From the stone blade and the fire stick to the latest algorithms of genetic code, we shape our world through the act of design. With its roots in the Renaissance notion disegno, design is the ability not only to make something, but also to conceive of its invention and reflect on its meaning. Whether we valorise it as the democratisation of design or critique it as the perversion of the commodity fetish, designed things are now ubiquitous. Not only things but entire systems must now be designed and objects reconceived and redesigned as mere moments in unfathomably complex ecological flows. The planet itself, and even space beyond, is now presented as a design problem. What does landscape architecture bring to the broader culture of design? What lessons can be learned from other disciplines at the cutting edge of design? What role does design play in a time of transformative technological change? In LA+ Design we move beyond the designed outcome to explore the myths, methods, meanings, and futures of design. Engineer and physicist Adrian Bejan outlines his constructal theory, which predicts natural design and its evolution in engineering, scientific, and social systems. Design researchers Craig Bremner + Paul Rodgers take us through an A Z of design ecology. Architects Lizzie Yarina + Claudia Bode open our eyes to new ways of seeing things through subject-object relations. Jenni Zell explores life as a woman landscape architect through a Kafkaesque lens. Daniel Pittman interviews MoMA’s curator of architecture and design, Paola Antonelli. Architect David Salomon explores methods of using data as both fact and fiction. Christopher Marcinkoski interviews Anthony Dunne + Fiona Raby (Dunne + Raby) to discuss how their practice continuously redefines the role of design in society. Thomas Oles challenges stereotypes of landscape architecture s professional identity. Richard Weller discusses the terrarium as the ultimate design experiment. Dane Carlson goes deep into the culture of Nepal s hinterlands to explore new modes and geographies for landscape architecture beyond the first world. Through LA’s signage, anthropologist Keith Murphy shows how different groups of people interact with and give meaning to the landscapes they inhabit. Interviewed by Colin Curley, architect Andrés Jaque (Office for Political Innovation) discusses the role of technology and agency of architecture in society today. Game designer Colleen Macklin shows how public space can be redefined and subverted through the agency of play. Javier Arpa interviews urban design guru Winy Maas (MVRDV, The Why Factory) to discuss his views on the future of design and design education. Experimental psychologist Thomas Jacobsen describes current neurological research into the subjectivity of beauty. Landscape architect James Corner talks about the evolution of the profession of landscape architecture in a wide-ranging interview.

MASTERcrit was inaugurated in 2015 as a hybrid series of events that encompassed lectures, critiques and a charrette. Modelled on the traditional notion of a ‘Master Class’ the workshop enlisted the best graduating students from the school as nominated by the faculty to work in an intensive pedagogic setting with a world-class practitioner. The so-called invited ‘MASTERcritics’ were MOS in 2015, Andrew Zago in 2016, and Jürgen Mayer H. in 2017. In all cases, these architects were tasked with presenting a project brief to the team, which reflected a current pre-occupation in their own discursive production. Students in turn were asked to produce artefacts that manifested their responses. In addition to documentation of the workshops and resultant work, the book includes the briefs and transcripts of conversations.

Not Interesting proposes another set of terms and structures to talk about architecture, without requiring that it be interesting. This book explores a set of alternatives to the interesting and imagines how architecture might be positioned more broadly in the world using these other terms. The alternatives presented here are labelled as boring, confusing, and comforting. Along with interesting, these three terms make up the four chapters of the book. Each chapter introduces its topic through an analysis of a different image, which serves to unpack the specific character of each term and its relationship to architecture. In addition to text, the book contains over 50 case studies using 100 drawings and images. These are presented in parallel to the text and show what architecture may look like through the lens of these other terms.

Thomas R. Schiff’s vivid panoramic photographs capture the iconic buildings and landscapes of San Francisco and the Bay Area in new and surprising ways. From the Golden Gate Bridge to Coit Tower, they offer a refreshing perspective on familiar places and reveal unexpected treasures in everyday ones. With essays on photography, perception, and architecture by Susan Ehrens, Wendy Lesser, and Tim Culvahouse, and an author interview by Dave Christensen, The Poetics of Distortion: Panoramic Photographs of the San Francisco Bay Area is a mind-bending, eye-opening, very San Franciscan journey.

