Beirendonck.
Around 1505 Goossen Van der Weyden, Rogier’s grandson, painted a monumental altarpiece depicting the various phases of Saint Dymphna’s insane life.
This Irish princess, who fled her incestuous father in the sixth century, was beheaded in the Kempen village of Geel. On account of her tragic end and uncompromising chastity, the princess was venerated from that moment on as the patron saint of the mentally ill. From the late Middle Ages, pilgrims flocked to Geel in large numbers to catch a glimpse of Saint Dymphna. They paid homage to the local celebrity in the hope that she would alleviate their mental problems. To this day, Geel is known for its unique treatment of the mentally ill, who are cared for at home by locals.
Goossen Van der Weyden’s altarpiece came into being at the height of Dymphna’s popularity. The masterpiece was intended for the church of Tongerlo Abbey. Today this work is characterised by a remarkable iconography and an eventful history: a panel was lost and the triptych was even sawn into pieces. It ultimately came into the hands of a team of specialists from Belgium and abroad who subjected the altarpiece to a meticulous conservation over a period of three years, a colossal undertaking during which new techniques were used. This gave the conservators unprecedented insight into the mind, and workshop, of an early 16th century painter.
This richly illustrated book is the result of years of research and contains essays by Till-Holger Borchert (Musea Brugge), Stephan Kemperdick (Gemäldegalerie, Staatliche Museen, Berlin), Katharina Van Cauteren (The Phoebus Foundation, Antwerp), Lucinda Timmermans (Rijksmuseum, Amsterdam), Patrick Allegaert (Dr. Guislain Museum, Ghent) and many others.
This beautifully illustrated book explores the artistic roots of Flemish identity during the last decades of the 19th century and the first decades of the 20th century. Through art, essays, poems, and reflections by artists, academics and collectors, it revives the cultural context of the Flemish Belle Eqoque. Featured here are works by Emile Claus, Valerius De Saedeleer, George Minne and Gustave Van de Woestyne, James Ensor, Rik Wouters and Léon Spilliaert, Constant Permeke, Gust De Smedt, Frits Van den Berghe and Edgard Tytgat.
Since its inception, T.O.P. office has boosted architecture as an uncompromising social tool to persistently question the terrestrial scale and the delicate balance with mankind. Whichever way you turn it, Earth – the orb – is the undeniable alpha and omega for any future stance, action or intervention. An insight Luc Deleu & T.O.P. office have never failed to underscore – or challenge.
Armed with an unsparing but humorous logic, a firm belief in the freedom of the individual, and a persistent commitment to ecology, T.O.P. office continues to hold up a mirror to society. Always unsolicited. Simply because they have to.
For this publication, editors Peter Swinnen and Anne Judong were given unlimited access to the archives of T.O.P. office. The title is also the filter through which to examine the living archive. Which projects – whether conceived in the 1970s or 2000s – retain the intelligent promise of a future plan? And how can they enlighten designers, architects, urban planners, ecologists, cultural workers, administrations and policymakers of today and tomorrow? A future plan in itself.
For this unique book, photographer Servaas Van Belle scouted every corner of Belgium to find just the right kind of shed, always photographing them in the same perfect lighting conditions. And for Van Belle ‘perfect’ means in a haze of fog.
Livestock shelters in meadows and fields are so common in the Belgian landscape and culture that nobody ever pays them any attention. Nonetheless, the countryside offers quite a range of architectural gems. These sheds and barns are the product of man and nature, quietly radiating a poignant if decaying beauty. They come in many shapes and sizes, are constructed from motley materials (often recycled) and exhibit a varied colour palette. Clearly showing the ravages of time, they tell wordless stories that Servaas Van Belle can capture like no other.
Features an introduction by Stephan Vanfleteren.
Text in English and Dutch.
Dick van Gameren, a partner with the renowned Dutch architecture firm Mecanoo, has been engaging in housing design for the past 25 years as part of his work as designing architect as well as his research and teaching at TU Delft’s Global Housing Study Center. In this book, he presents some 40 of his own projects in this field through concise texts and photographs with explanatory captions as well as through plans and drawings. They’re grouped to illustrate seven specific aspects of housing design: Streets and Squares, Courtyards and Patios, Gardens, Halls, the Fireplace, Walls, and Roofs. Together they constitute a multi-faceted catalogue of housing typologies.
In four supplementing essays, van Gameren explores evolutions in residential architecture in the Netherlands. He places his own concepts in context of these developments and expands on what he considers the key factors of good housing design. A particular focus he puts on affordable housing, a pressing issue in so many countries and metropolitan areas around the world.
