“A time capsule of sorts, the tome features iconic photographs of Steve Martin, Carrie Fisher, Richard Pryor, John Belushi, Lily Tomlin, Bill Murray, Ray Charles… the list goes on and on.” — Entertainment Weekly
Live From My Studio is the first book to showcase the art of Edie Baskin. The pioneering, 2x Emmy-nominated photographer and art director, created the signature look of a show that would transform television, popular culture and influence the people and events that have shaped our lives for 50 years. Her iconic hand-coloured portraits of the stars of rock, screen, stage and television were a signature of the show, broadcast to tens of millions of homes every week, reflecting the show’s wit, charm and mischief, captivating generations while reviving a long-lost art form.
Discover the esoteric insights and enchanting imagery of the Baroque emblem book, a long-lost cousin of the tarot.
The emblem book, which reached the peak of its popularity in the 16th and 17th centuries, presented mysterious allegorical images—rather like those we now find on tarot cards—alongside Latin mottoes. A learned text explained the connection between image and motto, and the lessons each emblem held for the reader’s life. Drawing on sources such as medieval bestiaries and Aesop’s fables, emblem books reflected an enchanted view of nature in which our human lives were intertwined with plants, animals, the moon and the stars. World-renowned natural perfumer Mandy Aftel first encountered emblem books in the course of her researches into antique botanical illustrations, and quickly became entranced. Here she presents 100 emblems from perhaps the finest emblem book, the Symbolorum et Emblematum of Camerarius, originally published in four parts between 1590 and 1604. Aftel has sensitively tinted in watercolour the bewitching circular engravings of the Symbolorum, in which giant hands reach from the sky; lions, bears, and unicorns gambol; and distant spires beckon. The mottoes and explanatory texts are given in translation from the original Latin, along with Aftel’s own commentary. An illustrated introduction illuminates the history and magic of emblem book.
Symbolorum will be a treasure for anyone who is drawn to uncover ancient wisdom and feel the breath of the universe.
In Search of Spatial Scripts is a re-collection of improvisational stories and stage sets and serves those interested in Spatial Tales of Origin Revealed through Specifications for Construction. Peter Waldman first recounts Mining Mica in the alleys of Manhattan only to initiate a resultant collaboration with a bunch of boyhood buddies eight decades ago. Other magical oases were later encountered with both Citizens and Strangers, mapped odysseys somewhere between Princeton and Peru.
This project traces two construction sites through the self-reflective eyes of generations of others. One encampment is found in North Garden Virginia and one student memorial is situated on the North Terrace of Campbell Hall at Mr. Jefferson’s University spanning a decade in the cross hairs of the Millennium. Located somewhere between Rebecca Solnit’s A Field Guide to Getting Lost, Eugene O’Neill’s A Long Day’s Journey into Night, and Pirandello’s Six Characters in Search of an Author, this collection of collages evolves into vellum scrims which promotes architecture as The Word Made Flesh, Lessons and Carols. Through the eyes of others, a Cast of Circumstantial Characters re-read Lessons From the Lawn and then repair Connective Tissues to set a stage for perhaps the seventh Memo for the Next Millennium.
The Aston Martin Bulldog is a car that should never have existed. A car that was built before its time and became lost in time. A car that never failed to leave those who encountered it mesmerised by its aesthetics and its jaw-dropping capability.
Aston Martin created Bulldog as a concept car in the late 1970s with the hope that it would go into production as the first road car capable of breaking the 200-mph barrier. They missed that speed due to lack of space and the car never entered production. Instead, the sole prototype, designed by William Towns, designer of the DBS and Lagonda, spent the next 40 years bouncing from one owner to another, gradually deteriorating in condition. That is, until 2019. Bought by American collector Phillip Sarofim, Bulldog was about to have one more shot at securing its place in the 200-mph club.