Return on Experience will be comfortable on the shelves of designers and artists and equally comfortable for business leaders and educators. It reflects the fundamental belief that design is integral to everything we do. That all human existence has been a result of a progression of successful design outcomes. It is not in the sense that what we have created is exclusively logical and rational but true success has been the result of sort of emotional intelligence and meaning being infused into a new form that has caused us to progress as a species. Inspiration and innovation are difficult to process from a pure logic as it requires a broader view into the way we think and feel things. It is deeply personal and at the same time shared at a social level. In this sense we naturally view design as possessing enormous value and is an essential part of culture with a broad value and application.

Design is a dialogue. This book is not a treatise on do’s and don’ts of design or business. It is a reflection on the nature of how to see design. Design is and always has been part of a conversation. As such, this book captures a dialogue that author, Tim Kobe has been engaged in for over 25 years at Eight Inc. This conversation is more than a single path but reflects the dialogue and practice of business leaders, designers, colleagues, and collaborators. This book would not exist without those on the other side of the conversation and is more than a lens of a single or individual point of view. Eight Inc. has been incredibly fortunate to design with some of the most successful people and companies that exist today and much of Eight Inc.’s success has been attributed to our time with Apple founder and CEO Steve Jobs.

Colin Rowe is acknowledged to be the most influential figure in architectural theory in the last half of the 20th century. Although his contribution to the discipline and practice of urban design is equally important, there is no single text which specifically focuses on his work in this sphere. This book intends to address this omission by critically examining Rowe’s urban design theory and its evolution, which began at the Cornell University Urban Design program in 1963 and continued until his death in 1999. The text features a score of previously unpublished essays by prominent scholars, educators and practitioners, many of whom were his students or close collaborators. The Urban Design Legacy of Colin Rowe provides a window to explore past, present and future themes central to the discipline of urban design as seen through the critical lens of Colin Rowe and those who continue to define their creative work in relationship to that extraordinary intellect.

Aldo Rossi (1931-97) is a key figure in 20th-century architecture. Discarding utopian pretences, his work claimed the autonomy of architecture with formal restraint, and remains highly influential both in theory and practice until the present day. In this new book, Diogo Seixas Lopes looks at Rossi’s work through the lens of a term often used to describe the great architect’s work: melancholy. While the influence of melancholy on literature and visual arts has been debated extensively, its presence in architecture has been largely overlooked. By exploring Rossi’s entire career, Lopes traces out the oscillation between enthusiasm and disenchantment that marks Rossi’s oeuvre. Through a close exploration of one of his landmark works, the Cemetery of San Cataldo in Modena, Lopes shows how this brilliant, innovative architect reinterpreted a typology of the past to help us come to terms with representations of death and the melancholy that inevitably accompanies it. Beautifully illustrated and drawing on rich archival sources, Melancholy and Architecture both illuminates the work of the 20th century’s most interesting architects and offers a new perspective on the long cultural history of melancholy.

Flowers are a perennially popular motif throughout art history. And for good reason: lush with texture and colour, a living bouquet of blooms can be made to communicate much through the masterly brushstrokes of Vincent Van Gogh or Georgia O’Keeffe, in the hands of a skilled ikebana artist, or through the lens of contemporary photography. For more than two decades, Swiss photographer Anna Halm Schudel has focused her eye on flowers, zooming in on calyxes, pistils, and leaf veins to create exuberant feasts of colours. While celebrating the wide variety of shapes and sizes that nature and human cultivation have brought us, Schudel is no less fascinated by the process of decay. As the flowers fade, wilt, and wither, she transforms them under water into images of strange, compelling beauty, to combine their delicate beauty with a stirring memento mori. Eighty strikingly beautiful colour plates are complemented by two essays that examine Schudel’s symbolism and put her work in context with the history of the floral still life. As exquisite as the subject itself, this beautifully designed large book is sure to inspire appreciation for this rising Swiss artist.

Text in English and German.

Italian photographer Gian Paolo Barbieri is renowned for his work in the field of fashion and for his sensitivity towards beauty. He had the chance to travel a lot, shooting unique places and extraordinary people, along with his greatest passion: flowers. Over the years he gathered an exceptional collection of photographs, only partially exhibited on some occasions. Very few know about the personal life of Gian Paolo, who decided to keep it to himself. A chapter in his private sphere regards his relationship with Evar, a young architect and model from Bergamo who was killed in a motorcycle accident 24 years ago. Flowers of My Life tells their love story through the pictures of flowers and the portraits of Evar captured by Barbieri’s lens, together with poems written by Branislav Jankic.

