Marguerite Saegesser (1922–2011) achieved fame in the US, her adopted country for many years, where her prints and paintings were repeatedly shown in group and solo exhibitions in California and New York over a period of two decades. In her native Switzerland, however, the artist and her multifaceted oeuvre are yet to be discovered.
This book fills this gap, featuring Saegesser’s art with a special focus on the monotype, a printing technique developed in the 17th century and producing only a single original at a time. It also demonstrates how Saegesser, who initially studied sculpture in Lausanne, found her artistic destiny in America. Key to her evolution was San Francisco’s lively art scene of the late 1970s, and in particular the painter Sam Francis, an outstanding representative of action painting and abstract expressionism, who became her friend and precursor. His fascination with the monotype quickly transferred to Saegesser, who soon achieved mastery in it and made a significant contribution to the revival of the historic technique.
Text in English and German.
Even though Gerard Verdijk (1934-2005) passed away at the beginning of this century, many still remember him as a striking and versatile artist. From the middle of the 20th century until the beginning of the 21st century he was active within a wide area of the visual arts. He was a poetic and philosophical man who manifested his creativity through a wide range of materials and techniques. He was a curious man, eager to learn, who travelled through Europe, Turkey, The Middle-East, North-America, Africa and Japan to get acquainted with other cultures. He cannot be placed within one art-historical movement. The ever-changing world around him influenced his style and the use of his materials. When generalised his works can be placed in a few style periods: Abstract/Informal, Zero/Pop-Art, Fluor/ Perspex and Zen/Haiku. In all these periods spaciousness, movement and repetition are recognisable elements. In the 13 years after his passing in 2005, the life and works of Gerard Verdijk were meticulously documented by his wife Josephine Sloet. This monograph, a true “life’s work” of 396 pages with 200 large images of his works came into being at Gerard’s own request. He was also clear about the book’s motto: The Mountain of Einstein. According to Albert Einstein, the creation of some something new can be compared to climbing a mountain, where one would obtain changing and growing perspectives along the way and would discover unsuspected connections between our customs and the rich variety of our environment.
Amor Mundi: The Collection of Marguerite Steed Hoffman delves deep into this remarkable singular collection. Over two volumes, Amor Mundi presents an edited selection of over 400 works of modern and contemporary art from the Collection of Marguerite Steed Hoffman, from the pieces brought together by Marguerite Steed and her late husband Robert Hoffman (1947–2006) to more recent outstanding acquisitions. Over 30 authors – artists and art historians – explore this fascinating collection, addressing specific artworks as well as the motivations behind the collection’s creation and ongoing evolution. Created over the course of a two-year period, great care has been taken to reflect the collection’s key artists, canonical works, and the issues and debates that have helped shape its direction for more than a quarter of a century. By highlighting the art and artists as well as the ideological principles underlying the collection, it is hoped that Amor Mundi will shed some light on how to interpret this extraordinary collection of modern and contemporary art as well as communicating something about the personality of the woman who assembled it.
Texts by Martin Jay, Renée Green, Susan L. Aberth, Sarah Celeste Bancroft, Renate Bertlmann, Anna Katherine Brodbeck, Susan Davidson, Gavin Delahunty, TR Ericsson, Tamar Garb, Robert Gober, Rachel Haidu, Merlin James, Wyatt Kahn, Ragnar Kjartansson, Anna Lovatt, Leora Maltz-Leca, Nic Nicosia, Charles Ray, Mark Rosenthal, Dana Schutz, Barry Schwabsky, Richard Shiff, Raphaela Simon, Michelle Stuart, Kirsten Swenson, Mary Weatherford, Terry Winters. Interviews by Martin Jay and Marguerite Steed Hoffman, Gavin Delahunty and Isabelle Graw
In the interwar period, the home of art-lovers and collectors Annie and Oskar Müller-Widmann in Basel was a meeting place for some of the most significant protagonists of modernism, including artists Hans Arp and Sophie Taeuber-Arp. The Müller-Widmanns soon became close friends of the couple and the first and foremost collectors of their works for many years.
