“This is the very best of Antwerp and the best from here in Oxford.” — The Oxford Times Weekend
“This entertaining exhibition of the 16th- and 17th-century drawings from the Low Countries has energy to spare.” — The Telegraph
This catalogue will accompany the Bruegel to Rubens exhibition held at the Ashmolean Museum in Oxford between 23 March and 23 June 2024.
Through a selection of over 100 world-class drawings created by Flemish artists in the sixteenth and seventeenth centuries, an insightful and comprehensive overview will be given into how these drawn sheets were used as part of artistic practice, within or beyond the artist’s studio. By revealing the drawings’ function, rather than on their attribution or iconography, these sheets will become more fully understood through the eyes of contemporary readers. Identifying how and why these sheets were created will render these artworks more accessible to a wider audience. The three main essays will each deal with one of the principal functions of drawings at the time: studies (copies and sketches), designs for other artworks (paintings, prints, tapestries, metalwork, stained glass, sculpture and architecture), and finally the independent drawings. Each essay will discuss the relevant works within their functional context and compared with other related objects. Introductory chapters will focus on what precisely can be considered a drawing, including its materials, media and techniques, in addition to an attempt to explain the notion of Flanders and Flemish art. Emphasis will be placed throughout the catalogue on how Flemish artists collaborated in creating the most astonishing artworks of their time, unveiling their networks and friendships, as well as their travels across Europe, revealing their international importance.
The exhibition is a partnership with the Museum Plantin-Moretus in Antwerp and will bring together for the first time the most stunning drawings from both the Ashmolean and the Plantin-Moretus collections, in addition to further loans from renowned Antwerp and Oxford institutions like the Rubenshuis and Christ Church Picture Gallery. Many of the sheets coming from Antwerp are registered on the Flemish Government’s Masterpieces List and will not be shown again for the next five to ten years to protect them from fading. Prominent artists featured in this catalogue include Pieter Bruegel the Elder, Peter Paul Rubens, Anthony van Dyck, and Jacques Jordaens, among many others. Highlights will include a sketchbook in which a young Rubens has copied Holbein’s Dance of Death woodcuts, intricate pen and ink drawings by Pieter Bruegel, meticulously drawn miniatures by Joris Hoefnagel, portrait studies by Anthony van Dyck, and a rare survival of a friendship album containing numerous drawings and poems dedicated to its owner. Two recently discovered sheets by Rubens will also be included, a design for a book-illustration on optics and an anatomical study of three legs.
Rietveld Schröder House: A Biography of the House tells the story of the iconic house and its creators, Truus Schröder (1889–1985) and Gerrit Rietveld (1888–1964). The construction of the house, the designs by ‘Schröder & Rietveld Architects’, the war years, the renovations and the many family parties: this richly illustrated publication builds up a picture of the colourful life of the idiosyncratic Rietveld Schröder House.
In addition to many previously unpublished photographs, drawings, designs and letters, the book provides in-depth insight into Rietveld and Schröder’s collaboration and their shared ambition to radically change traditional (interior) architecture. The research by authors Natalie Dubois and Jessica van Geel also convincingly shows that Truus Schröder’s role was far greater than previously assumed. As a gifted designer, Schröder was much more than Gerrit Rietveld’s ‘muse’. Her creative vision proved crucial to their joint projects.
With its bespoke design by Irma Boom, this publication is a tribute to the world-famous house built in 1924 that continues to inspire today. Rietveld Schröder House: A Biography of the House is an accessible and essential reference work for lovers of modern architecture, art history and revolutionary daring.
This publication coincides with the centenary of the Rietveld Schröder House, and is issued in collaboration with Centraal Museum Utrecht.
Text in English and Dutch.
Image © Rietveld Schröder House
Fotoalbum met portretfoto’s van Gerrit Rietveld – Collectie Centraal Museum Utrecht / Rietveld Schröderarchief
Afbeelding van Rietveld Schröderhuis – aanzicht tussen bomen door, 1925 uit het zuiden, met kale boompjes – Collectie Centraal Museum Utrecht / Rietveld Schröderarchief
Interieur verdieping, ingeschoven schuifwand woonhoek 1925 afdruk – Collectie Centraal Museum Utrecht / Rietveld Schröderarchief © Pictoright
‘What if Vincent van Gogh suddenly realises that he is… himself a sunflower? Or thinks he is?