Hundreds of never-seen-before photographs from the Aston Martin Archive, as well as new photography by experienced car photographer Amy Shore, chronicle the lifecycle of this incredible car. Including interviews with the original engineers who were involved in the restoration and speed record, Aston Martin Bulldog follows the full story, from concept and design, through the lost years and on to its recent resurrection, which saw it successfully break the 200-mph threshold in 2022.
Art Deco Statuettes features over 1000 of the most fascinating and striking examples of interwar statuettes.
Capturing the very essence of Art Deco, the statuettes created in Paris, Berlin and Italy during the 1920s and ’30s epitomise the era and its fashions. These small, decorative sculptures are extensive in number and of widespread provenance, with many artists dedicated to their creation. Their influences and inspirations included the Ballet Russes, Egyptomania, Music Hall theatre and more, leaving the world a unique cultural legacy.
First published in 2016 as Statuettes of the Art Deco Period, this vastly extended edition includes newly documented pieces and several obscure, long-lost artists, as well as a selection of period catalogue pages, giving a sense of the allure and commercialisation of these artworks at the time of their creation. For the first time, the secrets of these lost statuettes, once hidden in plain sight, are revealed for all to enjoy. Perfect for collectors and enthusiasts.
Photographs taken during Grierson’s wanderings in Mexico and Guatemala in the late Eighties, and Nineties. While continuing his preoccupations, from where he’d left off several years earlier (his RCA work), Grierson was now met with a different reality, and a fresh challenge. Would the post modernist, formalist playfullness, in his earlier work, continue within this new third world environment? We are always ultimately shaped by our environment, but within the work, the environment is also shaped by both the photographer’s own subjectivity and the medium itself. ‘Grierson indeed is a particular kind of witness and his work is as much about the medium as the world’, (Gerry Badger).
Putting away his flash gun (which had characterised much of his earlier work), in respect for the indigenous people, he wanders through Central America, recording his interactions on b/w film. The resulting emotive images, have a strong sence of humanity, but they are never sentimental, and their power still owes much to Grierson’s formalist eye, and the subtle, yet visceral connections between the objects and people, within each frame.
Athens can be noisy and crowded and confusing, but it’s spontaneous and always surprising. A cable ride up Lykavittos rewards with an incredible panorama but veer off the track to discover the hill’s secret links to Parnitha. The beauty of Kaisariani Monastery’s architecture is matched by the ‘organised wilderness’ of its incredible gardens.
Ancient relics, great and small, mirror a glorious past that remains an example to the world, but they are only the start of what’s great about Athens today. There are the mountains that surround it, busy with climbers, runners and picnic-lovers during the weekends. The ubiquitous graffiti, some admirable, some abhorrent, that reveal what’s bugging the Athenians’ psyche. Bars, cafés and restaurants thronged with broke Greeks who refuse to stay inside. Stores where you can find vendors as venerable as their antiques and others that are up to date with the edgiest demands. And many surprising, sometimes downright dark, dank and mysterious pockets. Athens is changing day by day. This book will take you to places that are beyond touristy or trendy; whether hundreds of years old or contemporary, their tales are timeless.
Le Corbusier’s Chapel of Notre Dame du Haut in Ronchamp, eastern France, is one of the most unique and surprising religious buildings of the twentieth century. Replacing an earlier church that had been destroyed in the Second World War – a church that itself had been built on the site of a fourth-century Christian chapel – Le Corbusier transformed an ancient pilgrimage site into a dramatic work of modern art. In this insightful and beautifully illustrated volume, Maria Antonietta Crippa and Françoise Caussé explore the particular set of circumstances that led one of the twentieth century’s most famous exponents of urbanism to create an ethereal space of worship on a remote hill in the French countryside. As well as putting the chapel into its historical context and exploring the controversies and arguments that have surrounded it, this book – part of a series that began with Matisse: The Chapel at Vence (RA Publications, 2013) – features stunning new photographs that capture the genius of Le Corbusier’s design.
