Gene Koss creates majestic works in glass and steel that require demanding techniques to realise their monumental scale. These massive volumes of glass are married with elaborately engineered steel elements. Koss casts molten glass directly from the hot furnace, working with teams of highly-skilled assistants and rigging together intricate systems for transporting his finished abstract works for display in museums, galleries and public spaces. The artistic works deal with the self-sacrificing work of the American farmers in whose milieu the artist grew up. The first monograph published on the work of this groundbreaking glass artist features Koss’s most important achievements and, through insightful essays by curators and critics, places them in historic perspective.
The Alice and Louis Koch Collection of finger rings was originally collated by a jeweller from Frankfurt am Main, once described as the German ‘Cartier and Fabergé’. By 1909 the collection comprised 1,722 rings from Antiquity to 1900. Rene Lalique, a contemporary of the time, was included, undoubtedly as a moderniser of the ring form. In the past twenty-five years the fourth generation of the family continued where Louis Koch and his wife Alice left off and expanded the collection to include rings from the twentieth and twenty-first centuries.
This publication will present the complete collection of contemporary rings, now kept in the Swiss National Museum, Zurich. Nearly 600 rings by artist jewellers from around the world document how these miniature works of art have become modern sculptures showcasing new materials and techniques, daring designs and current themes.
Text in English and German.
“Haunting photographs” – The Wall Street Journal. “Henk van Rensbergen is a hero for urban explorers around the world” – Flanders Today. “As an airline pilot, Belgian-born Henk Van Rensbergen was used to travelling the world. But he found a great way to supersize that passion: hunting for the most wonderful, secret, haunting abandoned places” – CNN. While his crew is resting at the pool, pilot and photographer Henk van Rensbergen explores deserted city palaces, overgrown factories or desolate areas of nature, finding beauty in the decay. This engaging book of photographs, a revised edition with new material, lets us wander through abandoned places, including Abkhazia, a break-away region bordering Georgia and Russia and the newest must-visit for every urban explorer.
Founded in 2007, G8A Architects gained rapid renown for its projects in Switzerland. Drawn to new opportunities in Southeast Asia, founding partners Manuel Der Hagopian and Grégoire Du Pasquier soon expanded the firm’s operations to include an office in Vietnam’s capital city, Hanoi, where they now attract a range of commissions in a completely new environment. In 2010, upon winning the commission for a major public housing development in Singapore that set them amongst a new generation of designers for residential projects in the region, they also opened a branch in the booming city-state. The first book to document G8A Architects’ achievements to date, Contrast and Cohesion reflects the firm’s work in these starkly contrasting parts of the world. Featuring twenty-seven of the firm’s projects through drawings, photographs, plans, and descriptive texts, the book also brings together essays that expand on the different concerns and challenges that accompany the creation of architecture in Central Europe and Southeast Asia. Climatically, culturally, and economically, the rapidly growing cities of Southeast Asia are a world away, but Der Hagopian and Du Pasquier pursue a strategy of cohesion, which seeks to resolve the contrasts between East and West with resulting benefits for both.
House of Maskati chronicles a unique textile legacy, weaving together pan-Asian cultural threads and shifting patterns of trade over five generations and 160 years. The story begins in 1856, when Abdul Tyeb Maskati started a small business exporting block-printed cloth from India to Siam (as Thailand was then known). Before long, the cloth was being made to order, with Indian block-makers carving intricate designs especially for the Siamese market. Known as saudagiri in India and pha lai in Siam, this unique art form blends South Asian and Southeast Asian artistry and design. As one of its first and biggest producers, the Maskati firm expanded from Siam to Singapore, Cambodia, and Burma, and the name ‘Maskati’ became synonymous in Southeast Asia with this type of block-printed cloth. After consolidating his initial legacy, the descendants of Abdul Tyeb Maskati responded to diminishing opportunities in the pha lai market by diversifying their trade networks, products, and expertise. Under the leadership of his grandson, Abdultyeb Maskati (pictured on the cover), the family firm was transformed and extended its reach as far afield as Japan. Later still, after years of prudence under challenging political circumstances across the region, the business was transformed once more. Today, it continues with his great-great-grandsons at the helm and is run as two separate entities in India and Thailand – a geographical legacy of his initial idea to ship textiles from India to Siam 160 years ago.