This volume is the first to publish in English the letters and postcards that Sophie Taeuber-Arp wrote to the Müller-Widmanns between 1932 and 1943. Her correspondence revolves around her artistic work, exhibitions, and other projects, but also speaks of the private circumstances of the life of an artist in the period leading up to World War II. Preserved in its entirety, the collection is a core testimony to Taeuber-Arp’s life and work. Walburga Krupp, a leading expert on the artist and co-curator of the major retrospective Sophie Taeuber-Arp: Living Abstraction at Kunstmuseum Basel, London’s Tate Modern, and the MoMA in New York in 2021–22, has annotated the transcribed and translated letters with insightful commentary and picks up on significant topics of this correspondence in an introductory essay. The book is illustrated with facsimile images of numerous postcards and letters as well as with works by Sophie Taeuber-Arp and Hans Arp.
Part of Watchprint’s Story Books series profiling the world’s most renowned watches, Chronomat Story sees investigative journalist Gerard Tubb draw on original research to reveal the full, untold history behind Breitling’s most transformative chronograph. Through newly uncovered archives and first-hand accounts, Tubb traces how the Chronomat – created for Italy’s elite Frecce Tricolori aerobatic team in the 1980s – sparked Breitling’s revival and reshaped the landscape of modern mechanical watchmaking. Richly illustrated and meticulously documented, the book brings to light the people, ideas, and risks that defined an era of reinvention.
One of the most prestigious contemporary art awards, the Marcel Duchamp Prize was created in 2000 by the ADIAF, Association for the international diffusion of French art which groups together 400 contemporary art collectors rallied around the French scene. Its ambition is to bring together the most innovative artists and help them raise their international profile. Each year, the Marcel Duchamp Prize is awarded to one of four artists, either French or living in France, all of them working in the field of the plastic and visual arts. Since the outset, this collectors’ prize benefits from a close partnership with the Centre Pompidou who invites the four nominated artists for a 3-month group show in its Galerie 4. The winner is chosen by an international jury of collectors and directors of leading institutions. Text in English and French.
Who other than Henri Matisse’s daughter Marguerite could describe his engraving in this way? Responsible for validating her father’s press-proofs, she is, along with her son Claude Duthuit, the author of this catalogue raisonné of his engravings. She has devoted a large part of her life to allowing this ‘unknown continent’ to be discovered which is nevertheless essential in understanding the progression of an artist known above all for his mastery of colour.
The Matisse Departmental Museum, with the help of the Matisse family, Barbara Duthuit, and some most prestigious institutions, explores in this catalogue all of the engraving techniques used by Matisse from 1900 up to the end of his life. For him, engraving, drawing, painting, and sculpture all had the same importance, and in this work all the key themes that led him to build his research around the human figure, are represented.
For the very first time the matrices (woodcut, lithograph, drypoint, etching, linocut…) accompany the works and help us to understand that high standards and hard work, along with an economy of means, led Matisse to transform black into a colour that he used to serve the purity of line.
Text in English and French.
“Unprecedented daring, originality and strength”: as early as 1890, critics praised the bold style of Betzy Akersloot-Berg (1850–1922). A pupil of Hendrik Willem Mesdag, she was a pioneer, world traveller and passionate painter of coasts and seas.
This richly illustrated publication presents new insights into Akersloot-Berg’s artistry, travels, studio practice and significance. It is the first substantial Dutch/English-language publication on the Norwegian-Dutch artist since 2000 and marks an important reassessment of her work, which has been preserved in the museum dedicated to her in her former home on Vlieland and has received only sporadic attention in Norway. Published to coincide with the first major Dutch retrospective at Museum Panorama Mesdag, the book includes contributions from, among others, Jenny Reynaerts, Sunny Bergman, guest curator Marguerite Tuijn, Museum Panorama Mesdag, Museum Tromp’s Huys, NordNorsk Museum and Perspektivet Museum, Tromsø.
Text in English and Dutch.
More than 250 works, famous and unknown, invite readers to discover the dogs of the Louvre’s collections. From the 3rd millennium BCE to the late 19th century, dogs accompany Diana and Aphrodite, kings and saints, hunters and shepherds, mythological and literary heroes. From the earliest greyhounds on the Susa vases to those of the Marly court, from tiny spaniels reflected in the crystal ball of Marguerite Gérard’s The Interesting Pupil or in The Wedding at Cana, to the pointer whose eye can be glimpsed in Largillière’s Family Portrait – sleeping, be-ribboned, threatening or bounding – dogs are everywhere across the museum’s departments. This book is a great chronological journey that leaves centre stage to the works themselves. Opened by a general text introducing the historical, iconographic and symbolic significance of dogs in art history, it also offers, through its eight indexes, an original reading grid that is both serious and playful.
Text in French.
