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Jane Brettle captures the diversity of Scotland’s Police forces in this group of work by highlighting the differences in geography, population density and community across the country and the challenges that these bring. This group of photographs clearly shows the extent of the Scottish Police’s work including community liaison, armed response, forensics, detective and mounted personnel. Brettle captures the individuality of the officers and support staff in their working environment. In addition, in two essays, the work of Jane Brettle is discussed as well as the development of contemporary policing in Scotland. Included in the book are personal captions written by the officers and support staff who were involved in this innovative project.

J.M.W. Turner 1775-1851 was perhaps the most prolific and innovative of all British artists. His outstanding watercolours in the Scottish National Gallery are one of the most popular features of its collection. Bequeathed to the Gallery in 1899 by the distinguished collector Henry Vaughan, they have been exhibited, as he requested, every January for over 100 years. Renowned for their excellent state of preservation, they provide a remarkable overview of many of the most important aspects of Turner’s career.

This richly illustrated book provides a commentary on the watercolours, addressing questions of technique and function, as well as considering some of the numerous contacts Turner had with other artists, collectors and dealers. The introduction concentrates on Henry Vaughan, one of the greatest enthusiasts for British art in the late nineteenth century, whose diverse collections have not previously been fully appreciated.

The Scottish National Portrait Gallery, part of the National Galleries of Scotland, provides a unique visual history of Scotland, told through portraits of the figures who shaped it: royals and rebels, poets and philosophers, heroes and villains. The Gallery is home to Scotland’s collection of portrait miniatures which date from the mid-sixteenth century to the present day.
This book illustrates a selection of works by key miniaturists and features portraits of many important Scottish historical figures such as James Hepburn 4th Earl of Bothwell, the third husband of Mary, Queen of Scots, James VI and I and Robert Burns who was depicted in the last year of his life. A complete list of all the works in the collection is also included.

This is the exceptionally rich story of Rembrandt’s fame and influence in Britain. No other nation has witnessed such a passionate – and sometimes eccentric – enthusiasm for Rembrandt’s works. His imagery has become ubiquitous, making him one of the most recognised artists in history. In this book, some of the world’s leading experts reveal how the taste for Rembrandt’s paintings, drawings and prints evolved, growing into a mania that gripped collectors and art lovers across the country. This reached a fever pitch in the late 1700s, before the dawn of a new century ushered in a re-evaluation of Rembrandt’s reputation and opportunities for the wider public to see his masterpieces for themselves.

The story of Rembrandt’s profound and inspirational impact on the British imagination is illustrated by over 130 sumptuous works by the master himself, as well as by some of Britain’s best-loved artists, including William Hogarth, James Abbott McNeill Whistler, Eduardo Paolozzi and John Bellany.

Foreword; Introduction; 1 Rembrandt’s Fame in Britain, 1630 1900: An Overview- Christian Tico Seifert; 2 Rembrandt and Britain: The Modern Era – Patrick Elliott; 3 ‘The Finest Possible State’: Cataloguing and Collecting Rembrandt’s Prints, c.1700 1840 – Stephanie S. Dickey; 4 From Studio to Academy: Copying Rembrandt in Eighteenth-century Britain – Jonathan Yarker; 5 Regarding Rembrandt: Reynolds and Rembrandt – Donato Esposito; 6 Rembrandt: Paragon of the Etching Revival – Peter Black; 7 Rembrandt and Britain: A ‘Picture Flight’ in Three Stages, 1850 1930 – M.J. Ripps; Catalogue; Bibliography.

Giovanni Morelli changed the way we look at art. Before Morelli (1816-1891), the attribution of a painting to a particular artist or school was often based on overall impression, hearsay, even gut feeling. But Morelli, having trained as a medical doctor to look closely at anatomical detail, applied scientific rigor to understanding the works of masters such as Titian, Leonardo, and Raphael, and of other Renaissance and Baroque painters. By closely scrutinising, analysing and comparing details overlooked by most other collectors, critics, and curators, his radical ‘Morellian method’ became the basis of modern art connoisseurship. A proud Italian of Swiss Protestant heritage, Morelli was also a staunch patriot. He risked his life in the Italian Wars of Independence, and was elected four times to the parliament of the newly unified nation. In 1873 he was nominated senator for life. As a statesman he fought for his homeland’s cultural patrimony: at a time when many of Italy’s great art collections were being snapped up by foreign collectors and museums, he introduced some of the world’s first legislation to prevent their loss to the nation. The Life of Giovanni Morelli in Risorgimento Italy is the first full biography of this important figure, including his romantic friendships with remarkable women such as Clementina Frizzoni, Laura Acton Minghetti (wife of the Italian prime minister), and Princess Victoria (daughter of Queen Victoria and subsequently empress of Germany). At his death he bequeathed his art collection to the Accademia Carrara in Bergamo, the birthplace of his mother, a city he loved.