On the slope of a gentle hill on the northern boundary of the Po basin in Northern Italy stands a remarkable house. A modernist villa in the middle of a park, with its metallic façade shining above an enormous circular base of reddish stone. The extraordinary structure of the Casa Girasole (The Sunflower) follows the way of the sun across the sky – and the inhabitants’ vista over the surrounding landscape – during the day, driven by an electric motor that can turn the entire house by 360°. It was built in the early 1930s by the Italian architects Angelo Invernizzi and Ettore Fagiuoli and is an important example of Italian Futurismo in architecture. Preserved entirely in its original state, including the original furniture and curtains, it makes traceable the fascination for modern technology, but also the already slightly broken optimism, of that period. The documentary film I Girasole: A House Near Verona by Christoph Schaub and Marcel Meili enables the viewer to take part in a day at the house that turns around its vertical axis once. The movie introduces both the architecture and atmosphere of the building, its various rooms, furnishings and decoration. It gives a memoir of the house’s history and of the time and feeling of life in which it was conceived. The film was awarded the 1st prize at the 1995 biennale Film and Architecture in Graz (Austria). The DVD is complemented by a booklet with introductory essays and illustrations. Film in original Italian version and alternative versions with English, German and French subtitles. Text in booklet in English and German.
Documentary photographer William E. Crawford spent three decades documenting Vietnam, and in particular Hanoi, its people and the surrounding countryside. As one of the very first Western photographers to work in post-war North Vietnam, Crawford was drawn back to the country numerous times at regular intervals between 1985 and 2015 to record this fascinating country’s culture, people, and society with beautiful, compelling and intimate photographs, concentrating on colonial and indigenous architecture, urban details, portraits, and landscapes. In 1986, the Vietnam’s Communist leadership began to shift from a Soviet-style central planning model toward free-market economic reforms. As a result, Hanoi has been transformed over the last three decades, becoming an example of how traditional Asian and developing cities have often been torn down or allowed to crumble – only to re-emerge in a ‘modernised’ form. Unlike photo-journalism, which is interested in the theatre of the moment, Crawford’s evocative and powerful photography chronicles life throughout Hanoi and its surrounds over the course of the last three decades. Filled with full-colour photographs and informative essays on his experiences and the people he encountered, Crawford’s work – showcased in this beautifully presented volume – provides a unique visual catalogue of the evolution of a city and its inhabitants, and in particular the complex historical area known as The 36 Streets.
Over the course of 60-plus years, Erwin Hauer has created modular sculptures that feature penetrations and prominent interior voids yet, remarkably, are bonded by continuous surfaces. The modules of these sculptures contain the seeds of infinity: what Hauer calls ‘continua’. Still Facing Infinity covers the full scope of Hauer’s artistic oeuvre, from early two-dimensional works that double as room dividers to three-dimensional, space-filling sculptures that are conceptually similar to innovative architecture and engineering (works by Antoni Gaudi, Félix Candela, and Frei Otto) as well as advanced mathematical concepts (triply periodic infinite surfaces without self-intersections). Hauer offers detailed presentations in writings as well as in abundant photographs of a number of significant works, including Jerusalem Tower and Infinite Surface I-WP, the basis for numerous tabletop and large-scale sculptures as well as for two independent series that explore multiple iterations of the infinite surface concept.
About ten years ago, Professor Stanford Anderson from MIT initiated the joint-workshop program with Tongji University in Shanghai and has continued his decade-long collaborations with us since then. The Robotic Force Printing Workshop this year can be seen as a respectful tribute and continuity to such tradition.
Philip F. Yuan, a professor of Tongji University and the founder of Fab-Union Technology was in collaboration with Professor Philippe Block of ETH throughout the 23-day workshop. In addition to the design-fabrication studios, the workshop also consists of three field trips in association with one academic forum, four public lectures and a series of teaching modules on fundamental concepts of COMPAS and FURobotic to explore the integration between novel structural designs and the advances in additive manufacturing and robotic fabrication.