GEO – Earth – is a word that simultaneously signifies something vast and elemental. It refers to both the planet on which we live and the soil that sustains us. GEO is the physical and representational bedrock of landscape architecture – the foundation of many disciplines from which we draw our knowledge. Geography, Geology, and Geometry, in particular, are fundamental to our discipline’s intellectual core. And now, we seem ever more entangled in GEO as some scholars across the sciences and humanities argue that humans should be recognised as agents of change at geologic time scales.
LA+ GEO includes interviews with the celebrated author of After the Map, William Rankin, author and citizensensing visionary Jennifer Gabrys, and New Zealand based media artist and author Janine Randerson with guest editors Karen M’Closkey and Keith VanDerSys explore site surveying and sensing technologies as part of an expanded toolkit for landscape architects to bring environmental patterns down to earth and into view.
Other notable points are from Designer Robert Gerard Pietrusko who reveals the covert militaristic agendas of early aerial land cover interpretation, Geographer Matthew W. Wilson revisits the rise of critical cartography within geography in the 1980s and ‘90s.
Media scholar Lisa Parks describes the politics of vertical mediation by recounting the importance of activists’ use of drone-captured video to document both the protests against the construction of an oil pipeline through tribal lands, as well as the aggressive countermeasures taken by law enforcement to squelch the protests.
Jeffrey S. Nesbit and David Salomon, rocket launch pads provide a vehicle to unpack the relationship between terrestrial and extra-terrestrial territories. Geographers Douglas Robb and Karen Bakker caution against the voyeuristic tendencies enabled by the satellite gaze.
Through illustrated “Geostories,” Rania Ghosn imaginatively engages the “global commons” of outer space and oceans. Designer Matthew Ransom examines the tension between grassroots organisations and fracking industries in Pennsylvania. Author and activist Lucy R. Lippard takes us on an aerial journey across the United States. Historian and geographer B.W. Higman traces our modern predilections towards flatness.
Through a remaking of Eugène Violletle Duc’s Mont Blanc studies, landscape architect Aisling O’Carroll exposes the imposition of geometric rationalisation on nature. Noah Heringman revisits the sublime in 18th-century landscape design, offering parallels to today’s Anthropocene discourses about environmental depletion and Shannon Mattern examines how rocks are collected, examined, and displayed as objects of spectacular brilliance – objects that ultimately reflect back on us by illuminating the histories of oppression embedded in their extraction.
“Huge champion of organic and biodynamic wine making.” —Simon Mayo Radio Show
Gérard Bertrand decided he wished to relate his life journey and share his commitment to nature. Drawing on his experience as both a wine grower and a business leader, he demonstrates how the harmony of ecosystems, respect for nature and the preservation of living soils can be the pillars of a new paradigm, creating the conditions for a more balanced life and bringing hope for future generations. In this book, he also analyses how society is changing, and invites the reader to put fear aside and “dare” – in spite of the prevailing climate – to practice altruism, brotherhood, and an opening of the heart.
“One of the world’s greatest authorities on wine.” – Raymond Blanc OBE
“The finest nose in Europe.” – Daily Telegraph
“A true wine legend who gave so much to so many, both personally and professionally.” – Decanter
“The godfather of British sommeliers … he was not just universally respected, but universally loved.” – Imbibe
Gérard Basset was one of the most influential and authoritative sommeliers of his, or any, generation. Tasting Victory charts Gérard’s astronomical career in his own words. It recounts in detail how he managed to earn his unprecedented sequence of qualifications. He was one of the first individuals to hold the famously difficult Master of Wine qualification simultaneously with Master Sommelier and an MBA in Wine Business. But it is his pursuit of the most important award of all that forms the core of this book – how, at his seventh attempt, Gérard Basset was crowned the Best Sommelier of the World. This memoir is also a record of how fine dining in England grew from stale and unexciting to world-leading. Above all, it’s about succeeding against great odds: when he was diagnosed with cancer, Gérard responded in typical fashion, by deciding to write Tasting Victory, which he completed shortly before his death in January 2019.
– Autobiography of a true legend and much-missed character in the world of wine.
– Inspirational life story of a rise to prominence from modest beginnings.
-Updated commemorative edition with chapters from Gérard’s widow, Nina, and son, Romané, exploring Gérard’s legacy in the six years since his death.
– Features memories of Gérard from major figures within the wine world.