This book recounts the story of this well-known Dutch artist who, standing in the midst of his overwhelming sensory world, becomes aware just how thin the line between reality and dream world is. Did he live and work on a narrow borderline between truth and fantasy? Did he enter a different, perhaps higher frequency? How did all the images and observations come into him so intensely, and then spill out again onto his canvases? And how did the artist, but also beloved son, brother,… and therefore perhaps sunflower, relate to the world and his immediate environment?
In this richly illustrated, poetic book, author Paul de Moor creates, in words and images, an immersive experience for children aged 10 and over into the world of Van Gogh. As a celebrated children’s author, De Moor has already introduced children and young people to the artistic universes of Roger Raveel, Francis Alÿs, Michaël Borremans, Luc Tuymans and Raoul De Keyser. And now also Van Gogh.
Ages 10 plus.
“Van Hulle is not an interior designer but an interior artist. He understands the art of transforming the soul of the occupants into the soul of a house.” – Elle Deco
Grand Interiors is an immersive ‘grand tour’ of Geoffroy Van Hulle’s grandiose interiors. The Belgian decorator gives us a look inside exuberant private homes, from Knokke to New York. In his unpretentious interiors, he sprinkles generously with colours, patterns and exoticism. ‘Nowhere in my interiors is the distance to a bookcase, fireplace or bar cabinet more than five steps,’ he says. With the bravura of his teachers Cecil Beaton and David Hicks, he designs dazzling sets for everyday theatre.
Please welcome on stage, mister Geoffroy Van Hulle and his Grand Interiors!
If flowers could talk… In Forever Flowers, restorer and head of the conservation studio of The Phoebus Foundation, Sven Van Dorst (1990), offers a fresh perspective on Flemish flower still lifes from the early modern period (1600-1700). Eight paintings, prints, and drawings from the collection of The Phoebus Foundation serve as the basis to discuss the intricacies of this genre. With his unique approach, the author-restorer sheds light on the knowledge and craftsmanship behind painted bouquets. Through material-technical research and experiments, he establishes connections and demonstrates the outstanding expertise of the early modern creators of these painted gems. In this book, Van Dorst unfolds new insights about eight fascinating works and invites the reader to view the flower still life genre differently. One by one, intriguing stories blossom about the religious significance of flowers, exotic species and international connections, the use of real butterfly wings in paintings, and previously undiscovered aspects of these refined still lifes.
Jan De Maesschalck’s paintings represent a sharp view on topical subjects and the news. However, his clear observation of current events is depicted within an atmosphere of muse and memory. As such, his work represents an impression of melancholy and mockery, yet both in a mild form. According to De Maesschalck, melancholy leads to beauty. The tone set in the depiction of schadowy interiors and forlorn women is relativizing and even humorous. All works speak of a strong but indefinable desire. De Maesschalck’s metier reveals an extreme attention for detail. With technical precision, he prepares his paper and draws with paint. Utilising acrylic paint that dries immediately, De Maesschalck has to work fast. He is drawer and painter at once. Brushstrokes are visible, and hence his secure draughtsmanship contributes to the vibrant quality of the works.
In this book, photographer Henk van Cauwenbergh introduces us to the marvellous worlds of matador Jean-Baptiste Jalabert (France) and prima ballerina Francesca Docli (Italy). The public’s favourite ‘Juan Bautista’, born in Arles, France and ballet dancer Francesca Dolci, a flamboyant member of the Les Ballets de Monte Carlo, are the representatives par excellence of a world in which sports and art seamlessly melt together. Follow both top athletes/performers during their daily preparations, become a privileged witness to the particular rituals preceding each performance and be a spectator of a dazzling sham fight at the Mediterranean! Text in English, French and Dutch.
From the technologically revolutionary to the downright ridiculous, this collection of concise musings documents the varied and often humorous relationships humans have developed with members of the plant kingdom.
These pithy stories span species celebrated as tribal fodder to delicacies elevated as some of our most valued possessions, from the ultimate symbols of devotion and love to campaigns that resulted in genocide, revolt and the shaping of the global political landscape, demonstrating a relationship between humans and the plant kingdom as broad, wonderful, and strange as the plants themselves.
For family game nights, for long car rides or even just back-to-school trips, for potty talk or playtime with friends.