Howard Kanovitz’s landmark 1966 Jewish Museum solo exhibition is widely deemed to have launched the genre of photorealism.

A photographer stalks a writer after severely transforming and altering her portrait. Like a paparazzo he spies on her and observes her closely and intimately. He captures every single detail of her daily life through his lens while she writes the sci-fi story that is published in this book. However, he especially wants to find out how image manipulation affects her and her psyche, with fatal consequences. Next to the photographer, Dorya Glenn is the main protagonist in the sci-fi story. But who is she? The Picture of Dorya Glenn is a collaboration between photographer Filip Naudts and the Dutch-Chinese writer/visual artist Julie O’yang. It is a photographic romance noir, a dark surrealistic sci-fi photo novel in which the authors play the main characters: Julie in the shape of the extra-terrestrial Dorya Glenn, and Filip as himself. Text in English and Dutch.

Personal and private outdoor space is becoming ever-more elusive as urban areas become more crowded due to population growth and increasing development. Urban Oasis: Tranquil Outdoor Spaces at Home explores projects from London to New York and Sydney to San Francisco that reveal inspirational designs of rooftops, garden spaces, outdoor rooms, terraces and courtyards, and provide refuge from the modern world with private pockets of paradise. These outdoor spaces provide relaxing, sociable, and plant-filled settings for residents to savor peace and calm, and the company of family and friends.

“I like depicting sexy, strong women – the spirit of a dominatrix. Through my work I explore the part of my personality that enjoys teasing and provocation. In doing this, I’ve seen the change and growth of myself as a person, a woman, a lover, a critical open-minded thinker and, most important, as an artist.” – Alejandra Guerrero.

In the second decade of the twenty-first century we are witnessing an unprecedented exploration of female sexual power, while on the other hand reactionary cultural forces contrive to keep women as defenceless as possible. In this context, the work of photographer Alejandra Guerrero can be understood as a clarion call. Hers is a rarefied visual art that marks a turning point for female sexuality in erotica, her eloquent tableaux revealing the intricate ways in which women exert their erotic power. Here we see a future in which women dictate raw, yet refined desires. Each moment comes from the erotic fever dreams of the participants and the desires of the woman behind the camera. Sometimes, when Guerrero turns the lens upon herself, those moments are one and the same. Contents: We delight in wickedness by Violet Blue; Plates; Biographies; Credits.

At the end of the late 1970s, art theorist and critic Rosalind Krauss had written a seminal text entitled “Sculpture in the Expanded Field”, in an attempt to both locate and analyse vanguard sculptural practices of the time such as the work of Richard Serra, Robert Smithson, Mary Miss, and Donald Judd whose practices crossed outside of the limits of traditional sculpture and entered into the realms of architecture and landscape through the production of works that she classified as site constructions, marked sites, earthworks and axiomatic structures. Over the past three decades, the boundaries between art and architecture have continued to blur, giving rise to a series of works known as installations whose conceptual, spatial and material trajectories have generated a new and expanding network of relations between the domains of architecture, interiors, sculpture and landscape. At the same time, the range of institutional venues advancing architectural installation practices have provided platforms to intensify the production and reach of contemporary installations. Following the legacy of Rosalind Krauss, Expanded Field: Installation Architecture Beyond Art explores the realm of art and architecture across a broad terrain of installation practices, revealing a critical territory that, despite its exuberant proliferation, has been historically defined as a negativity: the progeny of that which is both not-architecture and not-art. Within this book, a wide range of art and architectural works are positioned and mapped as constellations within a newly expanded field suspended between Architecture, Interiors, Sculpture, and Landscape. These four terms are the initial reference points used to elaborate a more extensive taxonomical framework defining twelve distinct territories where the analytical drawings and photographic indexes of seventy-five installation projects are situated. The expanded field diagram is a conceptual framework that operates on many levels. It acts as a lens through which to theorise and classify the trajectories of current installation practices and serves as an infrastructure to organise the content of the book. Along the trajectory from interiors to sculpture, for example, one finds the immersive chromatic environments of Carlos Cruz-Diez, the thermal and radiant atmospheres of Philippe Rahm, the intensely graphic patterned surfaces of Jürgen Mayer and Yayoi Kusama, and the interactive mediated light landscapes of Ryoji Ikeda and Julio Le Parc. These are installations intent on foregrounding immersive atmospheric spaces rather than sculptural objects and that collectively define Chromatic/Graphic Immersion, one of the twelve typologies through which the book is organised. Based on an exhibition at the Wattis Institute of Contemporary Art, the book Expanded Field guides one through the world of contemporary installation practice through drawings, images and text that simultaneously expose the techniques through which architects describe and analyse spatial production while providing a context for installation art and architecture that supports both its didactic understanding and immersive experience.