Dutch Dwellings is an inspiring read for anyone involved in housing design today.
In the autumn of 2023, Museum Mayer van den Bergh invited 15 contemporary artists to enter into a dialogue with its impressive collection. The works of Bram Demunter, Marcel Dzama, Adrian Ghenie, Kati Heck, Leiko Ikemura, Edward Lipski, Jonathan Meese, Ryan Mosley, Muller Van Severen, Tobias Pils, Tal R, Ben Sledsens, Dennis Tyfus, Inès van den Kieboom and Rinus Van de Velde are placed alongside Pieter Bruegel’s world-famous Dulle Griet (‘Mad Meg’), but also next to the portraits of Cornelis De Vos and Alessandro Allori, still lifes by Antwerp masters such as Daniël Seghers and works by Jacob Jordaens, Joachim Patinir and Gerard de Lairesse. A number of artists have also been directly inspired to create new work, including Jonathan Meese, Tal R, Ben Sledsens, Bram Demunter, Rinus Van de Velde and Dennis Tyfus.
Text in English and Dutch.
In this ode to the charms of Paris and Parisian style, Belgian photographer Henk van Cauwenbergh captures the essence of the city’s most iconic venues and its perennially chic denizens. He seeks out the culinary hotspots of Paris and turns his camera on the places to see and be seen. Inspired by the microcosm of Saint-Germain, his Paris is imbued with the spirit of the places where people gather: the casual efficiency of waiters at Les Deux Magots and the Café de Flore, the boisterous atmosphere of Brasserie Lipp. Long influenced by urban and innate style of Serge Gainsbourg, Charles Aznavour, Catherine Deneuve, and Jeanne Moreau, van Cauwenbergh’s Paris is one of seduction and nonchalance, of beautiful women, and the heady emotions of first love.
The National Galleries Barberini and Corsini contain paintings and sculptures of exceptional historical and artistic value. Page after page, through the masterpieces of many of the greatest Italian artists from the Middle Ages to the 18th century (Angelico, Raphael, Piero di Cosimo, Bronzino, Lotto, Tintoretto, Cortona, Caravaggio, Bernini, Reni, Guercino, Batoni, Canaletto) the reader can follow the development of art history. The collections also include artwork by Holbein, Murille and Van Dyck, besides a few antique pieces. In addition to the 100 entries, there are descriptions of particularly important elements that are part of the palaces’ architecture, such as Borromini’s spiral staircase, Bernini’s main staircase and the huge ceiling frescoed by Pietro da Cortona.
Stepping into the CEO role for the first time is a formidable challenge. With high expectations for transformative leadership, how do you create lasting change? This book serves as your essential guide, offering the tools and insights necessary to succeed. The first 100 days are crucial for analysing your organisation and building a robust growth strategy. Even seasoned CEOs will find valuable insights to inspire new avenues for expansion.
The sound of Maria Callas, artist and woman.
Maria Callas was one of the most influential and renowned opera singers of the 20th century. Callas 100 recounts the diva’s unparalleled career and epoch-making moments through exclusive images and previously unpublished documents, such as her debut at La Scala in 1950, her 1958 Norma at the Rome Opera, her debut at the Metropolitan Opera in 1956, and her Lucia di Lammermoor at the Dallas Civic Opera in 1959.
Intimate conversations with friends and collaborators, anecdotes and photographs from personal archives introduce the unprecedented journey into the life of the artist beyond the curtain, from her stay in Ischia with her friend Giovanna Lomazzi to her trip to Africa with the writer Dacia Maraini, from her lessons at the Julliard School in New York to the private lessons she gave to the Soprano Sylvia Sass in Paris.
Text in English and Italian.
“Haunting photographs” – The Wall Street Journal. “Henk van Rensbergen is a hero for urban explorers around the world” – Flanders Today. “As an airline pilot, Belgian-born Henk Van Rensbergen was used to travelling the world. But he found a great way to supersize that passion: hunting for the most wonderful, secret, haunting abandoned places” – CNN. While his crew is resting at the pool, pilot and photographer Henk van Rensbergen explores deserted city palaces, overgrown factories or desolate areas of nature, finding beauty in the decay. This engaging book of photographs, a revised edition with new material, lets us wander through abandoned places, including Abkhazia, a break-away region bordering Georgia and Russia and the newest must-visit for every urban explorer.
