Car Racing 1971 is every bit a worthy successor in the tradition established by the six previous tomes of the Car Racing series (1965 to 1970). It is still through treasures unearthed from the archives of the DPPI photographic agency that this book offers, for the title year, a unique experience of immersion in the atmosphere of 1970s motorsport. Created in 1965 by a group of photographers fascinated by the fury of the track and the bravura of drivers, DPPI has always gone where the action is. This proximity resulted in incredible action photos, unimaginable today. ‘This is not an umpteenth book on the history of motorsport,’ insists DPPI director Fabrice Connen. ‘In every case, we favoured the strongest, most unusual pictures or those that best recreated the atmosphere of the time, even if they were taken at minor events or depicted less famous competitors.’
Text in English and French
Cheers to cosiness! Why is everyone so “crazy” about the Munich Oktoberfest? One thing is certain: the Oktoberfest epitomises everything that Germany and the whole world love about Bavarian culture: Fesche Madln, hefty food and hearty dance music.
In this book, deeply rooted traditions are brought to life, numerous exciting facts about the Oktoberfest are revealed and the most beautiful moments around the fair are captured. Visiting the Oktoberfest brings the “Wiesn” into your own four walls: Oktoberfest landlords reveal the tastiest Bavarian recipes to recreate, their favourite places and insider tips throughout Munich, and tell never-before-heard Munich stories.
The always astonishing stories of hundreds of dream cars covered in dust found in barns in the French or Belgian countryside, or stranded in open fields, overgrown with weeds, hidden for more than 50 years. “We found one of three Maserati A6G 2000 Berlinettas bodied by Frua, dating from 1956. And then, under piles of magazines, we discovered something even more exciting… a Ferrari 250 GT SWB California Spider , with obscured headlights, a car which belonged to Alain Delon, who was photographed on several occasions at the wheel – accompanied, in 1964, by Jane Fonda.”
That’s not all: Maserati A6G 2000 Gran Sport, Facel Vega Excellence, Hispano-Suiza H6B, Bugatti 57 Ventoux. Several Talbot-Lago, Delahaye and Voisin – the list of classic automobiles, forgotten for decades is incredible. In 2015, the Baillon collection, a “lifetime work”, was sold at auction for more than 25 million euros by Artcurial. Mi urbex-mi automobile collection: nuggets of inestimable value in their abandoned state before restoration.
What is most impressive is the sheer number of cars stored in barns or scattered across meadows overgrown with shrubs.
Christian Martin immortalises these mechanical marvels and brings them to life through striking photographs. This enthusiasm is reflected in his photographs, presented for the first time in this book.
Text in English and French.
Whether you’re a proud Cardiffian, or a curious visitor, this is your ultimate guide to the Welsh capital’s hidden treasures and quirky charms.
From the familiar to the downright bizarre, each entry offers a unique insight into the city’s life. Where can you dare to stand in a hurricane or peek into magical miniature worlds?
Visit the place where Snoop Dogg turned gardener, uncover the unexpected tales behind the Norwegian church, touch walls that have stood for over 1,500 years, and even use a genuine 1920s urinal (gents only, of course!).
But that’s just the beginning. With 111 unique locations to explore, you’ll discover Cardiff’s rich history and vibrant present. Each entry is brimming with fascinating facts, local lore, and practical visiting information, making this book perfect for both day-trippers and residents.
Whether you’re planning a weekend getaway, entertaining out-of-town guests, or simply looking to fall in love with your city all over again, this guide will take you on a journey of discovery.
Welcome to 111 Places in Richmond That You Must Not Miss, a collection of the sites and experiences that make the River City such a special place. To those who don’t know Richmond, Virginia, USA, you’ll find the city itself to be a hidden gem, the cradle of 400 years of American history, steward of the magnificent James River, and the unlikely home to heralded culinary masters.