Celestial mechanics have fascinated mankind in all known cultures. Many artists throughout history have been captivated by the spectacle we observe above us day and night. Swiss photographer Guido Baselgia has expanded the focus of his work on the sky, with the stellar and solar movements and phenomena as we see them from earth. In his most recent work Light Fall, Baselgia makes traceable the trajectory of celestial bodies invisible to the human eye and shows astounding occurrences of light and shadow. Taken in Norway, the Tierra del Fuego archipelago in Argentina, in Ecuador, and the Swiss Alps, the images visualise the geometry of astrodynamics and celestial mechanics. His photography also capture the phenomenon of umbra, planet earth’s shadow thrown into space. The new book Guido Baselgia – Light Fall features 80 stunning tritone plates. Complemented with essays by German scholar Andrea Gnam and Swiss photography critic Nadine Olonetzky, they offer a window into the light phenomena that leave us awestruck today as much as they did our ancestors. Text in English and German.
Accented with detailed maps of renowned interior designer Tom Stringer’s extensive travels, this beautifully compiled monograph takes the reader on an immersive journey around the world and back again through the interiors of his eponymous firm’s finest residential projects. Stringer’s design approach is externally inspired and internally driven, largely informed by his great life passion: travel. His love of adventure resonates throughout this book; on each page, one sees how this remarkable designer’s imagination is simultaneously both rooted in the classics and expanded into innovative layers of colours, textures, cultures, and function.
Revealed through his personal history and influences, Stringer shares how he uses magical discoveries made on his global travels to create the most special living environments that are true to his clients own personalities and passions. He describes the design process as a voyage of discovering the distinctive narrative of each client and home, connecting them with a sense of wonder and the communal spirit of their space. Stringer’s unique approach to visual storytelling is encapsulated in the unique interiors of the residential projects highlighted here.
The history of the Bugatti really begins with the development of the successful 16-valve Type 13 model dubbed ‘Brescia’ after its triumph in the 1921 Voiturette race in Brescia, Italy, leading to Bugatti’s incredible racing success throughout that decade and the next. The Brescia Bugatti, written by renowned Bugatti enthusiast Bob King, provides an in-depth account of the origins, evolution and success of what is arguably the most revered car in early motor racing history. Including previously unpublished Bugatti factory data, this definitive, superbly illustrated book documents all surviving vehicles with current details and photographs. This deluxe cloth-bound limited edition is printed on high-quality art paper and comes with an imitation 1966 racing competitor’s bookmark listing individual edition number.
“It amazes me that after all these years and countless books, the scope of subject matter on The Beatles is so amazingly large that writers always find a new angle. This book does that in a very unique and clever way. It’s a must for every Beatles fan.” —Billy J. Kramer
“…It’s a magical mystery tour through the band’s life and times.” —Yahoo Entertainment The It-List
“Part biography and part map to the stars, The Beatles: Fab Four Cities is your “Ticket to Ride” and walk in the footsteps of John, Paul, George and Ringo. It’s the next best thing to actually driving their car…”—Nina Violi, Capitol File. and Gotham magazine
“While the book can be used as a handy tour guide filled with addresses, maps and photos, it also makes for great reading.” —Steve Matteo, The Vinyl District
“But now comes a “magic carpet volume” for Beatles fans that blends travel guide with historical reference in an expanded study of The Beatles’ homes, schools, pubs, venues, and important historic sites…” —Jude Southerland Kessler, Culture Sonar
John Lennon said: “We were born in Liverpool, but we grew up in Hamburg.”
To paraphrase Lennon, we could say that: “The Beatles were born in Liverpool, grew up in Hamburg, reached maturity in London, and immortality in New York.”
Four cities. Four stars. The Fab Four – the Beatles – are revered the world over, but it is in these urban centres that their legacy shines brightest. Liverpool: where the band graduated from church halls, leaving their initial line-up as ‘The Quarrymen’ far behind. Hamburg: where their raucous stage act was honed; where arrests earned them a more notorious celebrity reputation, but they became a true emblem of rock ‘n’ roll. London: where The Beatles produced Sgt Pepper, and home to the iconic album cover for Abbey Road. And New York: the city that became John Lennon’s home, where their appearance on the Ed Sullivan Show announced them to 73 million Americans.