This box includes 100 dinosaur cards, each with a question and multiple-choice answers on one side, and the correct response on the other. Why did dinosaurs become extinct? Why were some dinosaurs so large? Why did tyrannosaurus have such short arms? Ages 5+
The National Galleries of Scotland comprises three galleries: the Scottish National Portrait Gallery, Scottish National Gallery of Modern Art and the Scottish National Gallery. Together these galleries house one of the finest collections of art to be found anywhere in the world, ranging from the thirteenth century to the present day. Many of the greatest names in Western art are represented by major works, from Titian, Rembrandt and Vermeer through to Picasso, Hockney and Warhol. This lavishly illustrated book contains one hundred of the National Galleries of Scotland s greatest and best-loved treasures. The selection made by the Director-General Sir John Leighton is intended to evoke the special character of the collection at the National Galleries with its distinctive interplay between Scottish and international art as well as the many conversations that it establishes between the art of the past and the present.
For family game nights, for long car rides or even just back-to-school trips, for potty talk or playtime with friends. This box includes 100 animals cards, each with a question and multiple-choice answers on one side, and the correct response on the other. Why do wolves howl? Why do elephants have big ears? Why doesn’t the polar bear slide on ice? And many more!
Age 6 plus.
From the mythical De Dion Bouton Type K1 to the Delahaye, from the Jeep Willys to the combi Volkswagen, from the Mercedes Benz to the Ford Mustang Shelby GT 500, from the Aston Martin DB7 to the Bugatti Veyron 16.4, and from the Austin Mini to the Range Rover.
A hundred years of innovation, inventiveness and triumphs are condensed in this book, which reads as easily as a novel, and is illustrated with a rich and rare iconography.
“The photography is stunning and the book gives a privileged insight into some of the most beautiful and stylish resorts. Highly Recommended! “Hot Brands Cool Places
There are few destinations more alluring than resorts. The combination of an evocative location, lavish rooms, exceptional service and architecture that’s designed to inspire, has long been irresistible to travellers. In the past decade, however, the global search for stylish getaways has become so intense that hospitality has now become the world’s fastest growing industry.
Few people understand the nature of resorts and the secrets of designing them more than the world-renowned architects and designers, Wimberly Allison Tong & Goo (WATG), whose mission over the last six decades has been ‘to design experiences that lift the spirit’. Having created hundreds of exclusive destinations for well-known companies such as the Four Seasons, Sheraton and Hyatt, ranging from luxurious island resorts to exotic desert getaways, sophisticated urban hideaways, and cool mountaintop retreats, WATG has become a respected name in the area of resorts and hotels. Some of their extraordinary projects include the Hotel Bora Bora in French Polynesia, The Palace of the Lost City in South Africa, The Ritz-Carlton Laguna Niguel in California, and the Hyatt Regency in Kauai Resort & Spa in Hawaii.
This spectacular volume looks at these and other world-class destinations, and also takes you behind the foyers to explore the inspiration and ideas behind the designs, which often begin from a thought on a notepad. As well, it offers insightful interviews with those involved with the projects, explains how the vernacular architecture of the region can influence the end design, and even predicts what resorts may look like in the future.
“It’s very hard for me to accept that Sukita-san has been snapping away at me since 1972, but that really is the case. I suspect that it’s because whenever he’s asked me to do a session, I conjure up in my mind’s eye the sweet, creative and big-hearted man who has always made these potentially tedious affairs so relaxed and painless. May he click into eternity.” – David Bowie
For Sukita, the creative mastermind behind the iconic cover for David Bowie’s album ‘Heroes’, photography is an expression of a ‘fundamental secret’ shared between artists: a spiritual communication that transcends the minutiae of language. Born and raised in Kyushu, Japan, Sukita’s reverence of American and Western counter-culture lured him to New York and London. He immersed himself in the western music scene which he loved, while his relaxed photo sessions endeared him to many celebrity figures, including David Bowie and Iggy Pop (with both of whom Sukita had a 40-year long professional relationship), Marc Bolan, and Japanese musician Hotei, best known for his work on the Kill Bill soundtrack. His work spans the early US and UK seventies rock scene, the London punk-rock era to the present crop of emerging Japanese rock artists.
This photo book is the first time the photographer has collaborated on a major retrospective of his career and includes some of his early documentary work and his rarely-seen travel and street photography. It introduces the artist through two essays that explore his place within the wider context of both Western and Japanese photography, presented alongside the many iconic shots of both Western and Japanese artists that earned him his eternal reputation.