To those who do know Richmond, the self-deprecating but proud populace inured to its remarkable features, by flipping through these pages you will uncover secrets about your city, new and old. You know Hollywood Cemetery, but do you know the final resting place of our famous psychic horse? Have you kept an open mind about our smaller neighbours to the North and South and gazed at the Heavens from “the Center of the Universe” or seen the Petersburg residence constructed entirely from tombstones?
There’s something for everyone within these pages, whether a nature lover, history buff, aesthete, epicurean, tippler, or just an adventurous soul seeking curiosities – the River City welcomes you to partake in its treasures. Join us in discovering the secret spots that Richmond hides so well.
The stained-glass windows of England’s cathedrals illuminate interior spaces, communicate religious and other messages, and – perhaps – offer us a glimpse of heaven. This book tells the remarkable story of these much-loved works of art.
Divine Light features glass from every Church of England cathedral. It spans nearly 850 years, beginning with the windows installed at Canterbury Cathedral following the murder of Thomas Becket in 1170 and representing every subsequent century in the history of English stained glass. Divine Light encompasses the Middle Ages, the Reformation, the hugely productive ‘long 19th century’, the Pre-Raphaelites, the Arts and Crafts movement, the creative commissions of the 20th century, and the innovative glass being commissioned by cathedrals today.
The book establishes the connections between the artistic beauty of stained glass, its effectiveness as a narrative medium, and the various technical developments that have shaped the work of practitioners over the centuries. The refraction of light through coloured glass emerges as an early form of mass communications that retains its power to move and inspire today.
A visionary leader and a charming diplomat, this catalogue unveils a largely private collection of objects belonging to His Highness the late Sultan Qaboos bin Said of Oman. The 50 artefacts from the Renaissance collection, currently held in the National Museum of Oman, have been chosen to offer an intimate portrait of the Sultan’s 50-year reign. The collection showcases treasures – many seen here for the first time – received from friends and rulers worldwide as well as symbolic objects that reflect the early years of Oman’s independence. Through 50 significant objects and the elegant integration of the Sultan’s own inspiring quotes as calligraphy, this beautifully illustrated book provides a unique and personal perspective on a transformative era.
Travel today is fast, comfortable, and accessible to many. But between the 17th and early 19th centuries, it was a privilege reserved for the elite. Young British aristocrats would embark on a Grand Tour as the final stage of their education. Italy was the highlight of this cultural journey, with visits to Rome, Florence, Venice, and Mount Vesuvius. Along the way, they admired art and architecture, forged connections, and refined their taste – often returning home with artworks and souvenirs to adorn their country estates.
It wasn’t just young men who travelled; entire families journeyed across Europe in grand entourages. What inspired them to set out, which routes did they take, and what treasures did they bring back?
This book explores those journeys and presents a remarkable selection of artworks brought home from three of England’s finest stately homes: Holkham Hall, Burghley House, and Woburn Abbey.
In celebration of the 200th anniversary of the birth of one of Victorian Britain’s greatest thinkers, the art critic and social reformer John Ruskin, the distinguished Ruskinian Robert Hewison introduces Ruskin’s ideas and values through revelatory studies of the people and issues that shaped his thought, and the ideas and values that in turn were shaped by his writings and personality. Beginning with an exploration of the rich tradition of European art that stimulated his imagination, and to which he responded in his own skilful drawings, Ruskin and his Contemporaries follows the uniquely visual dimension of his thinking from the aesthetic, religious and political foundations laid by his parents to his difficult personal and critical relationship with Turner, and his encounters with the art and architecture of Venice. Victor Hugo makes a surprising appearance as Ruskin develops his ideas on the relationship between art and society. Ruskin’s role as a contemporary art critic is explored in two chapters on Holman Hunt, one focussing on the Pre-Raphaelite’s The Awakening Conscience, one examining his later Triumph of the Innocents. The development of Ruskin’s role as a social critic is traced through his teaching at the London Workingmen’s College and his foundation of the Guild of St George, a reforming society that continues to this day. Oscar Wilde came under his personal influence, as did Octavia Hill, a founder of the National Trust. The evolutionary theories of Charles Darwin are shown to have been deeply unsettling to Ruskin’s worldview. The book concludes with a demonstration of the profound influence of the Paradise Myth on all of Ruskin’s writings, followed by an exploration of the concept of cultural value that shows why Ruskin’s ruling principle: `There is no wealth but Life’ is as relevant to the 21st century as it was to the 19th.