The Beatles: Fab Four Cities invites the reader on a cosmopolitan trek across continents, tracing the Beatles’ rise to fame from one metropolis to the next. Flush with timelines, stories, trivia, the numerous links and connections between the cities and both pop cultural and local history, this is a travel guide like no other.
“The richness of the illustrations in this larger format enables us to better appreciate the intricacy of her illuminated manuscripts, the tonal subtleties of Traquair’s tooled leather book bindings and the processional scale of her muraled interiors.” — Journal of the Scottish Society for Art History
A fully updated and expanded edition of the definitive study of Phoebe Anna Traquair.
This is a compelling account of the life and career of Phoebe Anna Traquair, a leading figure in Britain’s Arts and Crafts movement. The new edition features new research about her artistic practice, materials and technique as well as her intellectual life, including her correspondence with John Ruskin. Her total commitment to the place of art in her daily life is revealed alongside new details on her family and social life.
Traquair was remarkable for her openness to all types of art, and worked in a range of media including embroidery, enamels, illuminated manuscripts and murals. This new edition features 120 illustrations including new discoveries, as well as some of her most famous and best-loved works.
Beautifully illustrated and featuring the artist’s own words, this book is at once a fascinating biography and an artistic study of one of Scotland’s first professional women artists.
Typology 2 follows up on the preceding and successful Typology, published in 2012. Emanuel Christ and Christoph Gantenbein together with their teaching staff and students at ETH Zurich expanded their research on building typology to four more metropolises, again in Europe, Latin America, and Asia: Paris, Delhi, Sao Paulo, and Athens. 180 buildings were analysed over the past two years to find inspiration and models that can be adapted for the local context of any given city. Each example is documented with an image, site and floor plans, axonometric projection, key data, and a brief description. An introduction and four essays on the interaction between various protagonists and in particular the effect of governing local building regulation again show the potential for contemporary urban architecture. The result is again a rich sourcebook of great practical value for students, lecturers and practitioners of architecture. Essays by the authors, and Anupam Bansal and Philippe Simon.
The completion of David Chipperfield’s distinctive new building for Kunsthaus Zürich in December 2020 has nearly doubled the museum’s overall space. In combination with the preceding refurbishments of the earlier buildings, this has made it fit to meet the demands of an art museum in the 21st century.
A sequel to The Architectural History of the Kunsthaus Zürich 1910-2020, this book comprehensively introduces the new Kunsthaus Zürich, demonstrating how the task of building an art museum in the 21st century can be fulfilled. Concise texts, statements by protagonists and by future users and visitors as well as numerous illustrations trace the project’s evolution and the construction process and look at the completed building from various perspectives. The book also highlights what features contemporary museum infrastructure has to offer and the architectural and urban design qualities it requires, and what financial and organisational challenges the entire undertaking implied. A conversation between experts exploring the expanded museum’s impact on its immediate neighbourhood and Zurich’s urban fabric as a whole rounds out the volume.
Text in French.
The completion of David Chipperfield’s distinctive new building for Kunsthaus Zürich in December 2020 has nearly doubled the museum’s overall space. In combination with the preceding refurbishments of the earlier buildings, this has made it fit to meet the demands of an art museum in the 21st century.
A sequel to The Architectural History of the Kunsthaus Zürich 1910-2020, this book comprehensively introduces the new Kunsthaus Zürich, demonstrating how the task of building an art museum in the 21st century can be fulfilled. Concise texts, statements by protagonists and by future users and visitors as well as numerous illustrations trace the project’s evolution and the construction process and look at the completed building from various perspectives. The book also highlights what features contemporary museum infrastructure has to offer and the architectural and urban design qualities it requires, and what financial and organisational challenges the entire undertaking implied. A conversation between experts exploring the expanded museum’s impact on its immediate neighbourhood and Zurich’s urban fabric as a whole rounds out the volume.