Contents:
Introduction – Form Following Robotic Force: Philip F. Yuan
Preface- Digital Master Builders: Exploring Strength Through Geometry: Philippe Block
Precedents – Computation & Digital Fabrication-Enabled Geometrical: Gene Ting-Chun Kao, Mark Kam-Ming Tam
– Bending-Active Formwork For Shell Structures Based On 3D-Printing Technology: A Pre-Research: Xiang Wang
– Programming Of Robotic Fabrication: Liming Zhang
Methodology – Preliminary Groups: – Snake Rock Pavilion – Shell O – Fractal Shell – Folded Bridge – Eight-Legged Shell – White Hill – The Ribbon
Final Fabrication Works – Bending Shell – Fu Bridge
The Triangle region of North Carolina is a little-known hotbed of outstanding modern architecture with roots that trace back to the Bauhaus and has helped to shape the history of modern American architecture. While the Triangle has seen a great increased interest in modern architecture, the understanding of this design and the reasons and history behind it, have not been shared in a clear and meaningful way. There is an information gap between what is appreciated by architects and by the general public.
In the South of France, sited on a hill of olive trees, pinus pinea, and a vineyard, a family retreat was designed with a key mission of maintaining the vitality of the site. A small agricultural plot, the site offered the possibility of amplification. With the introduction of a garden and many outdoor living spaces, the family had the intention of cultivating the landscape as part of their stewardship. In part a response to a programmatic brief, but moreover, a discursive response to architectural predicaments of geometry, typology, and anomaly, the house is also a response to Preston Scott Cohen’s pedagogies on architecture.
Where’s the best place to go out on a Saturday night in Barcelona? What off-beat museums can be discovered after Sunday brunch (and where to have it)? Which locations offer the best viewpoints of the Catalan capital? What Gaudí buildings are essential? Where does Barcelona’s modernism reach its zenith? Where to take the children? What’s the best place to buy wine? And where do the locals hang out? The 500 Hidden Secrets of Barcelona reveals hundreds of good-to-know addresses, avoiding the touristy places and pointing out the urban details you are likely to miss. Mark Cloostermans, a Belgian journalist living in Barcelona, unlocks the various districts, pointing out historical details in the streets of the old town, taking you from green Montjuïc hill to the beach and back. The best places to eat halal, the must-visits for Barça fans and the various festivals you can plan your visit around: The 500 Hidden Secrets of Barcelona reveals it all.
In this refreshing new study, Wright scholar Kathryn Smith does just that, exploring the grace and beauty found in all facets of Frank Lloyd Wright’s work: from office desks and chairs to his first residential commissions, from magazine cover designs to major public buildings. The concise text and brilliant colour photographs chart Wright’s entire career, beginning with his apprenticeship to Adler and Sullivan before the turn of the century. Readers witness the Prairie period, Wright’s years in Japan and California, his major designs of the late 1920s and 1930s, his Usonian houses, and the monumental late works of his last decades. Smith shows examples of Wright’s drawings, furniture, and decorative arts, too, supplementing our understanding of Wright’s aesthetic. The book concludes with a glimpse at the architect’s seldom-seen collection of Asian art, which once comprised tens of thousands of pieces – a source of much inspiration and edification for the architect and his students, and a key to understanding Wright’s views on art and nature.
Here is a broad portrait of the master builder who sought the title “greatest architect of all time.” Although it may never be possible to fully assess Wright’s legacy, Kathryn Smith’s authoritative book is a fitting testament to his lasting genius.
Kykuit-the country home of John D. Rockefeller Sr., John D. Rockefeller Jr., Nelson A. Rockefeller, and their families-stands majestically atop a hill overlooking the Hudson River. Built between 1906 and 1913 by architects Delano and Aldrich, it has just recently been opened to the public. But visitors will never see the estate in as intimate a way as it is presented in this volume. To preserve the memory of what Kykuit was like when it was a private home, photographer Mary Louise Pierson, granddaughter of Nelson Rockefeller, spent years photographing the estate: the Big House-as family members call the main residence-and its interiors, designed by the renowned Ogden Codman; the outbuildings, including the Coach Barn, which now houses an impressive collection of horse-drawn carriages and an equally noteworthy collection of vintage cars, the orangery, and the Playhouse, a Tudor-style mansion containing an indoor swimming pool, tennis court, fully equipped gym, and bowling alley; and the magnificent gardens, from the formal gardens designed by William Welles Bosworth to the golf course to the Japanese garden, and all the sculptures that three generations of Rockefellers installed on the grounds.