In celebration of the 200th anniversary of the birth of one of Victorian Britain’s greatest thinkers, the art critic and social reformer John Ruskin, the distinguished Ruskinian Robert Hewison introduces Ruskin’s ideas and values through revelatory studies of the people and issues that shaped his thought, and the ideas and values that in turn were shaped by his writings and personality. Beginning with an exploration of the rich tradition of European art that stimulated his imagination, and to which he responded in his own skilful drawings, Ruskin and his Contemporaries follows the uniquely visual dimension of his thinking from the aesthetic, religious and political foundations laid by his parents to his difficult personal and critical relationship with Turner, and his encounters with the art and architecture of Venice. Victor Hugo makes a surprising appearance as Ruskin develops his ideas on the relationship between art and society. Ruskin’s role as a contemporary art critic is explored in two chapters on Holman Hunt, one focussing on the Pre-Raphaelite’s The Awakening Conscience, one examining his later Triumph of the Innocents. The development of Ruskin’s role as a social critic is traced through his teaching at the London Workingmen’s College and his foundation of the Guild of St George, a reforming society that continues to this day. Oscar Wilde came under his personal influence, as did Octavia Hill, a founder of the National Trust. The evolutionary theories of Charles Darwin are shown to have been deeply unsettling to Ruskin’s worldview. The book concludes with a demonstration of the profound influence of the Paradise Myth on all of Ruskin’s writings, followed by an exploration of the concept of cultural value that shows why Ruskin’s ruling principle: ‘There is no wealth but Life’ is as relevant to the 21st century as it was to the 19th.
What were Montmartre and Montparnasse really like in their hey-day, roughly between 1904, when the youthful Picasso had just arrived on the Hill of Martyrs, and 1920, when Amedeo Modigliani, justly called ‘the prince of Bohemians’, died of consumption and dissipation in Montparnasse? This book, written by an Englishman who lived in Montmartre for 30 years and knew its famous habitue intimately, gives a vivid description. It reveals the truth behind the many legends, is packed with authentic stories about writers and painters whose names are now household words, and contains much hitherto unpublished information about the life and career of Modigliani obtained from his family and friends. Much of the text was written in Montmartre amid the scenes described, and after personal consultation with survivors of the great days when Frede presided over the Lapin Agile and Libion, patron of the Cafe de la Rotonde, was beginning to rival him in Montparnasse. It is the most complete account which has yet been written in English of the birth of Cubism and other contemporary movements in modern painting, and of the lives and loves who started them.
Kykuit-the country home of John D. Rockefeller Sr., John D. Rockefeller Jr., Nelson A. Rockefeller, and their families-stands majestically atop a hill overlooking the Hudson River. Built between 1906 and 1913 by architects Delano and Aldrich, it has just recently been opened to the public. But visitors will never see the estate in as intimate a way as it is presented in this volume. To preserve the memory of what Kykuit was like when it was a private home, photographer Mary Louise Pierson, granddaughter of Nelson Rockefeller, spent years photographing the estate: the Big House-as family members call the main residence-and its interiors, designed by the renowned Ogden Codman; the outbuildings, including the Coach Barn, which now houses an impressive collection of horse-drawn carriages and an equally noteworthy collection of vintage cars, the orangery, and the Playhouse, a Tudor-style mansion containing an indoor swimming pool, tennis court, fully equipped gym, and bowling alley; and the magnificent gardens, from the formal gardens designed by William Welles Bosworth to the golf course to the Japanese garden, and all the sculptures that three generations of Rockefellers installed on the grounds.