The Ashmolean Museum houses one of the most extensive collections of wood engravings in the world. The collection effectively began with the gift in 1964, by Arthur Mitchell, of over 3,000 prints, including a large group of wood engravings. During the 1980s and 1990s, it expanded remarkably with acquisitions of large groups of prints, often as gifts from the artists, resulted in a succession of monographic exhibitions on some of the most important wood engravers. They included John Farleigh (1986), John Buckland Wright (1990), Clare Leighton (1992), Monica Poole (1993) and Anne Desmet (1998). A key point in this period of expansion was the acquisition of a comprehensive body of work by Gertrude Hermes and Blair Hughes-Stanton in 1995 from the artists’ family, which resulted in a memorable exhibition organised by Katharine Eustace. More recently, the Ashmolean has formed a close partnership with the SWE, and has been keeping the collection up to date by acquiring work by members, both at the Society’s annual exhibition and privately.
Women have had a special relationship with the camera since the advent of photographic technology in the mid-19th century. Photographers celebrated women as their subjects, from intimate family portraits and fashion spreads to artistic photography and nude studies, including Man Ray’s Violon d’Ingres. Lesser known – and lesser studied – is the history of women photographers, who continue to make invaluable contributions to this flourishing art form.
Featuring more than 300 illustrations, A History of Women Photographers is the only comprehensive survey of women photographers from the age of the daguerreotype to the present day. In this edition, author Naomi Rosenblum expands the book’s coverage to include additional photographers and 14 new images. The text and the appendix of photographer biographies have been revised throughout, and Rosenblum also provides a new afterword, in which she evaluates the influence of rapidly changing digital technology on the field of photography and the standing of women photographers in the 21st century.
A new edition of the bestselling Every Picture Tells a Story from one of the greatest photographers from the early 1960s onwards, Terry O’Neill. This updated edition includes 32 additional pages of new stories behind some of the O’Neill’s most iconic images.
From the morning he spent with Faye Dunaway at the pool in Beverly Hills, to walking around Vegas with Sean Connery dressed as James Bond, a chance encounter with Bruce Springsteen on the Sunset Strip, to taking Jean Shrimpton to a doll hospital – these are the stories behind the images as only Terry O’Neill can reveal.
“I was walking up the Miami Beach boardwalk to the Fontainebleau Hotel where Sinatra was staying… I just reached out with the letter in my hand and he took it. He opened it, read it… turned to his security men and said, “this kid’s with me.” I never found out what Ava said to him in that letter. From that moment on, I was part of his inner circle.” – Terry O’Neill
From The Beatles to the Rolling Stones, Terry O’Neill fast became the photographer of the 1960s. Having an eye – and ear – for music and musicians, he instinctively knew what bands to focus on. And they in turn trusted him. “I remember sitting in a pub with the Beatles and the Stones. We were just hanging-out and talking about what we’d do next, after all of this was over. By this, we meant the fame, being the ‘new kids of the moment’. Usually, this sort of celebrity doesn’t last. Little did we know that 60 years later, we’d still be at it.” Music led O’Neill to Hollywood and working with stars resulted not only in to memorable moments but long-lasting friendships. He travelled with Frank Sinatra. Took Raquel Welch to the beach. Went in the ring with Ali. Put The Who in a cage.
O’Neill captured many of the most unforgettable faces from the frontline of fame, and his photographs exude his own brand of serene simplicity, intimate behind-the-scene moments and the rare quality of trust between photographer and subject. The list of people Terry O’Neill has worked with since the early 1960s is a Who’s Who in celebrity; from film to music, sports to politics. Terry O’Neill: Every Picture Tells a Story is like going through a walking tour of memory by a man who has seen, met and photographed them all.
A vademecum? A to do list? A series of recommendations? Something like the infamous “10 top things to do in Florence” that you can find in many websites?
All of the above, but not only and not mainly. Formally, the book consists of a list of 20 suggestions (or paternal exhortations, if you will) for the 14 weeks of a regular academic semester. Twenty reflections (the book has been written during the 2020 lockdown in Firenze) that I have drawn from 20 years of teaching architecture students abroad. Is this book addressed to students only? If students are those who pay tuition fees to a school, then these pages are not addressed to them only. But if students are all those people who are curious and still able to learn something from anything (either through an officially organised program or on their own), then this book is indeed for students.