Australian architecture practice Francis-Jones Morehen Thorp’s work varies in scale, yet it’s all unified by an intuitive sense of place and an elaboration of the tectonic. This book presents FJMT’s work in detail and places it within the emerging culture of Australian architecture. It documents FJMT’s contribution to the wider culture of place and of architecture. A place acquires meaning through human intervention and transformation. Raised to the level of architecture these transformations interpret and represent society’s values and aspirations. FJMT has a reputation as an ideas-driven practice with an agenda for strong public engagement and resolution of tectonics. Architecture as Material Culture documents this ability to uncover the real and often contradictory issues and potentials of a project through a very careful analysis of purpose and place.

Rurality Re-imagined is divided into four loosely-themed sections: Villagers, Farmers, Wanderers, and Wild Things. Each comprises five or six diverse chapters of varied length.
In the Villagers section rural communities are considered as assemblages and spaces of vernacularity, as dark settings for TV dramas, new wave photography, and as sites for community arts projects.
The Farmers section critically re-invigorates the historical fascination with peasantry and farming in the arts, through essays, painting, and photography that collectively place the agency of the artist under as much scrutiny as images of agricultural space and people.
Stereotypically, the word ‘Wanderers’ conjures images of gypsy caravans, or country ramblers, but in this section the term is stretched to include not only the traditional migrations of reindeer herds, but also that of the motorway driver, and migrations of cultural forms too, such as that of hip-hop from the clubs of New York to the fields of rural Devon.
In the essays and images in the Wild Things section the wilderness emerges as a highly contested cultural terrain, far from any state of purity, as it manifests itself in the behaviours of people, flora, and fauna in cultivated and uncultivated landscapes and parks.

Although this second-century monument located in the heart of Rome has been the object of hundreds of years of study, Trajan’s Hollow uncovers aspects of the column curiously omitted amidst all this attention, manifesting the lacunae in various paradigms of historical inquiry: this work rereads the column and its legacy through the simple act of prioritising the embodied occupation of its interior over the analysis of its exterior narrative frieze. By focusing on traces of workmanship (chisel marks, seam lines, tool dimensions), material attributes (provenance, behavior, constraints, change in qualities over millennia), and the experience of habitation (interior atmosphere, circulation, functional details), the project develops an alternative understanding of the historical artefact and of its role in contemporary design.

The area centred around the Grand Palace bordered by the Chao Phraya river on the west and Khlong Khu Muang Doem on the east is undoubtedly Bangkok’s cultural centre. Known as Rattanakosin Island, it is home to most of the city’s most important temples – Wat Pho, Wat Rajabhopit, and Wat Mahathat, to mention just a few – as well as Museum Siam and the recently renovated National Museum. To the south of this iconic area is the famous flower market, while to the north is the tourist mecca of Khao San Road. Exploring Old Bangkok takes the visitor around all the most important sights as well as explaining the meaning of lesser-known landmarks such as the Pig memorial or the Monument to the Expeditionary Force. The guide also includes iconic sights on the west bank of the river such as Wat Arun and the royal barge museum. With the opening of the magnificent metro station, Sanam Chai, access to this centre of culture and Thai art has never been easier. Alternatively, visitors can reach the area via the ever-popular tourist boats and maybe take a khlong trip from Tha Chang. Exploring Old Bangkok also features two fascinating walks and a pull-out map with suggestions of where to stay and where to eat.

Katya & The Prince of Siam is the story of an ultimately tragic love affair and marriage between a beautiful young Russian girl from Kiev and an eastern prince, HRH Prince Chakrabongse of Siam, one of King Chulalongkorn’s favourite sons. It tells of their meeting in St. Petersburg, their elopement to marry in Constantinople and their journey and arrival in Siam. At first an outcast in Thai society (no son of the King had ever married a foreigner before), Ekaterina Ivonovna Desnitsky, or Mom Katerin as she became known, gradually gained love and respect. In 1908 they had a son, Prince Chula and for the next ten years enjoyed a happy life in Bangkok society as well as making various trips abroad and throughout Siam. However, following the Russian Revolution and trip abroad on her own, the marriage became strained and ended in divorce in 1919. More tragedy was to follow, leaving Prince Chula, aged 12, to face an education in England alone. Making use of much hitherto unpublished archive material such as letters, diaries and photographs, the book gives a fascinating insight into the life in both pre-revolutionary Russia and the Siamese court.