The text, by Ann Rockefeller Roberts, Governor Rockefeller’s daughter, recounts the history of the magnificent estate, from its founding early in the century through its recent transfer to the National Trust, focusing on how each successive generation left its stamp on the decor, the gardens, and the painting and sculpture collections. Illustrated with dozens of historical photos, ranging from the construction of the house to snapshots of family members, the text includes never before published reminiscences of five generations of Rockefellers. Complete with a family tree, a map of the gardens, and visitor information, Kykuit: The Rockefeller Family Home offers a deeply personal look at the country residence of one of America’s most distinguished families.
In this refreshing new study, Wright scholar Kathryn Smith does just that, exploring the grace and beauty found in all facets of Frank Lloyd Wright’s work: from office desks and chairs to his first residential commissions, from magazine cover designs to major public buildings. The concise text and brilliant colour photographs chart Wright’s entire career, beginning with his apprenticeship to Adler and Sullivan before the turn of the century. Readers witness the Prairie period, Wright’s years in Japan and California, his major designs of the late 1920s and 1930s, his Usonian houses, and the monumental late works of his last decades. Smith shows examples of Wright’s drawings, furniture, and decorative arts, too, supplementing our understanding of Wright’s aesthetic. The book concludes with a glimpse at the architect’s seldom-seen collection of Asian art, which once comprised tens of thousands of pieces – a source of much inspiration and edification for the architect and his students, and a key to understanding Wright’s views on art and nature.
Here is a broad portrait of the master builder who sought the title “greatest architect of all time.” Although it may never be possible to fully assess Wright’s legacy, Kathryn Smith’s authoritative book is a fitting testament to his lasting genius.
Mie Olise Kjærgaard (b. 1974) conquers an artistic domain closely linked to the idea of the genius male painter: expressive, figurative, large-scale paintings. Composed of turbulent brushstrokes, her works on their huge canvases exude a wildness and power. Kjærgaard is utterly convincing in her adoption of the genre and translates the expressive force of gestural painting into a world of female experience. Her works depict active women in sportswear and flip-flops, their hair standing wildly on end. They ride mythical creatures, hang from the railings of ships, play a round of tennis, or hurtle through the neighbourhood on skateboards. Ferocious Expeditions brings together her works from recent years, accompanied by texts that give insight into the work of this Danish painter.
More than other painters, the Impressionists wanted to shake off the dust of the studio, and swarmed the noisy streets of Paris, filling the cafés and living in garrets and humble little dwellings on the hill of Montmartre, which still seemed like the countryside at the time, its slopes covered with vineyards and vegetable gardens. Nor did they limit themselves to the city, planting their easels in the clearings of the forest of Fontainebleau, on the coast of Normandy, in the rustic villages in the Oise Valley and in Bougival and Argenteuil on the banks of the Seine. Like their Naturalist friends Zola and Maupassant, they liked to mix with the locals so they could experience the places directly, painting everywhere, even on a boat, like the one where Monet had his floating studio.
If you enter an institutional mineralogical collection, you typically encounter glass cabinets organised by classification systems according to material properties. Yet, each mineral carries with it a history of extraction, destruction, (dis)possession, and global relations.
Transpositional Geologies localises such collections as indices of the afterlife of colonialism and proposes an evolving political geology, reading mineral specimens as objects of “culture” rather than of “nature.” Capturing his five-year artistic engagement and cultural collaboration in Namibia and Germany, Sascha Mikloweit brings together international voices from fields including anthropology, critical theory, geology, history, museum studies, philosophy, poetry, public administration—and the perspectives of boltwoodite, cerussite, or smithsonite.
Rock by rock, this exquisitely designed volume invites us to engage with a progressively nuanced reading of geology’s history: its epistemic violence, omissions, and racial regimes, and how the lasting residues of its colonial legacies continue to shape our present-day extractive realities.