Today Santorini is visited by some 2.5 million people a year. But when Robert McCabe and his brother arrived there in 1954, they were the only visitors on the island. In this collection of stunning photographs from the 1950s and 1960s – reproduced as tritones of surpassing quality – McCabe has recorded the hardscrabble, yet often romantic, life of a vanished era. Picturesque whitewashed houses dug into the volcanic pumice; the harvest of the island’s famous cherry tomatoes; the winding road to the ruins of ancient Thera – all this was captured by his lens. McCabe’s photographs are complemented by two essays from the noted Greek journalist Margarita Pournara, one poetically evoking her grandmother’s childhood on Santorini and the other explaining the geological forces that have given this volcanic island its dramatic form. A companion to McCabe’s recent volume on Mykonos, this book will fascinate modern-day visitors to Santorini, as well as those who trace their roots to the Greek islands.

In a fast-paced world with mega upheaval, including climate crises and a global pandemic, the allure of growing your own food, being self-sufficient, and living green is immense. This yearning for not being wholly reliant on the supermarket, and the growing concerns over pesticides and food miles has led to the resurgence in seeking old-world skills. As showcased in Urban Homesteads, the benefits of a productive garden on your doorstep or within arm’s reach, tending to chickens, harvesting your own honey, and using eco-friendly water-harvesting techniques are clear: fresh herbs, vegetables, and fruit on tap, fresh eggs, delicious honey; plus living at a slower pace, better value for money, and a more soothing and mindful existence. Of course, a healthy garden and environment also attracts beneficial insects and birds.

Get inspired with this book’s range of eco-friendly possibilities from around the globe. With beautiful full-colour photos, gathered here are stories of people who have set up their own productive and abundant back yard or patio, as well as examples of great vertical planters, indoor gardens, and those who have reached into the urban community allotment. Use this book to start your own journey with an urban homestead lifestyle, with lots of generous tips, modern green concepts as well as a twist of modern, technically savvy know-how. All the practical guidance you need on how to be the change you want to see.

In Shaping Place, founding principals Turan Duda, FAIA and Jeffrey Paine, FAIA, are joined by the firm’s four studio leaders to discuss the evolution of their work and thematic underpinnings since publication of their previous volume, Individual to Collective, in 2013. This compilation of buildings spans diverse typologies to illustrate how the firm’s ideas on public space, outdoor environments, evolving working and learning models, and contextual sensitivity are universal to creating meaningful architecture. With chapters focusing on design for wellness, academia, the workplace and urban development, the volume presents the realisation of the thematic roots discussed in Individual to Collective across a diverse range of scales, material qualities, structural systems and architectural palettes. Steve Dumez, FAIA, of Eskew Dumez Ripple, provides perspective on the firm’s work within the larger lens of architectural practice.

And there’s much, much more in this book. We live in an era of photographic images, and Mr. Tekulsky has provided the reader with 83 of the best photographs of America that you will ever see. According to Wikipedia, Americana is defined as “any collection of materials and things concerning or characteristic of the United States or of the American people and is representative or even stereotypical of American culture as a whole.” As such, Mathew Tekulsky’s book Americana: A Photographic Journey is a piece of Americana itself.

A new volume in ACC Art Books’ London series, focusing on the capital’s vibrant LGBTQ+ scene. Queer London is a timely and accessible introduction to the city through a LGBTQ+ lens, and will appeal to anyone with an interest in London’s thriving queer landscape.

Celebrating the diversity and innovation of queer individuals in London, both historically and today, Queer London features a range of bars, clubs, shops, Pride events, charities, community organisations, saunas and sex shops that cater to the LGBTQ community.

Along with highlighted features on influential queer Londoners of the moment, this book delves into the cultural history of queerness in the capital, including events, organisations or venues that have sometimes been forgotten or overlooked, but which were of key importance to the community. From the long, illustrious queer history of Soho and the legendary drag balls at Porchester Hall, to the hottest clubs of the moment, Queer London is the go-to guide for anyone looking to engage with rich queer legacy of this nation’s capital.