This volume represents an important tool for getting to know every aspect of Leonardo da Vinci’s work: his pictorial technique, his scientific and technological investigation, his study on anatomy, his Codices, and every suggestion produced by his genius. All works and paintings are accompanied by descriptive and technical sheets, and ample space has been given to images and details, to the updated report on his most controversial works, to those of recent critical acceptance, and to the masterpieces that have animated the international debate such as The Encarnate Angel, the Salvator Mundi, and La Bella Principessa (Portrait of Bianca Sforza). The narrative captions reveal the most curious aspects of the history of each painting. Thanks to the direct contribution of collectors and museums the photographic reproductions of paintings and works reflect the last restorations.

Text in English and French.

The significant and rapid trend toward small office design globally is testament to increasing economic imperatives, where often commercial rentals are pushing business into innovative ways to manage and minimise their space and resources. Fast-evolving technological advances are also making it possible for people to work from home, where their home office environment needs to be not only stylish, but also conducive to productivity, and ergonomic to support and encourage good health and well-being. Also, there are those who seek to start their own business and are looking to establish a creative, professional and inspiring home office environment. Big Design for Small Workspaces combines form with function, and presents innovative interior designs for offices with compact floor plans of up to about 3230 square feet (300 square meters). This book showcases a selection of richly photographed, sleek and modern solutions, and presents insightful design concepts and appealing examples of imaginative and resourceful spaces, with informative commentaries describing aspects such as furnishings and materials, workstation layout, including the use of vertical space to its fullest advantage, and multipurpose areas. This book will provide an essential source of inspiration for architects, interior designers, small business owners, the homeoffice renovator, and anyone looking to create a smart small office environment.

London Secrets unlocks the city’s most fascinating secrets. Janelle McCulloch strips away bricks, mortar and tarmac to uncover parts of the capital that even born and bred Londoners may never have seen. In the shadow of the Gherkin, Cheesegrater and Walkie-Talkie skyscrapers are medieval churches, crypts and the curios of Postman’s Park – proof that altruism can exist in the Square Mile. In St James’s, a stone’s throw from the glitz and glamour of Soho are hidden squares and shops dating from a gentler age – purveyors of fine wine, gentleman’s apparel and bowler hats. The cobbled mews of Marylebone and Hampstead Village reveal unexpected treasures, rarely seen interiors and a rural idyll amid the urban hum. While the esoteric collections at the Horniman, Sir John Soane’s Museum and exotica of Leighton House make you feel you are in an entirely different country altogether. The author reveals the traditions and quirks that have survived to this day, from the freedom of the City of London allowing you to herd sheep through the town, to the “market ouvert” of Bermondsey Market, original home of the London wheeler-dealer. Lavishly photographed and researched, London Secrets will shed a whole new light on this most vibrant – and surprising – of cities.

Pure Luxury: World’s Best Houses is a celebration of residential living at its finest, and best. Satisfying our natural and abiding curiosity about how other people live, and our endless quest to add a special something to our own homes, this latest volume in IMAGES’ 100 Houses series showcases contemporary architectural trends. The beauty of residential architecture lies in its infinite scope for innovation and the comfort of it inhabitants, be they at rest, at play, or hosting guests. Among the awe-inspiring projects in this book are an opulent villa set in the Hollywood Hills with an infinity pool projecting over LA, an idyllic rural retreat set in luxurious valleys and stunning beach houses around the coast. The diversity of the locations extend from Mexico and Brazil to Thailand and Italy. Featured architects include: Damien Murtagh, Lockyer Architects, ISJ Architects, Saucier + Perrotte, SAOTA, Okada Architects, Original Vision, Koutsoftides Architects, Drozdov Partners and Carlos Bratke Architect.

In recent years, guest houses have become exceptionally popular and attractive for people who live in the city but want to escape from the hustle and bustle. This book contains 42 case studies of guest houses. The book provides a professional analysis of the projects, accompanied with pictures of the projects. This book offers a good reference to anyone interested in guest houses, be it guest house owners or architects.