The Lake District delights its visitors with a series of superlatives: England’s largest national park, highest mountain, deepest lakes and now a new World Heritage status. One of Britain’s best-loved and most visited locations unveils its secrets. This unusual guidebook explores 111 of the area’s most interesting places, it leaves the well-trodden paths to find the unknown: marvel at a stained glass window which inspired the American flag, let others flock to Hill Top while you explore Beatrix Potter’s holiday home, walk through ancient forest to talk to fairies and swim with immortal fish. Pause to wonder at a stunning lake where a President proposed, view a constellation of stars like nowhere else, find out why exotic spices are used in local cuisine.
Have you ever seen a place that leaves you breathless… and with a million questions?! Well, check these out! Fifty of the world’s most mysterious places – those made by man and those gifted by nature. Places that stimulate curiosity and everyone’s truly innate desire to learn and know more!
Locations included: Stonehenge (Great Britain); Loch Ness (Great Britain); Fingal’s Cave (Great Britain); San Juan de Gaztelugatxe (Spain); Quinta da Regaleira (Portugal); Alchemical Caves (Italy); Gardens of Bomarzo (Italy); Carnac Stones (France); Paris Catacombs (France); Devil’s Bridge (Germany); Black Forest (Germany); Crooked Forest (Poland); Hessdalen Lights and Aurora Borealis (Scandinavia); Hoia Baciu Forest (Romania);
Krudum Hill (Czech Republic); Buda Castle Labyrinth (Hungary); Dargavs (Russia); Mammoth Bone Buildings (Ukraine and Russia); Tunnel of Love (Ukraine); Pamukkale Thermal Pools (Turkey); Giza Necropolis (Egypt); Eye of the Sahara (Mauritania); Fairy Circles (Namibia); Gates of Hell (Turkmenistan); Vaitheeswaran Koil (India); North Sentinel Island (India); Heizhugou Forest (China); Terracotta Army (China); Genghis Khan’s Grave (Mongolia); Mysterious Road (South Korea); Ise Shrine (Japan); Plain of Jars (Laos); Marine Bioluminescence (Maldives); Slope Point (New Zealand); Devil’s Sea (Pacific Ocean); Mariana Trench (Pacific Ocean); Abraham Lake (Canada); Bermuda Triangle (Atlantic Ocean); Area 51 (USA); Sailing Stones at Racetrack Playa (USA); Naica Mine (Mexico); Island of the Dead Dolls (Mexico); Snake Island (Brazil); Enchanted Well (Brazil); Catatumbo Lightning (Venezuela); Uyuni Salt Flat (Bolivia); El Ojo, the Rotating Island (Argentina); Nazca Lines (Peru); Machu Picchu (Peru); Easter Island (Chile).
Ages 8 plus.
This Boston guide is the newest addition to the internationally successful series The 500 Hidden Secrets. Like the other city guides in the series, it contains 500 places to visit or things to know. All of them are addresses or activities the author, savvy Boston local Natalia Ivanytsky, would recommend to friends visiting her hometown. A new feature are the two city walks included in the book, leading past a selection of the 500 secrets: a great way for first-time visitors to get to know the city.
This bulky selection of Boston tips is based only on the author’s personal opinions after thorough research: Natalia wandered through the many Boston streets and neighbourhoods accompanied by her dog, looking for the best places to eat, drink, shop, visit, dive into the cultural scene… She drank and ate her way through the best brunch spots, cocktail bars, and restaurants with family and friends, looking for the five best on-the-go sandwiches, the five tastiest street food trucks, the nicest shops for New England-inspired home décor or five urban oasis garden escapes. She also tells you which unofficial stops along the Freedom Trail are worthwhile, or where to find cool outdoor art installations. Her aim is to showcase Boston’s strong culture beyond sports and history, and to help you discover new, unexplored places.
Also available: The 500 Hidden Secrets of Chicago, The 500 Hidden Secrets of Seattle, The 500 Hidden Secrets of New York, The 500 Hidden Secrets of Tokyo, and many more. Discover the series at the500hiddensecrets.com
Building on her experience following a several-week trip to Taliesin West, Kora Bürgi investigates Frank Lloyd Wright’s architecture and traces his work in the USA and Switzerland. The result of the field research is a presentation of his influence on the Central Swiss architectural landscape – a theme that has not been studied before. That influence ranges from partial copies of elements of Wright’s architecture to own interpretations of his architectural ideas.