The theatre is the central theme of this fourth volume in our series titled ‘Art Brut – The Collection’, published to coincide with the fourth Art Brut Biennale. After exploring architecture, vehicles, and bodies, attention turns to the theatre, a theme that is developed in its various aspects. The simplest example is the depiction of theatrical architecture, as in the work of Eugen Gabritschevsky or Victorien Sardou. Other artists create works that are intimately connected to the world of theatre, however without necessarily being a part of it. For example, for Giovanni Battista Podestà or Vahan Poladian, a public stage is a place where they put on a ‘performance’ that responds to a society that consigns them to its margins. Their intrinsically ephemeral approach uses clothing or accessories as a means of communication and to have their voices or protestations heard. Other artists conceive whole cosmogonies that take the form of a gigantic staging of a fanciful, phantasmagoric world, as in the case of Aloïse Corbaz, whose work is to be viewed as a ‘Theatre of the universe’, or in that of Marguerite Burnat-Provins, with her graphic work titled ‘Ma Ville’. The book includes over 100 illustrations, many of which are published for the first time, carefully chosen to enable the reader to explore the theme of the theatre in Outsider Art, or Art Brut. Also available in the series: Vehicles ISBN 9788874396580 Architecture ISBN 9788874397105 Body ISBN 9788874397884
Who other than Henri Matisse’s daughter Marguerite could describe his engraving in this way? Responsible for validating her father’s press-proofs, she is, along with her son Claude Duthuit, the author of this catalogue raisonné of his engravings. She has devoted a large part of her life to allowing this ‘unknown continent’ to be discovered and which is nevertheless essential in understanding the progression of an artist known above all for his mastery of colour. The Matisse Departmental Museum, with the help of the Matisse family, Barbara Duthuit, and some most prestigious institutions, explores in this catalogue all of the engraving techniques used by Matisse from 1900 up to the end of his life. For him, engraving, drawing, painting, and sculpture all had the same importance, and in this work all the key themes that led him to build his research around the human figure, are represented. For the very first time the matrices (woodcut, lithograph, drypoint, etching, linocut…) accompany the works and help us to understand that high standards and hard work, along with an economy of means, led Matisse to transform black into a colour that he used to serve the purity of line.
Text in English and French.
Parisian churches are revered around the globe. Their stunning stained-glass windows and intricate Gothic architecture are accomplishments of unrivalled elegance. Churches of Paris gathers 37 of the finest in the City of Light, spanning the 12th to the 19th centuries. Each entry is embellished with beautiful colour photography and behind-the-scenes historical commentary.
Offering insight into the buildings’ construction and genesis, this book narrates how each church was shaped by war, revolution and time. With information on restoration and preservation, this is an invaluable guide for Francophiles and curious armchair travellers alike.
Featured churches include: Basilique du Sacré-Coeur de Montmartre, Basilique Sainte-Clotilde, Basilique Cathédrale de Saint-Denis, Notre-Dame Cathedral, La Chapelle de l’Epiphanie des Missions Etrangères et la Salle des Martyrs, La Chapelle Notre-Dame de la Médaille Miraculeuse, La Chapelle Saint-Vincent-de-Paul, La Madeleine, Notre-Dame-de-Lorette, Notre-Dame-des-Blancs-Manteaux, Notre-Dame-des-Victoires, Cathedral Saint-Alexandre-Nevsky, Saint-Augustin, La Sainte-Chapelle, Sainte-Élisabeth-de-Hongrie, Sainte-Marguerite, Saint-Étienne-du-Mont, La Sainte-Trinité, Saint-Eugène-Sainte-Cécile, Saint-Eustache, Saint-François-Xavier, Saint-Germain-des-Prés, Saint-Germain l’Auxerrois, Saint-Gervais-Saint-Protais, Saint-Jacques-du-Haut-Pas, Saint-Joseph-des-Carmes, Saint-Julien-le-Pauvre, Saint-Louis-en-l’Île, Saint-Merry, Saint-Paul-Saint-Louis, Saint-Pierre de Montmartre, Saint-Roch, Saint-Séverin, Saint-Sulpice, Saint-Thomas-d’Aquin, Saint-Vincent-de-Paul, The American Cathedral in Paris
Women Photographers are Dangerous celebrates more than 60 women photographers who have long deserved greater recognition for their extraordinary work.
Many of these pioneers, innovators and artists have ventured into war zones, politics, feminist activism and more. All have taken risks and freed themselves from established frameworks, simply by being who they are and doing what they do.
Ever since Louis Daguerre introduced the first camera to the world in 1838, women photographers have been present and excelled in every field, from art and the sciences to journalism and advertising. Yet all too often, they are denied the spotlight they deserve. Written and compiled by renowned historians Laure Adler and Clara Bouveresse, these pages set the record straight.
Featuring over 100 outstanding photographic works by women photographers including Eve Arnold with her famous Marilyn Monroe portraits; Vivian Maier, whose photos were discovered only after death; and Anne Atkins, who is believed by some to have created the first ever photographic image.
Photographers include: Anna Atkins, Julia Margaret Cameron, Virginia De Castiglione, Christina Broom, Frances Benjamin Johnston, Alice Austen, Olive Edis, Laure Albin Guillot, Imogen Cunningham, Claude Cahun, Dorothea Lange, Tina Modotti, Berenice Abbott, Anita Conti, Lisette Model, Margaret Bourke-White, Grete Stern, Dora Maar, Julia Pirotte, Lee Miller, Edith Tudor-Hart, Gerda Taro, Eve Arnold, Helen Levitt, Janine Niépce, Diane Arbus, Lisetta Carmi, Vivian Maier, Agnès Varda, Claudia Andujar, Claude Batho, Letizia Battaglia, Marianne Wex, Martine Franck, Sarah Moon, Sandra Eleta, Abigail Heyman, Graciela Iturbide, Paz Errázuriz, Catherine Leroy, Christine Spengler, Paola Agosti, Ishiuchi Miyako, Susan Meiselas, Sophie Ristelhueber, Erica Lennard, Donna Gottschalk, Alix Cléo Roubaud, Sophie Calle, Nan Goldin, Anne Noble, Cindy Sherman, Pushpamala N., Ouka Leele, Shirin Neshat, Francesca Woodman, Lorna Simpson, Angèle Etoundi, Essamba, Désirée Dolron, Géraldine Lay, Zanele Muholi, Sara Bennett, Shadi Ghadirian, Tarrah Krajnak, Gohar Dashti, Laia Abril, Bieke Depoorter, Maya Inès Touam.
Of all the world’s great cities, Paris is perhaps the one that marks its visitors and inhabitants the most, both in their discovery of the city, and their memories. With its many monuments, it is also a fabulous theatre where adventure, chance meetings, and the unexpected have fascinated the painters, poets and photographers that we meet in the pages of this book. While its history is ancient, and very long, its present is lively and attractive. This is a history of Paris that invites readers to wander in the city, to discover it. It presents the major events of the city, together with the most charming examples of daily life in its streets, which is always vibrant. It shows its crowds, who are delighted to find all the odours of the world, all the colours of life, and the marvels of everyday that are seen in this city. We also meet those writers who have praised Paris, such as Victor Hugo, Jacques Prevert, Gerard de Nerval and Léon Paul Fargue, and all those who have immortalised the city in their paintings, from the anonymous painters of the Renaissance up to the Impressionists. This is an intelligent history of Paris, but also friendly, entertaining, accessible, to whet your appetite for the city, and to arouse your curiosity. Also Available:
Lebanon: The Phoenician Pearl ISBN:9782867701443 £55.00
Le Sud Marocain ISBN:9782867700569 £55.00
Inspired by the reform movements in the Soviet Union and Eastern Europe, student protests began to form in China in the spring of 1989. They made Tiananmen square their central meeting place. Unsettled by this public display of dissent, on 3 and 4 June the Chinese army violently crushed the protests. There are no official figures for the number of victims. 2600 people are estimated to have been killed, and 7000 injured.
The photographer Xu Yong, aged 35 at the time, was among the survivors. He captured the chaotic scenes on celluloid. In 2014, he published his photos in a book that was banned by the board of censors. This new edition, published by Verlag Kettler, makes the book available to the public.
Xu has not retouched the photographs. He reproduces the negatives with inverted colours, which can only be deciphered once the colour inversion function on mobile phones or tablets is activated. Consequently, his work represents an eerie yet authentic perspective on this watershed moment in Chinese history.
Text in English and Chinese.
The New Normal (2017-2019) was a post-graduate program and Speculative Urbanism think-tank within Moscow’s renowned Strelka Institute of Media, Architecture, and Design. Directed by distinguished American social theorist Benjamin H. Bratton, the The New Normal conducted a collaborative research to investigate the impact of planetary-scale computation on the future of cities both in Russia and around the world.
