The dahlia, a flower that was once thought of as old-fashioned, has surged in popularity over the past few years due to the development of new varieties and an uptick in appreciation from Royals and celebrities. They appear in a broad spectrum of beautiful colours and eccentric shapes, and thanks to their long flowering time they are garden crop favourites. This inspirational book explores every aspect of the dahlia from its history to its sustainable cultivation.

Freedom, simplicity and togetherness: that’s what life is all about according to happy campers Els Sirejacob and Bram Debaenst. Those values are the reason why they love the camper van life so much; they’re also qualities you’ll recognise in Els and Bram’s work as a food stylist and food photographer.

Camper Food & Stories is the result of Els and Bram’s shared passion for camper van travelling and slow cooking. It’s an ode to life on the road as well as to good, pure and flavourful food.

With this book you’ll travel from the Black Forest to Denmark and from Cornwall to the Balkans. You’ll discover the most beautiful unspoilt places in Belgium and the Netherlands, and you’ll be inspired by the wonderful, dreamy travel photos and personal stories.

This book is of course also about food. The recipes in it honour the local cuisine and products of each destination. The featured dishes are uncomplicated yet bursting with flavour, and made from fresh, local ingredients – like fire-baked veggies with yoghurt and mint, heart-warming slow-cooked stews, barbecued shellfish or easy and healthy breakfasts. Of course, these camper recipes are perfect for cooking at home too, with the added bonus of feeling like you’re on vacation.

The genesis, development and life-long occupation of the McIntyre house, built in 1972 as part of a multiple-dwelling subdivision, provides possible answers to some very pressing contemporary design questions. How might one live near the city and be respectful of nature? How might efficiently built dwellings also be spacious and dense site occupation still allow for privacy? This history is recounted through text augmented by photographs and site diagrams, house sections and plans. They reveal a modern architecture on the west coast that resulted from an interplay of both the physicality of the land and a culturally imbued landscape.

On September 29 and 30 1941 more than 33,000 Jewish men, women, and children were murdered in Babyn Yar, a gorge near Kiev. This event constituted the largest single massacre perpetrated by German troops against Jews during World War II.

In commemoration, a synagogue designed in the shape of a book will open on the same site in 2021. When opened, the book building’s inner space and its furnishings unfold. This impressive movable structure was designed by Manuel Herz, whose studio runs offices in Basel and Cologne. This book for the first time shows the Babyn Yar synagogue captured in photographs by celebrated architectural photographer Iwan Baan, as well as through plans and model photos.

Yet the core part of the book tells the story of the Jewish people and of Judaism through the medium of space: the Jewish concept of space from biblical times to the present. Space as a leitmotif is understood in broad terms here: territorially, architecturally, psychologically, theologically, intellectually, as well as pertaining to the persecution of the Jewish people. Rather than in an abstract treatise, this story is told through 135 brief and engaging texts by Robert Jan van Pelt, a leading Holocaust researcher and professor of architecture. Each of these reflections is illustrated with drawings and watercolours by New York-based artist Mark Podwal, who is known for his illustration of Elie Wiesel’s works.

Haute Couture Architecture: The Art of Living Without Walls by Anneke van Waesberghe is so much more than a book about tented green building architecture. The book is part design manifesto, part personal diary, and part manual for future sustainable living. One in which rampant consumerism has been replaced by a more thoughtful design from the excesses of modern times to a new state of being for living sustainably and in harmony with the rhythms of the planet. It is the tale of one woman’s odyssey living alone in the jungle finding true meaning in life and manifesting its beauty into a way of sustainable living that may set a blueprint for our future existence on Earth. The author leads readers to encounter a new paradigm by showing the luxury of simplicity and the beauty of small things.

With our consumer way of living and doing things and how the world is evolving, the pace we follow as consumers rather than humans has become outdated and is not the way to go forward. We cannot solve new problems that follow our destructive actions; we have to shift our thinking from ‘me’ to ‘we’. Haute Couture architecture respects artisans, hand-made goods, self-sufficiency, and caring for nature. Being close to nature is a lifestyle of forward-thinking outside the box and is a natural means to discovering ourselves.

Ultimately Haute Couture Architecture: The Art of Living Without Walls bridges the gap between nature and architecture.

Official catalogue of the eponymous exhibition curated by Bovenbouw Architectuur.

How do city and architecture flourish together? This question is central to the three‐dimensional capriccio that displays a fictional Flemish urban environment. Over time, the informal city in Flanders and Brussels has developed a unique relationship with its architecture. This staged urban landscape reveals how historical layers, morphological peculiarities and unforeseen collisions are an endless source of energy for contemporary architectural production. Published on the occasion of the exhibition Composite Presence curated by Bovenbouw Architectuur in the Belgian Pavilion at the Biennale di Architettura 2021 in Venice, Italy. The exhibition and publication are a production of the Flanders Architecture Institute on behalf of the Flemish Minister for Culture, Jan Jambon.

With texts by Sofie De Caigny, Irina Davidovici, Maarten Van Den Driessche, André Loeckx, Leo Van Broeck, Christian Rapp, Kristiaan Borret, Peter Vanden Abeele, Stefan Devoldere, Edith Wouters, Katrien Embrechts, Paul Vermeulen.

Supercars is a celebration of the world’s most beautiful and iconic motorcars, ranging from icons like the Ferrari F40 to modern classics such as the Bugatti Veyron. Belgian photographer Rudolf van der Ven captures the essence of each car in this stunning 224-page coffee table book through his photography and unique stories. Foreword by Tim ‘Shmee150’ Burton.

Change management without clichés. Whether you are running a multinational or just running a family, change is not like a game of Monopoly, where your piece saunters sedately around the board from start to finish. Instead, it is much more like a game of Ludo, where you can have a number of pieces on the board at the same time, some of which are moving and some of which are not! This is just like in real life, because not moving is also a form of change management. With many years of worldwide experience, Yves Van Durme demonstrates how change can be much easier if you do not automatically regard it as a problem, but see it more as a question of the right mindset. In addition, you will learn more about his highly individualist views on leadership, in which the world of games is never far off. Whether you peruse the book from cover to cover or whether you just dip into it at random, by the end of your reading you will know exactly what kind of leader you are. You will also discover that change is really no more than child’s play.

The Canary Islands are a hotspot for hikers, sunbathers, culture lovers and road trippers. This book shows the paradisiacal islands in all their variety and beauty while offering the best tips for eating, staying and visiting. Author and ultra runner Charles Van Haverbeke traversed each island on foot and came home with a wealth of (photo) material that formed the basis of this book. Each island gets its own chapter, complete with handy maps and infographics. Canary Islands is halfway between travel guide and photo book and immediately makes you dream of a holiday on one (or more) of the islands, near the most popular attractions or just ‘off the beaten path’.

The new French art movement known as ‘impressionism’ blew through Europe like ‘a breath of fresh air’. This publication focuses on artists from Denmark, Germany and the Netherlands, including important representatives of the movement such as Anna Ancher, Lovis Corinth, Isaac Israels, Johan Barthold Jongkind, Peder Severin Krøyer, Max Liebermann and Max Slevogt. A selection of highlights from the collections of three museums showcases the individual varieties of ‘Northern Impressionism’. The catalogue accompanies the touring exhibition of the same name, a cooperation between the Museum Singer Laren, the Museum Kunst der Westküste, Alkersum/Föhr, and the Landesmuseum Hannover.

Text in English and Dutch.

Hypercars have been a source of dreams since the 1980s: exotic, blazing fast and priceless, extravagant and iconic. They have left an indelible impression on the retinas of a new generation of collectors, willing to pay a high price to get their hands on them. Photographer Kevin van Campenhout is one of the few who has been able to see all the models of this automotive elite up close, after a hunt that took him all over the world. The graphic quality of his photographs, which have a simple but unique signature, highlights their spectacular lines and vibrant colours in the world’s most beautiful landscapes or urban settings. He manages to be one of the few to gain access to track down and capture the rarest gems on four wheels. In this book, you will discover the secrets of the 25 most extraordinary and rare car-unicorns, iconic cars, photographed down to the smallest detail.

Monnikenheide in Zoersel is a residential care centre for people with mental disabilities. A special place for special people, it is examined from an architectural perspective for the first time in this book.

In the fifty-year building history of Monniken­heide, different architects have gone in search of new spatial possibilities, with inclusion as leitmotif. This has created a unique landscape that transcends the boundaries of care architecture. Monnikenheide is a powerful architectural statement about the place of people in society who depend on care.

During the German occupation, a Jewish Dutch couple had to sell a painting to go into hiding. Their daughters were placed in a children’s home, but were rounded up in early 1944 and deported to Auschwitz, where they died. The parents survived the war and did not discover their children’s fate until 1946. The search for the painting also remained fruitless for a long time, until Origins Unknown Agency discovered that it had ended up in a German museum. The museum had previously tried unsuccessfully to trace its provenance. Thanks to the Origins Unknown Agency, the heirs of the original owner were found. The German museum and the heirs agreed that the painting, an 1882 work by Camille Pissarro, would remain at the museum. As part of the compensation, the painting will be kept on display from November 2024 to February 2025 at the Van Gogh Museum in Amsterdam.

This artist’s book, a catalogue of a museum without walls, reads like an account of a work under construction in response to a commission in a former coalfield. Joëlle Tuerlinckx guides us through the studio’s archives, and through the development of a thought process and culminates in the inventory of the M.M. collection (‘Musée de la Mémoire’ or ‘Museum of Memory’). Building on the great classic of the inventory catalogue and encompassing ‘all of J.T.’s work’, she presents ‘a museum in itself’. While the book is originally connected to ‘La Triangulaire de Cransac’, a monumental work of art in the small town of Aveyron, France, it also puts into perspective the evolution of the museum in its relationship with the artist and the book. Joëlle Tuerlinckx reminds us that if the museum is compared to a book because of its internal organisation, then a book can be compared to a museum because of its systematics and its method of contemplating the object.

Text in French. Introduction and colophon translated into English.

Martine De Maeseneer and Dirk Van den Brande, principals of Brussels-based practice Martine De Maeseneer Architects (MDMA), are “not compulsive builders.” From the outset in 1988, they have advanced an architecture self-consciously embedded in text, oscillating between theorisation and realisation. In their award-winning built and conceptual work, MDMA’s interest is in spatial organisations that initiate nonlinear stories and shift identities.

The first of two intended volumes—the second one to present MDMA’s design work— A Register of Wording assembles the practice’s text-based production to show how writing establishes a fertile—if unstable—ground for design. The book is more than a representation of words: it unfolds thinking expansively, across pages and decades, meandering yet distinctively committed to the search for a wide field of motives and plots for architecture.

It offers previously published essays conjuring the energy of the 1990s and early 2000s alongside unpublished explorations that extend, recast, and complexify earlier lines of thinking. Departing from an early analysis of existing buildings, MDMA’s texts become more autonomous over time, invoking an unexpected array of visual, creative, and philosophical references. Sources are sampled, interrogated, circled around, juxtaposed, elided, played with. Pieces developed as lectures seize the theme, time, and place of the invitation to provide a distinctive perspective, without shying away from provocation.

This catalogue features a selection of fifty exquisite European drawings dating from the 16th to the early 18th century in the Print Room of Musea Brugge. It brings together the most relevant findings of recent research, including new attributions and significant new insights into the drawing and workshop practices of the period. The selection includes drawings by important Flemish and Dutch artists such as Frans Floris and Govaert Flinck, as well as by Italian masters like Federico Zuccari and French artists Jacques Callot and Pierre Mignard. In addition to these well-known names, significant works by lesser-known draughtsmen like Jan van Mieris, Johan van Lintelo and Louis de Deyster are represented.

Hidden Holland is an alternative travel guide with inspiring stories about approximately 380 different and unexpected places all around the country. This guide entreats you to leave the beaten path, pointing you to locations that many people didn’t even know existed. Such as a forest full of miniature waterworks, a cellar with a mummy in a small Frisian church and secret NATO headquarters.

This guide introduces you to the lesser-known charms of the Netherlands through surprising places presented in original lists, such as: 5 artworks in unexpected locations, the 7 most authentic pubs, 5 cool repurposed industrial heritage sites, 6 local specialities you should try, and much more.

Titanic & Fashion takes you on a captivating journey through time and style, featuring original costumes from the iconic 1997 film Titanic and rarely seen garments from the 1910s. The book explores a revolutionary era in fashion (1908–1918), when corsets were cast off and visionary designers like Coco Chanel and Lucile redefined modern dress. This period of emancipation, technological optimism, and class division echoes many aspects of our world today.

Combined with works by contemporary designers such as Iris van Herpen and John Galliano for Margiela, the book creates a compelling dialogue between past and present. From dreamy gowns to bold statements, fashion becomes a vehicle for stories of hope, struggle, and identity. Aboard the Titanic, these worlds collided – from wealthy travellers in haute couture to migrants in traditional dress – all aboard a ship that came to symbolise both progress and peril.

Published to accompany an exhibition at Kunstmuseum The Hague, Netherlands, between 27 September 2025 and 25 January 2026.

Rambusch: The First 100 Years, 1898–1998 chronicles the growth of an independent, workshop-based, family business now being run by a fourth generation. This book offers the definitive history of the company started by Danish-born Frode Christian Valdemar Rambusch (1859–1924) in New York. Beginning with his efforts in decorative painting and murals, the story expands into lighting design and continues with a study of subsequent generations building upon – and further expanding – these fields of work into other media. The narrative also provides focus on more than two dozen artisans responsible for making the objects and interiors often requested by well-known architects.

Few American firms have flourished as this company has in the United States. Now in the 21st century, the firm inspires similar collaborative efforts between architects, designers, and craft studios to work together for the decorative arts to regain their place in the finishing of our nation’s buildings.

Notable for its longevity and still going strong, the story of Rambusch needs to be told, especially while generations who have institutional memory can tell it.

Stories and photography intermingle on the pages of this gorgeous homage to ’70s and ’80s cinema and celebrity. Including rare and never-before-seen images, Through Her Lens is a wonderful collection of images and memoires that capture the spirit of the age. From unexpected late-night calls from Romy Schneider, to a stay at Paul Newman’s home in Connecticut; from working on set with Bernardo Bertolucci, Werner Herzog, Steven Spielberg and Sydney Pollack, to lounging poolside with Raquel Welch; Sereny reveals her favourite moments from working behind the lens. This is the first photographic retrospective of Sereny’s star-studded career, including nearly 100 never-before-seen images complemented by Eva’s own stories.

Andrew Holmes is renowned for his hyper-real coloured pencil drawings. His subject matter is the fixed and mobile service infrastructure that sustains the city of Los Angeles. The gleaming trucks, automobiles, and motorcycles that traverse the highways, and the industrial armature of storage tanks, service stations and truck stops to be found beyond the city’s edge are, for Holmes, the greatest artefacts of a society based on oil. Over the past 50 years, he has captured scenes from this uniquely American landscape in painstaking detail. Together they evoke a lost civilisation. Gas Tank City presents 100 of Holmes’s Los Angeles drawings, along with commentaries by art historian, Thomas E Crow, architects Mark Fisher and Cedric Price, and Holmes himself.

The seventh book in the Laboratorium series is entitled Revision, celebrating the joyful diffusion of everyday aspects of building and solid means of creating spatial structures at the new first-year course of the HSLU, overlapped by, compared to and confronted with theses, references and itself. The illustrated book regards itself as a handy inspir­ation machine for design that is motivated by spatial construction, while appealing for diversity and multi-valence in architecture and referring to a wide range of contemporary revisions – namely those referring to collective values and goals, our self-awareness as practicing architects, and also structural revision as an act of upkeep and care.

Text in English and German.