“… Van Belleghem always delivers. Most companies want to create a customer-centric culture, but many struggle, even though they are capable of doing so. This is what the author refers to as A Diamond in the Rough. In addition to clearly articulated concepts, there are more than 100 tips and examples to help you build a culture that gets and keeps customers.” — Forbes
This book shows you how to build a customer-oriented corporate culture. Turn your rough diamond into a beautiful shiny jewel. Many companies have the intention to be customer-oriented, but only a few succeed in making the customer really happy. The key to success is building a customer-centric culture: a culture where both leaders and employees of an organisation are aware of their role towards the customer at all times. In this book you will learn in very concrete steps and clear tips on how you can develop a customer-oriented corporate culture. Success or failure is often in details and in having the right attitude.
Maps that Made History is like a 1000-year-long journey around the world; every one of the carefully selected maps featured here has influenced the course of history in some way. This beautifully illustrated book gathers 100 marvellous old maps, each with a fascinating story to tell, from a 12th century Persian world atlas to a Soviet spy map. These maps were used to resolve conflicts, situate battles, construct a road or a canal, establish important shipping routes, even as propaganda tools. All the maps are reproduced in an oversized format, while accompanying text from an experienced team of historians explains the importance of each one.
‘Making every day’s life extraordinary’ is not just a slogan for Dutch designer and floral artist Pim van den Akker. His floral creations connect the worlds of design and floral art at the same time prove how natural forms, structures and colours are determinative for the atmosphere. Pim van den Akker is a master in displaying the beauty of both flowers and plants in a surprisingly playful and movingly honest way. Beauty, naturalness, structure and individuality are the key words in his creations. This monograph not only shows the virtuosic skills of this floral expert, it is also a splendid testimony to the philosophy of this exceptional floral designer.
In 2019, it will be 450 years since the death of Pieter Bruegel the Elder (c. 1526/28-1569). To mark this anniversary, the Kunsthistorisches Museum in Vienna is organising the first ever retrospective of Bruegel’s work, while The World of Bruegel will be shown in the Bokrijk Open-Air Museum. The two institutions are joining forces to bring Bruegel’s masterpiece The Fight Between Carnival and Lent (1559) to life. An important key in this respect are the numerous everyday objects that are depicted in the painting. In collaboration with the Museum Boijmans Van Beuningen (Rotterdam) and the Rijksmuseum (Amsterdam), the props that Bruegel depicted have been examined and interpreted from a contemporary perspective. The authors allow the objects to speak for themselves, preceded by an introductory essay by curator Sabine Pénot of the Kunsthistorisches Museum in Vienna. Just as Bruegel’s paintings were ‘conversation pieces’ in their day, intended to trigger a discussion between guests during dinners, this book presents a three-way conversation about The Fight Between Carnival and Lent through Bruegel realia, in which art history (Katrien Lichtert), historical design (Alexandra van Dongen and Lucinda Timmermans) and literature (Abdelkader Benali) enter into a dialogue. In A Conversation Piece, the authors reveal the humour, symbolism, imagery and hidden stories behind the everyday objects in the painting. The exhibition Pieter Bruegel the Elder will run from 2 October 2018 to 13 January 2019 in the Kunsthistorisches Museum, Vienna, and the exhibition The World of Bruegel will be on display in the Bokrijk Open-Air Museum from 6 April to 20 October 2019.
Melle Smets and Joost van Onna took only twelve weeks to assemble Turtle 1, a car built entirely from recycled parts. Made in Africa, Turtle 1 is entirely suited to the local context, sufficiently sturdy to resist the climate and the road conditions, and easy to operate.This book is part of an extensive documentation of the project; this documentation spans several years and has used exhibitions, films and apps to tell the story of this great idea. The automobile industry is monopolised by multinational companies who care only for profit, and constantly seek to outbid each other by developing ever more sophisticated technology. The majority of people outside of the Western world have little access to this market. However, Turtle 1: Building a Car in Africa proves how people’s ingenuity can tackle any challenge. Dutch artist Melle Smets and sociologist Joost van Onna went to Suame Magazine in Ghana, one of the largest industrial areas in sub-Saharan Africa where some 200,000 people dismantle and repair cars and sell used spare parts. Their aim was not only to develop a totally new type of car but, more importantly, to boost autonomy and self-reliance in an attempt to be free from global economic interests. Within two years, the vehicle attracted much attention from the public and the media both in Africa and the Netherlands, prompting Smets and van Onna to create the conditions for producing the car on a small, local scale. The production, however, never took off as their Ghanaian partners had other intentions in spite of all success. While Smets and van Onna promoted their recycling model, the Africans had tragically begun to work on a luxury version of the car. A homage to a project that was never fully realised, this book is a succinct demonstration of humanity’s ability to overcome odds. Exhibition runs until 28 August 2016, Project Rotterdam, Museum Boijmans Van Beuningen, Rotterdam, Netherlands.