The text, by Ann Rockefeller Roberts, Governor Rockefeller’s daughter, recounts the history of the magnificent estate, from its founding early in the century through its recent transfer to the National Trust, focusing on how each successive generation left its stamp on the decor, the gardens, and the painting and sculpture collections. Illustrated with dozens of historical photos, ranging from the construction of the house to snapshots of family members, the text includes never before published reminiscences of five generations of Rockefellers. Complete with a family tree, a map of the gardens, and visitor information, Kykuit: The Rockefeller Family Home offers a deeply personal look at the country residence of one of America’s most distinguished families.
What were Montmartre and Montparnasse really like in their hey-day, roughly between 1904, when the youthful Picasso had just arrived on the Hill of Martyrs, and 1920, when Amedeo Modigliani, justly called ‘the prince of Bohemians’, died of consumption and dissipation in Montparnasse? This book, written by an Englishman who lived in Montmartre for 30 years and knew its famous habitue intimately, gives a vivid description. It reveals the truth behind the many legends, is packed with authentic stories about writers and painters whose names are now household words, and contains much hitherto unpublished information about the life and career of Modigliani obtained from his family and friends. Much of the text was written in Montmartre amid the scenes described, and after personal consultation with survivors of the great days when Frede presided over the Lapin Agile and Libion, patron of the Cafe de la Rotonde, was beginning to rival him in Montparnasse. It is the most complete account which has yet been written in English of the birth of Cubism and other contemporary movements in modern painting, and of the lives and loves who started them.
In celebration of the 200th anniversary of the birth of one of Victorian Britain’s greatest thinkers, the art critic and social reformer John Ruskin, the distinguished Ruskinian Robert Hewison introduces Ruskin’s ideas and values through revelatory studies of the people and issues that shaped his thought, and the ideas and values that in turn were shaped by his writings and personality. Beginning with an exploration of the rich tradition of European art that stimulated his imagination, and to which he responded in his own skilful drawings, Ruskin and his Contemporaries follows the uniquely visual dimension of his thinking from the aesthetic, religious and political foundations laid by his parents to his difficult personal and critical relationship with Turner, and his encounters with the art and architecture of Venice. Victor Hugo makes a surprising appearance as Ruskin develops his ideas on the relationship between art and society. Ruskin’s role as a contemporary art critic is explored in two chapters on Holman Hunt, one focussing on the Pre-Raphaelite’s The Awakening Conscience, one examining his later Triumph of the Innocents. The development of Ruskin’s role as a social critic is traced through his teaching at the London Workingmen’s College and his foundation of the Guild of St George, a reforming society that continues to this day. Oscar Wilde came under his personal influence, as did Octavia Hill, a founder of the National Trust. The evolutionary theories of Charles Darwin are shown to have been deeply unsettling to Ruskin’s worldview. The book concludes with a demonstration of the profound influence of the Paradise Myth on all of Ruskin’s writings, followed by an exploration of the concept of cultural value that shows why Ruskin’s ruling principle: ‘There is no wealth but Life’ is as relevant to the 21st century as it was to the 19th.