Way Beyond Bigness is a design-research project that studies the Mekong, Mississippi and Rhine river basins, with particular focus on multi-scaled, water-based infrastructural transformation. The book proposes a simple, adaptive framework that utilises a three-part, integrative design-research methodology, structured as: Appreciate + Analyze, Speculate + Synthesize, and Collaborate + Catalyze. To do such, Way Beyond Bigness realigns watersheds and architecture across multiple: scales (site to river basin), disciplines (ecologists to economists), narratives (hyperbolic to pragmatic), and venues (academic to professional). The research critiques and recasts Oxford Dictionary’s two very different definitions for a ‘watershed’: 1) “An area or ridge of land that separates waters flowing to different rivers, basins, or seas” and 2) “An event or period marking a turning point in a situation in a course of action or state of affairs” and its two very different definitions for ‘architecture’: 1) “The art or practice of designing and constructing buildings” and 2) “the complex or carefully designed structure of something.” The book highlights the author’s comprehensive work of over more than a decade, including in depth field research across the Mekong, Mississippi and Rhine, along with a diverse body of academic and professional collaborations, ranging from the speculative to the community-based.

Collage is one of the most popular and pervasive of all art-forms, yet this is the first historical survey book ever published on the subject. Featuring over 200 works, ranging from the 1500s to the present day, it offers an entirely new approach. Hitherto, collage has been presented as a twentieth-century phenomenon, linked in particular to Pablo Picasso and Cubism in the years just before the First World War. In Cut and Paste: 400 Years of Collage, we trace its origins back to books and prints of the 1500s, through to the boom in popularity of scrapbooks and do-it-yourself collage during the Victorian period, and then through Cubism, Futurism, Dada and Surrealism. Collage became the technique of choice in the 1960s and 1970s for anti-establishment protest, and in the present day is used by millions of us through digital devices. The definition of collage employed here is a broad one, encompassing cut-and-pasted paper, photography, patchwork, film and digital technology and ranging from work by professionals to unknown makers, amateurs and children.

Contents:

Collage Over the Centuries, an introductory essay by Patrick Elliott; Collage Before Modernism by Freya Gowrley; On Edge: Exploring Collage Tactics and Terminology by Yuval Etgar; catalogue of exhibition works; a Chronology of Collage.

A beautiful facsimile edition of the last masterpiece of ukiyo-e, limited to 3,000 numbered copies 

Final 1,000 copies now available

Yoshitoshi (1839 – 1892) was the last virtuoso of the Japanese woodblock print, and the One Hundred Aspects of the Moon, published between 1885 and 1892, were his crowning achievement. This series – mainly illustrating stories from history and legend, unified by the motif of the moon – is charged with paradox. In order to carry forward the tradition of ukiyo-e, Yoshitoshi drew stylistic inspiration from the very forces that were rendering it obsolete – namely, Western art and mass media like photography and lithography. As if they realised they were witnessing the end of an era, the artist’s public responded enthusiastically to his innovative series – many of the individual prints were sold out on the morning of their publication.

This magnificent facsimile of One Hundred Aspects of the Moon reproduces each print at its original size, facing an explanation of the subject. A thorough introductory text, augmented with many comparative illustrations, traces Yoshitoshi’s career and the genesis of this series. Printed and bound to the most exacting specifications, this volume will be a must for aficionados of Japanese prints.

This creative collaboration between artist Naoko Matsubara and poet Penny Boxall celebrates in words and colours the beauty and variety of the human hand.
The series of dynamic woodcuts at the heart of this book was initially inspired by the artist’s wonder at the busy hand movements of her baby son and grew into a wider celebration of hands in all their extraordinary variety – hands engaged in music, sport, prayer, or creative acts. The woodcuts convey a sense of joy and energy, whether exploring the symbolism of gestures, playing with form and colour, or expressing a mood or emotion.
Penny Boxall’s new poems were specially written to accompany the woodcuts. In their clarity and playfulness, their range of mood and their deceptive simplicity, they form a remarkable creative synergy with the art works.
During the coronavirus pandemic the subject of hands – and the idea of touch or its absence – has taken on a new significance. Many of the images in the series have taken on powerful new meanings: healing hands, hands finding ways to occupy hours of furlough, or hands clapping in support of those working to keep us safe.
We are particularly delighted that this elegant book has been designed by Yoshiki Waterhouse, Naoko Matsubara’s son, whose baby hands were the original inspiration for the series.