Making cheese is an art, tasting cheese is a delight. Respect for craft, raw materials and animals are how quality raw milk cheeses obtain their full bodied flavours, rich in depth and complexity. For this book, cheese refiner Van Tricht and cheesemaker De Snijder went looking for the best raw milk cheeses. The result is a selection of sustainable top products that are entirely handmade and prepared the traditional way. Here, the authors talk about the people and the stories behind 20 international raw milk cheeses, while demonstrating their love for both the profession and the product.
“The new book features a ton of never-before-seen photos that expose the sheer variety, wonder, and beauty of these organisms that inhabit all the waters around us.” — Deeper Blue
Planktonium is a photo project and a short film by Dutch photographer/cinematographer Jan van Ijken about the unseen world of living microscopic plankton. It is a voyage into a secret universe inhabited by alien-like creatures. These stunningly beautiful, extremely diverse, and numerous organisms are unknown to most of us because they are invisible to the naked eye. However, they are wandering beneath the surface in waters all around us and are of vital importance for all life on earth. Phytoplankton (small plant-like cells) produce half of all the oxygen on earth by photosynthesis, like plants and trees do on land. Zooplankton form the base of the food chain of aquatic life. Plankton also play an important part in the global carbon cycle. They are currently threatened by climate change, global warming and the acidification of the oceans. Jan van Ijken photographed the plankton through microscopes, revealing the beauty and delicate structures of these minute organisms in the finest detail.
Seventeeth-century Dutch art is famed throughout the world. Yet how ‘Dutch’ are those paintings in actual fact? Did the countless history pieces, landscapes, portraits, still lifes and scenes from everyday life truly originate in cities like Amsterdam, Haarlem, Delft and Leiden? Or might the cradle of these genres actually be located somewhere else?
This book presents over 90 masterpieces by Flemish and Dutch artists to show how 17th century Dutch painting could never have flourished the way it did without the foundations laid in 16th century Antwerp. Thoroughly researched, it tells the story of the talented and accomplished artists and merchants who migrated north in search of religious liberty and new commercial opportunities after Antwerp fell to Spanish Catholic troops in 1585.
With text contributions by Koenraad Jonckheere, professor of art history at Ghent University and author of the bestseller A New History of Western Art, Micha Leeflang, curator at the Museum Catharijneconvent, and Sven Van Dorst, head of the restoration studio at The Phoebus Foundation, and others.
“A breathtaking and emotive journey across our planet.” – Outdoor Photography
“van Oosten provides plenty of technical details and anecdotes about how he took his pictures, as well as explanations about the subjects they face.” – Nigel Atherton, Amateur Photographer
An elephant, a waterfall, a tree. For award-winning nature photographer Marsel van Oosten, simplicity is the ultimate form of expression. Through singular subjects and pared-down motifs, he captures the beauty, diversity, and vulnerability of the natural world. This visually stunning volume begins with photographs from Africa before moving through all the continents. The alternations between landscapes and close-ups, colour and black-and white photographs, create a stunning, emotive journey across the planet we call home.
Text in English and German.
How do you portray sin, evil and foolishness in humans? Religious and political tensions and even the weather – we are talking about the depths of the Little Ice Age – contributed to a boom in representations of the Seven Deadly Sins in the Low Countries and immediate surroundings in the long sixteenth century. In this publication, four accessibly written essays highlight different sides of the pictorial tradition of the Seven Deadly Sins, with the renowned print series of the same name designed by Pieter Bruegel the Elder at its centre. A fifth, literary essay describes the feverish visions of one of the victims of a true 16th-century series of murders permeated by the deadly sins.