“Fusion gardening embraces an exciting mix of different styles, making the whole greater than the sum of its parts”. – Erik van Gelder “My ambition is to extend the living space beyond the interior. And to create outside spaces that enhance the lives of those who use them” – Erik van Gelder Creative spirits colour outside the lines. They draw inspiration from a variety of domains that they then combine and craft into a single harmonious unit. Erik van Gelder’s work is the embodiment of this. He integrates a range of styles into grand garden designs, in which everything has its own place. The book XTRRDNR Gardens gathers a carefully-chosen selection of his most enchanting projects. Its richly illustrated pages lay bare the designer’s soul and vision, casting light on his background and working methods. A generous visual biography that will inspire all lovers of exceptional gardens, this coffee-table book is one to treasure: an homage to good taste. Text in English and Dutch.
Museum Boijmans Van Beuningen has been collecting Surrealist art since 1965. In something over half a century, what began with a single purchase has now grown into a world-class core collection with works by Dalí, Magritte, Man Ray, De Chirico, Ernst and many others. Surrealism, which started as a literary movement, is not a school, but rather a collective attitude or lifestyle in which automatism, chance and the subconscious are key. The museum’s collection includes paintings, sculptures, objects, drawings, prints and photographs – as well as a large number of Surrealist publications, magazines, manifestos and pamphlets. This dream collection has now been brought together in a catalogue raisonné for the first time.
The catalogue raisonné contains three introductory essays. Sandra Kisters, the current Head of the Collection and Research Department, provides an outline of the Surrealist movement. Curator of Modern and Contemporary Art, Saskia van Kampen-Prein, explains the acquisition history and establishment of the museum’s Surrealist art collection. Surrealism expert Laurens Vancrevel examines the museum’s unique, often neglected collection of Surrealist publications. The essays are followed by the catalogue, consisting of 108 short texts about the artworks. Most of the texts were written by Marijke Peyser, who was awarded her doctorate in 2008 with her dissertation on the Zodiaque, a circle of patrons around Salvador Dalí. The Duchamp texts are by Bert Jansen, who obtained his doctorate with his thesis on Marcel Duchamp in 2015.
Did you know that Museum Boijmans Van Beuningen was the first public art institution in the Netherlands to acquire a painting by Vincent Van Gogh for its collection? And that 20,562 litres of water are needed for Olafur Eliasson’s installation Notion motion? Or that Gerard Reve once sent an admiring letter to the museum about Geertgen tot Sint Jans’s small panel The Glorification of the Virgin? These and many more fascinating facts can be found in a lavishly illustrated publication featuring more than 150 highlights from the collection.
For over 170 years, Museum Boijmans Van Beuningen has been building up a very varied collection of art and design from the Middle Ages to the present day. Best of Boijmans presents the collection as a unity in diversity. Detached from time, place and medium, surprising connections are made between the different areas of the collection. A sculpture of a human figure by the contemporary artist Maurizio Cattelan bears an unexpected resemblance to a drawing of John the Baptist by Raphael; a 19th‐century landscape by Barend Cornelis Koekkoek sits extraordinarily comfortably alongside a work by the Rotterdam artist Daan van Golden. This handy little book takes you on a thematic, visual journey through the collection.
This book, designed and edited by the Italian-Swiss artist Vivianne van Singer, is an ode to Italian sculptor Luciano Fabro (1936-2007), a well-known Informalist artist and one of the founders of the Arte Povera movement. Having been long acquainted with his work and then having met the artist in person, Van Singer reflects upon his untimely death and pays homage to his career in a collection of texts, images, and works. The starting point of the project is a letter Van Singer sent artists, critics, and prominent figures of the art world in which she invited them to submit a work of art or a text exemplifying what Luciano Fabro had represented for them. Among the contributors to this collection: Giovanni Anselmo, Izzo Arcangelo, Gianni Caravaggio, Rudi Fuchs, Von Fürstenberg, Giovanni Lista, Alessandra Lukinovic, Massimo Minini, Giulio Paolini, Margit Rowell, Sarkis, and Ettore Spalletti.
Text in English, German, French, and Italian.
The Belgian architectural firm Van Damme – Vandeputte was founded 5 years ago but their portfolio is impressive, featuring a wide range of architectural projects: new residential constructions tailored to the client’s needs, sustainable and high-quality renovations, interior design with special detailing, offices and corporate sites built with, among other things, great attention to the integration into the surroundings, and restorations of (protected) heritage sites. In this coffee-table book, compiled and designed with the greatest care, the architects present a selection of projects and shed light on the process and philosophy behind their oeuvre. The book is like an extension of their work and exemplifies the firm’s passion and dedication, captured in the amazing photos by Thomas De Bruyne (Cafeine). He specialises in architecture and interior design photography and works for renowned clients and firms in Belgium and abroad.