The New Normal book, edited by Benjamin H. Bratton, Nicolay Boyadjiev, and Nick Axel, features twenty-two interlinked projects that were part of the research. Published alongside are 17 lavishly illustrated contributions by international researchers and designers that outline the wider scope of The New Normal program’s output, held together by concise thematic texts contributed by Benjamin H. Bratton. Contributors include many of the most influential contemporary designers, philosophers, architects, and artists, such as Yuk Hui, Liam Young, Anastassia Smirnova, Lydia Kallipoliti, Lev Manovich, Julieta Aranda, Trevor Paglen, Metahaven, Keller Easterling, Robert Gerard Pietrusko, Molly Wright Steenson, Ben Cerveny, Rival Strategy, Geoff Manaugh, Stephanie Sherman, and Patricia Reed. The fields of research include Speculative Megastructures, Human AI Interaction Design, Protocols and Programs, Synthetic Cinema, Alt-Geographies, Platform Econometrics, and Recursive Simulation.
This highly topical volume, the only comprehensive survey of research and work produced by The New Normal program, will appeal to all readers interested in the future of cities and urban design.
Michael Broadbent, wine critic, writer, auctioneer and much-admired expert revolutionised the wine trade with his first edition of Wine Tasting in 1968 and has continued to capture the magic of wine for over 50 years, bringing it to the page and to the public in compelling detail, always tinged with his uniquely wry sense of humour.
Michael’s original text (from the 1975 edition) updated with the latest vintages and footnotes revealing Michael’s reactions to the changing wine scene.
Personal tributes to Michael from Hugh Johnson OBE, Jancis Robinson OBE MW, Steven Spurrier, the late Gerard Basset OBE MW MS, and international wine auctioneers Paul Bowker and Fritz Hatton.
“He had added what the wine trade had lacked; a veneer of scholarship, and a dealer of genius.” – Hugh Johnson
“A must read” – Ian Harris, CEO of the Wine and Spirit Education Trust
The Landscape Project is a collection of essays by the landscape architecture faculty at the Weitzman School of Design at the University of Pennsylvania, long considered a leading institution in the field of landscape architecture. This collection covers topics such as food, biodiversity, water, plants, energy, public space, politics, mapping, practice, and representation and serves as essential reading for students and professionals wishing to engage with the full scope of today’s landscape. These essays radically expand the purview of landscape architecture.
As one of the key players of modern jewellery in the ’20s, Paul Brandt worked with the most famous jewellers of his time, like Fouquet or Sandoz.
He followed eclectic studies in Paris (jewellery, painting, sculpture, medals and stones engraving, chiselling, etc) and finally decided to specialise in jewellery design. With his first creations he joined the art nouveau movement before focusing on an art deco style. He took part in the International Exhibition of Decorative Art of 1925 both as an artist and a jury member. Paul Brandt considered his jewellery as works of art in their own right and displayed them during exhibitions where the scenography kept getting more innovative. From the ’30s, he extended his activity to interior design.
This monograph displays the talent of this major artist who left his mark in France and abroad. Recounting his whole career, it highlights the extent of Paul Brandt’s skills, not only in jewellery but also in medal making, decoration and interior design.
Text in French.
“Manon Bara paints, which does not necessarily mean producing paintings. Because Manon Bara’s painting is not overly concerned with supports… because it is limitless, compulsive, gluttonous, charged with a desire too great to be contained. The best is therefore the one of today, which is made, which overflows, still wet, which stains and sticks to the fingers. It is a honey in which Jesus and Michael Jackson, a few dinosaurs and a host of little cats would be candied. Popular icons compacted without the slightest condescension or cruelty, cooked with the respect and devotion that cannibal practices imply. As a result, Manon Bara’s universe becomes part of her, and it is impossible to disentangle the work and the artist […].” – Benoît Dusart)
“My current paintings explore the animal side of man and the human side of the animal. What makes the animal human is first of all the glint of light in the eye. What makes a man or a woman an animal is the coat. […] Even my gesture in painting is a bit wild. I like emotion, there has to be emotion.” –
Manon Bara, interview with Hans Theys
Text in English and French.
From the mythical De Dion Bouton Type K1 to the Delahaye, from the Jeep Willys to the combi Volkswagen, from the Mercedes Benz to the Ford Mustang Shelby GT 500, from the Aston Martin DB7 to the Bugatti Veyron 16.4, and from the Austin Mini to the Range Rover.
A hundred years of innovation, inventiveness and triumphs are condensed in this book, which reads as easily as a novel, and is illustrated with a rich and rare iconography.