The Ashmolean Museum houses one of the most extensive collections of wood engravings in the world. The collection effectively began with the gift in 1964, by Arthur Mitchell, of over 3,000 prints, including a large group of wood engravings. During the 1980s and 1990s, it expanded remarkably with acquisitions of large groups of prints, often as gifts from the artists, resulted in a succession of monographic exhibitions on some of the most important wood engravers. They included John Farleigh (1986), John Buckland Wright (1990), Clare Leighton (1992), Monica Poole (1993) and Anne Desmet (1998). A key point in this period of expansion was the acquisition of a comprehensive body of work by Gertrude Hermes and Blair Hughes-Stanton in 1995 from the artists’ family, which resulted in a memorable exhibition organised by Katharine Eustace. More recently, the Ashmolean has formed a close partnership with the SWE, and has been keeping the collection up to date by acquiring work by members, both at the Society’s annual exhibition and privately.

This book is a photographic odyssey through the lands of the First World War. For more than ten years the photographer traveled from the dust of the Namib deserts to the frozen heights of the Vosges to create a unique collection of images that document how time and nature have transformed these places of horror and killing into landscapes of great beauty and tranquillity… If anyone wants the reason for these photographs then they need look no further than the thoughts of a veteran leaving the shattered fields of the Somme who wrote: “No, they would not be lonely, I saw that bare country before me… the miles and miles of torn earth… the litter, the dead trees. But the country would come back to life, the grass would grow again, the wild flowers return. They would lie still and at peace below the singing larks, beside the serenely flowing rivers. They could not feel lonely, they would have one another. And… though we were going home and leaving them behind, we belonged to them, and they would be a part of us for ever.” (P. J. Campbell).

Text in English, French, and Spanish.

This beautifully illustrated book showcases the Hindu and Jain temples of Maharashtra, Telangana, Andhra Pradesh and Karnataka built prior to the invasion of peninsular India by the Delhi sultans at the end of the 13th century. Unlike temples in many other parts of India, those of the Deccan are well preserved, with their wealth of figural and decorative carvings miraculously intact. They demonstrate the development of Indian sacred architecture and art over a span of more than 600 years.

Focusing on some 50 historical sites, the Temples of Deccan India begins with artificially excavated “cave” shrines dedicated to various Hindu deities, before proceeding on to examine free-standing Hindu and Jain monuments sponsored by successive rulers of the Deccan. Attention is paid to the beautiful sculptures found on temple basements, walls, brackets and ceilings. Carved in crisp relief, and sometimes even in three dimensions, these carvings are among the greatest glories of Indian stone art. 

Among the featured highlights are the cave temple on the island of Elephanta, with its stupendous representation of three-headed Sadashiva; the colossal, monolithic Kailasa temple at Ellora, a technical feat unsurpassed in the entire history of Indian architecture; the magnificent columned pavilion at Hanamkonda, now currently being reconstructed; and the temple at Belur, with its exquisitely carved female figural brackets. Specially commissioned plans of temple layouts accompany 300+ photographs. and clarify the succession of dynasties that governed the Deccan during the centuries covered here. Maps locate the temple sites, while passages of text illuminate the succession of dynasties that governed the Deccan from the 7th to 13th centuries. Educational, accessible and beautifully illustrated, this book will be of interest to anyone fascinated by Indian architecture.

“This book takes in his introduction to wine – at the age of three! – through his continued travels and championing of New World wines when they were less fashionable.” — Matthew Nugent, The Irish Sun

“You can feel Oz Clarke’s expansive, chatty presence in every sentence” — Telegraph

“Frankly, it’s the best and most entertaining wine read I’ve had in years.” —Tom Doorley, The Irish Mail

“You can never have too much of his captivating enthusiasm and rich knowledge and this is him at his best.” — Waitrose magazine

“A rollicking good read.” — Sommelier India

There have never been so many delicious and original wines in the world, and to discover them, all you need is a glass in your hand and Oz Clarke – the ideal wine companion. With his inimitable sense of adventure and fun, Oz explains how his fascination with flavour led him to abandon a promising acting career and follow his heart from Chablis to ‘the lost Himalayan valleys of Yunnan’ in pursuit new taste experiences and wine thrills. He found them! Oz Clarke On Wine takes us on a fast-paced, witty romp around the grape varieties key to the world’s major wine styles, then explores the vineyards and regions where a vast trove of wine treasure lies waiting for discovery. Oz’s passion for sharing, his deep wine knowledge, and his ability to conjure up the wine world’s most beautiful landscapes, make this book the most unputdownable wine read this century.

Includes: