This book is a photographic journey on the origin and life of “Africa Hall” in Addis Ababa, Ethiopia – a building declared in 2015 “Monument to African History” and recently renovated – which was donated in 1961 by Emperor Haile Selassie to the United Nations. Africa Hall was designed by Arturo Mezzèdimi, a young self-taught architect, to serve as the UN’s continental headquarters and was the birthplace, in 1963, of the Organization of African Unity, now African Union.

The building came to life with an inspiring story of reconciliation at a crucial moment in African history, when the continent was emerging out of the colonial period and making headway into a new era of independence and envisaged unity. Through its architectural composition and the embedded artworks, it embodied a Pan-Africanist vision and its rising ideals.

Edited by the grandson of the architect and representing Italy’s contribution to the renovation project, the book sits at the crossroads of photography, architecture, history, and art and comprises an amplitude of independent essays, contributions and recollections from authors of diverse profiles. Through impacting images and short articles, it addresses events of historical relevance on a global scale, for the entire continent of Africa, at a national level for Ethiopia, and locally for the city of Addis Ababa, concluding with an introduction to the life and work of its architect.

Mark Fisher was the creator and designer of a new art form: the travelling rock show. His exuberant stage sets framed artists from The Rolling Stones, Pink Floyd, U2, Madonna, Lady Gaga and Jean-Michel Jarre to Elton John and Tina Turner. There were thousands of concerts and hundreds of bravura settings, from the 2000 London Millennium show to the 2008 Beijing Olympic Games, as well as permanent structures, such as the 2,000-seater theatre and stage machinery for KÀ by Cirque du Soleil, in Las Vegas, and the Dai Show Theatre, in China. Each of these projects first found expression in Fisher’s sketchbooks and on his drawing board. This book spans his entire career, with details of every major project and more than 100 drawings – some of which are virtually performances in their own right.

“In 1977, I went on the road with the Floyd, and that was really the moment I ran away and joined the circus.” – Mark Fisher

With Road Work, Andrew Holmes continues his pilgrimage through the seductive litter of modern life. Cities are conventionally viewed as static objects, but a third of Los Angeles is on the move; it is a kaleidoscope trapped in a grid, where what you see is what you drive past. Road Work presents 500 of Andrew Holmes’ Los Angeles Polaroids, capturing the machines that deliver people and goods to different parts of the city each day. These vehicles are seen at the airport, at a truck stop, always in a parking bay, set classically against azure skies, frozen like statues in a Renaissance garden. Everything has equal status. Nothing transgresses the grid. The work is even, chrome and rust are its soul. Along with commentaries by David Greene and Holmes himself, Road Work includes lyrics by Chuck Berry and others, and extracts from a variety of road novelists and writers.

Artist Daphne Wright is fascinated with the collections of the Ashmolean Museum and the history of seeing they present. Her latest project grows out of a lifetime’s engagement with this theme. Much of Wright’s existing body of work is steeped in a deep understanding of the iconography and history of Western art, as represented in the Ashmolean’s extensive collection. This book establishes connections to the Ashmolean’s rich collection of 17th century Dutch Still Life paintings. These genre paintings portray a range of subjects from arrangements of flowers to fruit, fish and game. Sometimes the paintings include a symbolic reference to the transience of life, in the form of fruit that has begun to rot or flowers that are losing petals. In Fridge Still Life, the exposed body of a fridge, containing upon its shelves a raw chicken and bundle of asparagus, is topped with a vase of wilting tulips. This is a contemporary re-telling of a still life painting, with its various familiar elements, such as a brace of hanging pheasants, a bowl of fruit and a vase of blooms, with can connote status or vanitas. Wright has explored the transitory nature of life throughout her practice. In previous work, Wright has used plants and animals, with their shorter life spans, to stand in for the human. Wright’s work also resonates strongly with the Ashmolean’s extensive and celebrated cast collection. Prominent amongst the plaster casts of Greek and Roman sculptures are the gods and heroes of Homeric legend. These idealised images of men still form the basis of our ideas of masculinity today. With Sons on Couch Wright is seeking to capture the elusive moment of transition into manhood. The athletic figures in the cast court may have been updated to social media influencers, but the pressure young men face today to achieve a perceived ideal body type remain the same.

Originally published in 1999, and long out of print, this revised and updated version of Techniques of Drawing gives an overview of historical materials and drawing practices in Europe and Asia, using examples from the Ashmolean Museum, including highlights of the collection and lesser-known works. This up to date edition expands the text and illustrations to include non-western art, including Japanese, Chinese, Indian and Persian works of art, also including some more modern western art works than the first edition, which only covered western art from the 15th to 19th centuries. Expanding the scope of the book to include global perspectives, and the 20th century, involves new sections such as ‘Brush and Ink’ which includes Chinese landscape drawings, Japanese botanical works, as well as illustrating the famous Mughal Indian drawing by Abu’l Hasan in the Ashmolean collection. The book also includes a new section on gouache (opaque watercolour) which will be important for discussing Chinese, Indian and Persian paintings on paper. 

Pioneers of Art in Oman: Rasheed Abdulrahman celebrates one of Oman’s most influential visual artists through a stunning bilingual presentation in English and Arabic. This definitive volume features over 60 meticulously curated paintings and sculptures that chronicle Rasheed’s remarkable artistic evolution and his pivotal role in shaping Oman’s cultural landscape.

Beyond showcasing his visionary work, this book offers intimate biographical insights into the artist who transformed raw materials into vibrant masterpieces and mentored countless emerging talents. Detailed analyses of selected artworks reveal the profound symbolism and philosophical depth that characterise his unique artistic vision.

As the inaugural edition in a prestigious series documenting Oman’s artistic heritage, this publication represents a collaboration between the National Museum of Oman and the Ministry of Culture, Sports and Youth. For art enthusiasts, collectors, and cultural historians alike, this book provides unprecedented access to Rasheed Abdulrahman’s legacy – a testament to his enduring influence on contemporary Omani art and his ability to illuminate tradition while pioneering new artistic frontiers.

Text in English and Arabic.

Visions in Silk presents the first comprehensive exploration of exquisite Japanese fine art textiles from the Meiji era (1868-1912), showcasing the unparalleled treasures from the Khalili Collection of Japanese Art.

This beautifully illustrated volume reveals how Japanese artists and craftsmen ingeniously adapted centuries-old textile traditions to create innovative art textiles that captivated international audiences, won exhibition awards, and served as prestigious diplomatic gifts.

Featuring over 300 spectacular examples, the book examines dazzling works of embroidery, yuzen resist-dyed silk and cut velvet, tapestry, and oshi-e raised silk, ranging from elegant panels, hangings and screens to grand exhibition showpieces. Each represents the pinnacle of artistic collaboration and hitherto unsurpassed technical mastery.

Written by leading international experts, this landmark publication provides unprecedented insight into these remarkable yet understudied treasures. Visions in Silk will enchant anyone interested in Japanese art, textile design, Japonisme, and the cultural transformations that occurred during the Meiji era, when Japan opened to the outside world.

The Khalili Anīs al-Hujjāj (Pilgrims’ Companion) presents a ground-breaking new exploration of Safi ibn Vali Qazwini’s richly illustrated manuscript dating from 1676-77. This beautifully produced volume, with a scholarly introduction by Qaisra M. Khan and translation by Michael Burns, documents the author’s year-long journey to Mecca and Medina from Mughal India via the Indian Ocean and Red Sea.

Commissioned by Zeb un-Nisa, the daughter of Mughal Emperor Aurangzeb, this delightfully vivid account belongs to a long-established tradition of guides to the Holy Sanctuaries. It gives comprehensive advice to prospective pilgrims on every aspect of the maritime journey, such as which ships to select, the best foods to consume, rituals to observe, significant places to visit and the people one might encounter.

This volume extensively explores the original manuscript’s detailed illustrations and text, providing an invaluable window into 17th-century religious practices, maritime travel, and the cultural landscape of the Indian Ocean world.

Superstar Pharaohs was the exhibition presented by the Calouste Gulbenkian Museum, in partnership with MUCEM (Marseille), in 2022, the year that marks the centenary of the discovery of Tutankhamun’s tomb by Howard Carter and the bicentenary of the deciphering of hieroglyphs by Jean-François Champollion.

The exhibition catalogue includes an introductory text written by the co-curator Frédéric Mougenot, in which he reveals the reflections that led him to create the exhibition.

The introduction is followed by six essays on different themes, ranging from antiquity to the present day: Fayza Haikal writes about the link between modern day Egyptians and the civilisation of the Pharaohs; Bernard Mathieu focuses on the Egyptians’ knowledge of their history; Michael Chaveau looks at the presence of the Pharaohs in Greco-Roman literature; Simon Connor explores the impact of images and their destruction in constructing the history of the Egyptian monarchy; Jean-Marcel Humbert discusses the phenomenon of Egyptomania; and João Carvalho Dias, co-curator of the exhibition and deputy director of the Calouste Gulbenkian Museum, reveals the relationship that Calouste Gulbenkian developed with Howard Carter, which was fundamental in establishing the Egyptian art section of the Gulbenkian collection.

The rest of the publication is, like the exhibition, divided into three sections: the first, ‘Three Thousand Years of History and a Few Memorable Reigns’, seeks to outline the profile of the Pharaohs who were regarded, in their time, as worthy of being remembered for posterity. The second section, ‘What Remains of the Pharaohs? History and Legends’, looks at the way the memory of some of these figures was recovered, and at the same time transformed, by the literature of Greco-Roman antiquity, giving rise to myths that survived for centuries. The final section, ‘Return of the Pharaohs’, reveals how the birth of the discipline of Egyptology led to new scientific knowledge of Ancient Egypt, which also paved the way for the rediscovery of some Pharaohs, who were thus propelled into stardom.

As well as featuring abundant illustrations of the works on display throughout the texts, the publication also includes a section of chronological references related to Ancient Egypt and a list of all the Pharaohs in history.

Image credits: Panorama

The luminous work of Bill Armstrong has long stretched the boundaries and expectations of contemporary photography. In his explorations and subversion of the ostensible objectivity and precision that have distinguished photography among the visual arts, Armstrong foregrounds the medium’s qualities that photographers had been attempting to exploit since the beginning of the twentieth century: colour and focus.

All a Blur showcases Mr. Armstrong’s Infinity series, an ongoing project he has been working on for over 25 years. The book presents 21 different portfolios, all made by using his unique process of photographing a collage of found or appropriated images extremely out of focus or distorted by handheld time exposures. The variety of subjects and results he achieves with this process is so broad it has been said that he has developed a medium of his own invention that lies at the intersection of photography, painting and collage.  

With mysterious and poetic images that reflect on history, philosophy, identity and spirituality, Armstrong conjures a unique alternate reality that might exist in dreams, in memory, or, perhaps, in a parallel universe. At the same time, the subject of the work is colour. By taking away focus and the usual expectations of photography, Armstrong is able to investigate the qualities and effects of pure colour in a profound way, freed from the limits of representation.

The first biography of Ralph Dutton, collector, connoisseur, writer, philanthropist, who created one of the National Trust’s most popular houses and gardens, Hinton Ampner.  

“Ralph Dutton grows on you as John Holden engagingly unpeels the layers of this complicated traveller, connoisseur, philanthropist and friend.” –  Dame Rosalind Savill, former Director of the Wallace Collection

“Ralph Dutton is someone most of us have never heard of, yet he created a place of exceptional grace and beauty in Hinton Ampner. John Holden unravels the mystery of the man for us, and gives us a compelling account of why and how it all happened. It’s an enchanting read.” – Lord Smith of Finsbury, Master of Pembroke College, Cambridge and Chairman of The Art Fund

“This is a real discovery. The story of a modest gentleman who nonetheless played an important role in 20th-century English culture. He put his life into his house, and his house into his life. Both are an engaging case study in heritage history.” – Professor Robert Hewison, Cultural Historian

Pressing Matters explains the fundamental debates in wine, from terroir, production and farming, to tasting, wine’s cultural significance and the economic value of wine. By focusing on wine through the prism of the key fights within each topic, the book presents readers with a story that includes the messiness, human fragility and disagreement about core principles that so often gets skipped at the outset of wine knowledge. The book fairly showcases all sides of the most important debates in wine today, giving the available evidence as well as commenting on what we don’t know. Aimed at those just starting on their wine journey, Pressing Matters is a lively and thoroughly researched history of all the key current wine controversies, written by an author with wine making in his blood, who knows the wine business from the inside.
– Lays out the key current wine controversies in a way that is easily accessible for the non-scientist and those new to wine literature.
– Examines the evidence from experts on both sides of each argument to allow readers to make up their own minds on current hot topics in wine.
– Goes behind the label to explain the buzz words, trends and wine speak used by the wine media.
– Helps readers see clearly today’s bigger wine picture in order to make better informed wine-buying decisions.
– Author is active within the wine scene in California and beyond, and a popular speaker at wine events.

This richly illustrated volume, produced by Uzbek publisher Dinara & Co. in partnership with Kulturalis, explores the enduring legacy and contemporary revival of miniature painting in Uzbekistan. Highlighting the work of acclaimed Bukharan master Davlat Toshev, the book guides readers through the intricate brushwork, symbolism and narrative depth of his recent creations. By situating Toshev’s oeuvre within the broader context of Islamic art and the cultural memory of the region, the book demonstrates how these seemingly fantastical images resonate with contemporary audiences. For art lovers, collectors and cultural historians alike, this publication is both a celebration of Uzbekistan’s artistic heritage and a key to unlocking the relevance of miniature painting in modern times.

London is full of strange and beautiful sights. It is a place for traditions and rebels, for the establishment and every alternative subculture. This book celebrates the diversity of the city. It invites you to see Little Ben or the fake 10 Downing Street, and answers both conventional and unusual questions. What, apart from Rolling Scones, will you see at God’s Own Junkyard? Where does an old-school gentleman buy his wine and umbrellas? Why did Robbie Williams feud with his next-door neighbour? How has the city commemorated the Queen Mother and Princess Diana? In which park do 100-year-old naked ladies cavort on the banks of the Thames? Where did Lenin and Julian Assange campaign for their beliefs? And which bridge rolls itself up?

Taking the most existential question, ‘What is the Meaning of Life?’, this publication dissects creative expression, considers the place for frivolity, and unpacks the rhythms and rules of the everyday to address how we might live more meaningfully.

In this highly illustrated book, John Kenneth Paranada looks at how creativity can offer a greater sense of purpose, and the role of art in resetting the tempo of a distracted culture. Ben Highmore and Sam Tacconi explore how embracing play and a gaming approach to life can bring value and make sense of behaviours, both on an individual level and across communities, while Ed Krčma and Jessica Barker address the evolving daily routines and societal rules by which we live our lives, examining how these impact our sense of purpose and belonging. Finally, Rosy Gray reflects on how grief can offer pause and how we can find solace in the multiverse, urging us to re-consider the meaning and value of our (many) lives.

This book accompanies a season of exhibitions and projects at the Sainsbury Centre.

In 1967, a 17-year-old aspiring photographer named Ed Caraeff found himself front row at the Monterey Pop Festival, California. Caraeff had never seen Hendrix before, nor was he familiar with his music. But Caraeff had his ever-present camera and as Hendrix lit his guitar, he snapped a photo. That picture – Hendrix burning his guitar at Monterey – has become one of the most iconic images of rock and roll. A photo that defined Hendrix as an artist, appeared on the cover of Rolling Stone magazine not once, but twice, and launched Caraeff’s photographic career. Timed to celebrate the 50th anniversary of the Monterey Pop Festival, Burning Desire reveals never-before published images from the magnificent, Hendrix-dedicated archive that Caraeff has compiled. From onstage to backstage, Jimi Hendrix was as electric in front of the camera as he was when he strummed his guitar. In Burning Desire, Caraeff showcases more than 100 images, including rare shots and contract sheets, and discusses his experiences with this incredible musician. Contents: Monterey International Pop Music Festival: June 18, 1967 Hollywood Bowl: August 18, 1967 Anaheim Convention Center: February 9, 1968 Ackerman Union Ballroom: February 13, 1968 Hollywood Bowl: September 14, 1968 Whiskey-A-Go-Go: October 1968 Newport ’69: June 20-22, 1969

Luca Blast Forlani leads the reader through a range of urban spaces, places that, notwithstanding passing of time, have still retained their own identity. Although on the surface apparently empty and desolate, they each have a history and a story to tell; the details of identity caught in the lens, the clues of a life discarded but not entirely forgotten. These images are poignant, emotive and thought-provoking; the use of light and shadows, close-up details and wide-angle shots, footprints of the past, captured in the silence and the dust, like a long-forgotten conversation, a whisper of lives remembered. Text in English and Italian.

John Cage: The Zen Ox-Herding Pictures brings together fifty never-before-seen watercolour images from renowned artist and composer John Cage, revealing the powerful influence of Zen in his life and work. These pieces were originally created on paper towels at the 1988 Mountain Lake Workshop as Cage experimented with the flow and tone of colours from his brush as he prepared for larger works. Authors Stephen Addiss and Ray Kass unite them here in patterns both planned and dictated by chance, the same methods by which Cage himself composed his later works. Ray Kass and Stephen Addiss provide introductory essays, discussing their experience with the works and the artist himself. They also explore fragments of Cage’s poetry and his many statements about Zen practice, providing a fascinating lens through which the images seem to become mysterious echoes of the centuries-old “Ten Ox-Herding Paintings”-images about searching for, finding, and returning from the path to enlightenment.

Photographer Jasper Léonard previously resized Antwerp and New York and now points his special tilt-shift lenses towards Amsterdam. Amsterdam Resized shows you the city like you’ve never seen it before: the famous canals of Amsterdam have been reduced to mere trickles with mini-sized bridges; the joggers in the Vondelpark now resemble Playmobil puppets, and the Stedelijk Museum now looks more like a bath tub. A new book in the Resized series, which has been a huge success in the US with articles in, among others, USA Today and the New York Post. International press has heaped praise on the Resized series: “The book is an intimate and magical token of admiration.” – The Sydney Morning Herald Also available: Antwerp Resized ISBN: 9789401432702 Belgium Resized ISBN: 9789401434614 New York Resized ISBN: 9789401443395

Text in English and Dutch.

Urban highways are unique windows from which to grasp a city’s identity. They can however be responsible for the fragmentation of cities and the degradation of their adjacent living environments. As many urban highways are aging, concerns about their redevelopment, upgrading or dismantling are emerging in many cities of the World. By examining the meaning as well as the opportunities offered by urban gateway corridors, the book attempts to offer a unique perspective on issues related this emerging landscape and transportation issue. More specifically, the book aims to describe the innovative approach to landscape infrastructure planning that was used for the YUL-MTL: Moving Landscapes initiative held in Montreal. Over two years, this initiative combined a design competition and a workshop with collaborative efforts between 20 public agencies to rethink a 17 km stretch of Montreal’s Autoroute 20 gateway corridor. Linking the downtown area to Montreal-Trudeau international airport, the corridor is mainly composed of transport infrastructures and industrial wastelands in dire need of revitalisation along with residential areas. The book presents the collaborative process behind the development of a strategic vision for the area, exposes the winning entries of the competition and describes the subsequent steps that resulted in an ‘atlas of possibilities’ for the future of the area. It provides a broad overview of the main challenges facing any project leader who wishes to gather a wide range of stakeholders towards a common goal: building a shared consensus over the prospective development of large-scale infrastructure projects. It also provides the reader with a diversity of actions and solutions to improve the landscape of transportation corridors and their integration within their surrounding environment. Hence, as the book details the local context of Montreal’s infrastructural landscapes, it also offers insights and ideas to improve urban highway integration for cities worldwide. Throughout the book, the permanent bond between cities and infrastructures is not only explored through the lens of landscape preservation but also landscape enhancement and development. This three-pronged approach offers a strategy based on the exploration of gateway corridor landscapes for what they are but also for what they could and should be. As the collaborative process allowed for clarifying the local stakeholders standpoint, the design exercises (ideas competition and workshop) were used as tools to improve the outcomes on the latters. The contribution of the designers particularly helped materializing the strategic framework that resulted from the collaborative process through the addition of design guidelines. Overall, the book shows how the consideration of the landscape when it comes to development projects offers not only a rich contextual knowledge from a transversal and multidisciplinary perspective but also becomes a vector for the coherent planning of infrastructures and their integration within adjacent territories and within the city.