Adrian Smith + Gordon Gill Architecture’s Performance + Assembly: The Experience of Space covers a range of performance and assembly spaces designed by AS+GG from central spaces in the world’s largest expositions to small, flexible high-technology theatres to expressive and functional auditoriums. The book of global cultural work includes building designs from Chicago to Istanbul, Astana to Dubai and features both photography of built spaces and unbuilt ideas. In this book Adrian Smith + Gordon Gill Architecture reviews projects to answer questions that relate to how buildings can be used to enhance the experiences of the users beyond set programmatic requirements by asking questions like: How can architecture and design help advance the technologies, the operations, the program, and the way buildings perform? At a more sensorial and experiential level, the book explores how architecture can speak to the soul to create a place in between the art and the audience.
Christo (1935–2020) and Jeanne-Claude (1935–2009) created some of the most breathtaking artworks of the 20th and 21st centuries. Their projects radically questioned traditional conceptions of painting, sculpture, and architecture.
This lavish photo book is the first comprehensive publication on the artists’ oeuvre to be released after Christo’s death in May 2020. It also serves as a curtain-raiser for Christo und Jeanne-Claude’s last major project – the wrapping of the Arc de Triomphe in Paris, which will be carried out posthumously in the fall of 2021.
Presenting a wealth of photographs and studio snapshots from 1949 to 2020, some of which are private, this book allows an intimate peek behind the scenes of Christo und Jeanne-Claude’s monumental installations which fascinated the public for decades. In addition to pictures capturing the artists at work, it includes photos documenting all of their major projects.
Matthias Koddenberg (b.1984), art historian and close friend of the artists, spent many years compiling the more than 300 images featured in this volume. Among them are pictures taken by companions and friends and hitherto unpublished photographs from the artists’ estate. Together they tell the extraordinary story not only of the couple’s artistic collaboration, but also of their five-decade-long partnership.
The topicality of Hanns Hoffmann-Lederer’s (1899–1970) design doctrine, with its claim to a comprehensive aesthetic education, lies in the fact that it represents an important counterbalance to today’s euphoria for digitalisation. For a long time the young Bauhaus Master and design pedagogue opposed the publication of his concept for a fundamental artistic education, one which united and expanded the content of many different trends within the Bauhaus teachings. For him the risk that his exercises could be misunderstood as prescriptive was too great. Yet greater still was the drive of his enthusiastic students, who compiled exemplar images, edited teaching notes, and in 1958 conceived the first draft for a potential publication. Here Justus Theinert and Rainer K. Wick trace the moving life and the distinct pedagogical attributes of this fascinating personality.
Text in German.
The title of the catalogue of works by the artist duo Stefan Panhans (Germany) and Andrea Winkler (Switzerland) is a nod to the rhetoric used by evangelical megachurches in the United States that preach a market-oriented, neoliberal ideology of individual self-optimisation under the guise of Christian pastoral care. The artists’ works touch on electric SUVs, communication with forms of artificial intelligence, racism in everyday life, celebrity cults, stereotypes, computer games, the “uncanny valley,” and other post-digital feedback loops between humans and virtual worlds, but also on the precarious condition of cultural sector workers.
Panhans and Winkler are masters at using a broad spectrum of artistic genres and media, such as novels, texts, performances, installations, miniseries, musicals, sculptures, objects, films, videos, and dance. Their video installations can be subsumed under what is known as “expanded cinema”: the displayed objects, which also appear in the videos, are presented in a way that allows the films to expand into the surrounding space, drawing viewers into the artwork.
Text in English and German.
Curb-scale Hong Kong is about the infrastructural objects that constitute the street in Hong Kong. Through drawing and text, the book renders these objects visible and argues for their relevance as story tellers and civic protagonists. The book opens an alternative imagination of infrastructure and asserts the importance of the ground to Hong Kong’s urban realm.
The book is structured around measured plan drawings of five streets in Hong Kong. The drawings represent stopping points in a desire to draw everything. This impossible task resulted in documents suspended between narrative and a stilled, abstract distance. Details of growth, error, decay, undoing, and repair provide a register of happenings and becomings. Each drawing speaks of an entanglement between the objects and agencies of Hong Kong’s urban realm. A second axonometric index names and examines these objects, registering more closely the material and technical decisions that give them their qualities. Texts that accompany the drawings are coincident descriptions; they thicken the street plans and index. Longer-form opening and closing essays situate the curb-scale within architecture’s contemporary engagement with infrastructure and with the practice of architectural drawing.