This publication analyses 14 buildings in Central Switzerland – from the Heimbach school and the Villa Schnyder (both in Lucerne) to the residential buildings in Brodhubl (Canton of Obwalden) – including Wright’s influence on various architects, such as Josef Gasser, Lisbeth Sachs and Otto von Deschwanden. The author also sheds light on the distribution of Wright’s urban-planning principles and the future of his architecture in Switzerland.
Text in German.
The Lake District delights its visitors with a series of superlatives: England’s largest national park, highest mountain, deepest lakes and now a new World Heritage status. One of Britain’s best-loved and most visited locations unveils its secrets. This unusual guidebook explores 111 of the area’s most interesting places, it leaves the well-trodden paths to find the unknown: marvel at a stained glass window which inspired the American flag, let others flock to Hill Top while you explore Beatrix Potter’s holiday home, walk through ancient forest to talk to fairies and swim with immortal fish. Pause to wonder at a stunning lake where a President proposed, view a constellation of stars like nowhere else, find out why exotic spices are used in local cuisine.
The long-awaited definitive work on master wood engraver Paul Landacre (1893–1963), a key figure of California modernism.
With his virtuosic prints of rolling California hills, classically inspired nudes, and natural and manmade forms — from a seashell to his own printing press — Paul Landacre elevated wood engraving to a high art form in twentieth-century America. Landacre’s ceaseless stylistic innovation placed his work in dialogue with California contemporaries like Edward Weston and Henrietta Shore; he was, in fact, central to an artistic milieu that has been described as a “small Renaissance, Southern California style.” It is fitting, too, that the velvety blacks and dazzling whites of Landacre’s prints can recall the images of the silver screen — for the artist’s rustic bungalow on a Los Angeles hill was but a stone’s throw from Hollywood, and his early patrons and supporters included such luminaries as the director Delmer Daves and the actress Kay Francis. This handsome two-volume set, illustrated with generously sized, high-quality reproductions, offers a definitive catalogue not only of Landacre’s individual wood engravings but also of his early linocuts, his celebrated book illustrations, and his experimental works in other media, including painting, drawing, and lithography. Yet this is much more than a catalogue raisonné — the fruit of more than 30 years of research, it brings to life the bohemian world in which the artist lived, and the rich cultural and artistic context of his work. Landacre’s prints are already prized by curators and collectors; this landmark publication will give him his rightful place in the firmament of American art.
Sheffield is yet to be discovered. Were you aware that football’s first professional rule book was written in Sheffield, and that it is home to the oldest ground in professional use? Did you know that climbers the world over come to Stanage Edge for the challenges offered by one of the world’s most fearsome millstone grit escarpments? Did you know that the Arctic Monkeys grew up in Sheffield, and that you can see the room at Yellow Arch Studios where they rehearsed as schoolboys and cut their first album? Did you know that the steepest hill in the entire 2012 Tour de France is in Sheffield? Did you know that Sheffield’s craft breweries produce some of the finest beers in the world? Did you know that you can walk out of the centre of Sheffield, through parkland, and directly into open countryside? You need this book fast then, don’t you, you soft ‘aporth!
Perhaps the most influential political essay ever written, Unto This Last was one of the defining texts of British socialism, and was a decisive experience in the lives of Gandhi and Martin Luther King, amongst many others.
Ruskin’s lessons are as urgently needed today as ever. His attack on the greed and short-termism of unbridled capitalism, and on the pursuit of money instead of true wealth, are every bit as inspiring and challenging as they were when Unto This Last was first published 150 years ago.
A new introduction by Andrew Hill, Associate Editor and City Editor of the Financial Times, and editor of the Lombard column, discusses the value of the essay in an age of credit crunch. A foreword by the Master of the Guild of St George, Ruskin’s association for social reform, sets out what Ruskinians today can do and are doing.