In celebration of the 200th anniversary of the birth of one of Victorian Britain’s greatest thinkers, the art critic and social reformer John Ruskin, the distinguished Ruskinian Robert Hewison introduces Ruskin’s ideas and values through revelatory studies of the people and issues that shaped his thought, and the ideas and values that in turn were shaped by his writings and personality. Beginning with an exploration of the rich tradition of European art that stimulated his imagination, and to which he responded in his own skilful drawings, Ruskin and his Contemporaries follows the uniquely visual dimension of his thinking from the aesthetic, religious and political foundations laid by his parents to his difficult personal and critical relationship with Turner, and his encounters with the art and architecture of Venice. Victor Hugo makes a surprising appearance as Ruskin develops his ideas on the relationship between art and society. Ruskin’s role as a contemporary art critic is explored in two chapters on Holman Hunt, one focussing on the Pre-Raphaelite’s The Awakening Conscience, one examining his later Triumph of the Innocents. The development of Ruskin’s role as a social critic is traced through his teaching at the London Workingmen’s College and his foundation of the Guild of St George, a reforming society that continues to this day. Oscar Wilde came under his personal influence, as did Octavia Hill, a founder of the National Trust. The evolutionary theories of Charles Darwin are shown to have been deeply unsettling to Ruskin’s worldview. The book concludes with a demonstration of the profound influence of the Paradise Myth on all of Ruskin’s writings, followed by an exploration of the concept of cultural value that shows why Ruskin’s ruling principle: `There is no wealth but Life’ is as relevant to the 21st century as it was to the 19th.
Perhaps the most influential political essay ever written, Unto This Last was one of the defining texts of British socialism, and was a decisive experience in the lives of Gandhi and Martin Luther King, amongst many others.
Ruskin’s lessons are as urgently needed today as ever. His attack on the greed and short-termism of unbridled capitalism, and on the pursuit of money instead of true wealth, are every bit as inspiring and challenging as they were when Unto This Last was first published 150 years ago.
A new introduction by Andrew Hill, Associate Editor and City Editor of the Financial Times, and editor of the Lombard column, discusses the value of the essay in an age of credit crunch. A foreword by the Master of the Guild of St George, Ruskin’s association for social reform, sets out what Ruskinians today can do and are doing.
Great food culture starts at home – especially when it’s from the chef’s home kitchen and garden! Be inspired by this unique and visually stunning book, which takes a behind-the-scenes look into the home kitchens (and gardens) of 22 of Australia’s celebrity chefs. Notable mentions include Frank Camorra (MoVida), Brigitte Hafner (Graceburn House & Tedesca Osteria in Red Hill, on Victoria’s Mornington Peninsula), Tony Niccolini (Italian Artisans), Scott Pickett (Estelle, Matilda, and Audrey’s in Sorrento), and of course many others. Each chef is interviewed by renowned architecture and design writer Stephen Crafti, and each profile is captured through gorgeous, intimate imagery by celebrated photographer Catherine Sutherland. Featuring fabulous, inspiring conversations with each chef in their personal living spaces, while they are preparing a meal in their stunning kitchen, and with a close look at their kitchen’s architectural design, and garden style, this book celebrates not only some of Australia’s finest chefs, but also the architects who make these chef’s kitchens a pleasure to work in. The chefs and architects answer important questions, such as what makes a great kitchen as much as a great meal; what makes these kitchens unique; what are some of the less obvious things that need to be addressed in a kitchen design; what is the range of fresh produce, ie herbs and spices, as well as vegetables that is best planted in a successful kitchen garden; and so much more. This beautifully illustrated book is filled with inspiration for foodies (included are recipes from the chefs), gardeners and design aficionados, and a peek into the secret lives of these celebrities.
Hut! Read all about today’s greatest gridiron stars in this exciting book full of action-packed photos.
Stars of the NFL includes profiles of 28 top players. This includes great quarterbacks like Jalen Hurts and Patrick Mahomes, other offensive powerhouses like Tyreek Hill and Travis Kelce, defensive mainstays like Aaron Donald and T. J. Watt, and special team standouts like Justin Tucker. Learn about their life stories, their unique styles of play, and their defining moments on the field. Brimming with colourful photos and key stats, Stars of the NFL joins Abbeville’s growing lineup of sports books for young readers, including Stars of World Soccer, Stars of the NBA, and Stars of Major League Baseball.