Joy Ride is a simple book on the surface. A collection of renowned architect-come-artist David C. Martin’s sketches, watercolours, photography, and observations, as recorded over an extensive cross-Mexico sojourn, it has all the aesthetic gaiety and lightheartedness of a typical travelogue. However, there is something deeper at work. Martin’s multi-media evocation of Mexican scenery and buildings speaks to his extensive experience in art and architecture, and this book will be of mutual interest to students of both – as well as those who want to explore Mexico through the eyes of a truly unique traveller. Innovative, fresh, and evocative, this book will take you on the ‘Joy Ride’ that its title promises.

From the stone blade and the fire stick to the latest algorithms of genetic code, we shape our world through the act of design. With its roots in the Renaissance notion disegno, design is the ability not only to make something, but also to conceive of its invention and reflect on its meaning. Whether we valorise it as the democratisation of design or critique it as the perversion of the commodity fetish, designed things are now ubiquitous. Not only things but entire systems must now be designed and objects reconceived and redesigned as mere moments in unfathomably complex ecological flows. The planet itself, and even space beyond, is now presented as a design problem. What does landscape architecture bring to the broader culture of design? What lessons can be learned from other disciplines at the cutting edge of design? What role does design play in a time of transformative technological change? In LA+ Design we move beyond the designed outcome to explore the myths, methods, meanings, and futures of design. Engineer and physicist Adrian Bejan outlines his constructal theory, which predicts natural design and its evolution in engineering, scientific, and social systems. Design researchers Craig Bremner + Paul Rodgers take us through an A Z of design ecology. Architects Lizzie Yarina + Claudia Bode open our eyes to new ways of seeing things through subject-object relations. Jenni Zell explores life as a woman landscape architect through a Kafkaesque lens. Daniel Pittman interviews MoMA’s curator of architecture and design, Paola Antonelli. Architect David Salomon explores methods of using data as both fact and fiction. Christopher Marcinkoski interviews Anthony Dunne + Fiona Raby (Dunne + Raby) to discuss how their practice continuously redefines the role of design in society. Thomas Oles challenges stereotypes of landscape architecture s professional identity. Richard Weller discusses the terrarium as the ultimate design experiment. Dane Carlson goes deep into the culture of Nepal s hinterlands to explore new modes and geographies for landscape architecture beyond the first world. Through LA’s signage, anthropologist Keith Murphy shows how different groups of people interact with and give meaning to the landscapes they inhabit. Interviewed by Colin Curley, architect Andrés Jaque (Office for Political Innovation) discusses the role of technology and agency of architecture in society today. Game designer Colleen Macklin shows how public space can be redefined and subverted through the agency of play. Javier Arpa interviews urban design guru Winy Maas (MVRDV, The Why Factory) to discuss his views on the future of design and design education. Experimental psychologist Thomas Jacobsen describes current neurological research into the subjectivity of beauty. Landscape architect James Corner talks about the evolution of the profession of landscape architecture in a wide-ranging interview.

MASTERcrit was inaugurated in 2015 as a hybrid series of events that encompassed lectures, critiques and a charrette. Modelled on the traditional notion of a ‘Master Class’ the workshop enlisted the best graduating students from the school as nominated by the faculty to work in an intensive pedagogic setting with a world-class practitioner. The so-called invited ‘MASTERcritics’ were MOS in 2015, Andrew Zago in 2016, and Jürgen Mayer H. in 2017. In all cases, these architects were tasked with presenting a project brief to the team, which reflected a current pre-occupation in their own discursive production. Students in turn were asked to produce artefacts that manifested their responses. In addition to documentation of the workshops and resultant work, the book includes the briefs and transcripts of conversations.