This richly illustrated monograph delves into the innovative output of one of the world’s most prolific international design and architecture practitioners, Tokyo-based Shigeru Ban. Canvassing an enormous compilation of works, this title is a significant contribution to IMAGES’ stable of works showcasing renowned architects from around the globe. This book features an array of innovative projects, from commercial and residential innovation strategies to humanitarian works, such as emergency shelters made from paper and modular shelters for earthquake victims. Shigeru Ban’s visionary residential design philosophies encompass timber hybrid structures, including a building constructed from cardboard tubes; the tallest hybrid timber structure in the world for a residential tower in Vancouver; as well as the new home designed for the Aspen Art Museum, which features woven wooden cladding. His innovation extends to the industrial design of an architect’s scale pen used for drawing. This book also helps to relay Shigeru Ban’s contemporary discourse on architectural culture, and how it is moving in new directions. This title is a must-have for any serious aficionado of modern architecture, innovative thinking, and design.

Inspired by the book Made in Tokyo, Shanghai architectural scholar Li Xiangning and his team worked closely with its author, Yoshiharu Tsukamoto, to edit this book about the features of Shanghai city and its architecture. This book is a celebration of the particular elements of the architecture and urban design of Shanghai, and brings together 54 places that contribute to the unique DNA of the city. The photography, detailed drawings, and written pieces reveal Shanghai as it is to its residents. Whilst including well-known architectural features of Shanghai, the book also explores the less well-known elements that make Shanghai the city that it is.

From the ruins of Palmyra in the Syrian desert to the ghost town of Bodie, the painted churches of Sucevita in Romania, and a fire festival in a Japanese village: Michael Webb has ventured far afield in search of the rare and beautiful. He recalls memorable experiences of people and places over eight decades of travel around the world, and some of the buildings and landscapes that have left a lasting impression. It’s getting harder to find places that have not been commercialised and overwhelmed by mass tourism, but they can still be found, even in the most popular destinations. Webb’s recommendations should inspire you to get off the beaten track and make your own discoveries.

A combination of difficult economic times, a premium on urban space, and the modern trend for living alone means that living in small spaces has become a necessity, as much as a choice. But that needn’t mean living in cramped, unimaginative spaces. Living Little
shows how the challenges of small floor plans and compact interiors can be transformed with clever and creative design, the innovative use of technology, and ingenious and stylish solutions. Be they small or tiny homes, flats, apartments or storefront properties, cottages, shipping-container dwellings, caravans, or cabins, this book is the perfect source of inspiration for those short on space who are yearning for a strong dose of ingenuity and style.

This new book gathers a selection of impressions from Ephameron’s travel diaries. The artist uses observational drawing and painting as a way of engraving the memories and surroundings deeper into the brain. A compact but thick book, collecting 320 pages of recollections from 2011-2017. Ephameron’s work explores a sensitive side of the world, where the small and intimate dramas of life are documented. Everyday feelings and thoughts are recreated with images and text, capturing moments in life. Ephameron has published her illustrations in De Standaard, De Tijd, Knack and The New York Times. She also curates and participates in group and solo shows all over the world. Ephameron holds master’s degrees in both Fine Arts and Illustrative Design, and currently teaches at two art colleges in Belgium while preparing her PhD in the Visual Arts, researching artistic autobiography in graphic narratives. Wij Twee Samen (2015), her most recent book about her father’s struggle with dementia, was met with critical acclaim.

Today Santorini is visited by some 2.5 million people a year. But when Robert McCabe and his brother arrived there in 1954, they were the only visitors on the island. In this collection of stunning photographs from the 1950s and 1960s – reproduced as tritones of surpassing quality – McCabe has recorded the hardscrabble, yet often romantic, life of a vanished era. Picturesque whitewashed houses dug into the volcanic pumice; the harvest of the island’s famous cherry tomatoes; the winding road to the ruins of ancient Thera – all this was captured by his lens. McCabe’s photographs are complemented by two essays from the noted Greek journalist Margarita Pournara, one poetically evoking her grandmother’s childhood on Santorini and the other explaining the geological forces that have given this volcanic island its dramatic form. A companion to McCabe’s recent volume on Mykonos, this book will fascinate modern-day visitors to Santorini, as well as those who trace their roots to the Greek islands.

“Children are like crazy, drunken small people in your house” – Julie Bowen – Modern Family

Whoever welcomes children says goodbye to a tidy and perfectly-styled house. Babies and children grow and develop through play, and that means lots of toys. This can create chaos and sometimes less attractive corners in the home that are expertly hidden, moved, or simply ignored in most residential magazines. Lifestyle journalist and young mother Joni Vandewalle knows that a messy house, where children can play freely, is a happy house. Creating children’s rooms for optimal use is a challenging job, but one that is immensely rewarding for the whole family. In this book, she has selected 20 houses where clutter creates atmosphere, and where colourful play spaces and creative storage solutions prioritise activities where children can grow and play. This book is full of design inspiration for all parents and parents-to-be.

Renovation continues to be an important and fundamental part of modern architecture, whether it be through a desire to preserve history, or resurrect an old family home. This book provides a useful overview of nearly 30 case studies from across the globe, providing inspiring examples of how to refresh an old structure through sensitive modifications without changing the original architectural type. An inspiring guide to the daunting task of renovation, this book covers the whole process of renovating an old house, and provides fitting examples of work from around the world. Covering the entire process of renovation, the book includes “before” and “after” photos to clearly illustrate the skillful work involved in adapting an older residence. The decision to renovate rather than rebuild brings its own set of complications, but this book reminds us that this is not a hopeless endeavour but rather one that refreshes the architecture and provides a revamped home, perfect for the modern world.

The complex and refined creative imagination of Carlo Mollino – an eclectic personality of the Italian 20th century – is the common thread that unites the research documented in these pages, which combines a selection of photographs from the fifties and sixties, shot by Mollino himself, with the works of Enoc Perez and Brigitte Schindler, artists united by a visionary spirit aimed at experimentation.

The volume opens with the shots of the splendid and provocative models portrayed by Mollino (Turin, 1905-1973), through which the author on the one hand explores the beauty of female nature and on the other aims to compose an image – subjective and transfigured – of the woman as the ideal counterpart of his existence.

Enoc Perez (San Juan, Puerto Rico, 1967) began a personal investigation in the nineties on a series of iconic twentieth-century architectures, which he transposed into paintings with an indefinite, sometimes dreamlike flavour: among these stands out Casa Mollino – the architect’s last enigmatic and secret residence, which now houses the Museum – visited by the painter in 2019 and the subject of the works presented here.

The same house, designed by Mollino down to the smallest detail and conceived as a mirror of his worldview, was a source of inspiration for Brigitte Schindler (Munich, 1972), whose photographs intercept the mystery suspended in the rooms, the subtle connections between the objects carefully chosen and positioned by the owner.

The volume includes contributions by Mario Diacono, Fulvio Ferrari, Enoc Perez and Brigitte Schindler, together with extracts from “The message from the dark room” by Carlo Mollino.

Text in English and Italian.

Greenwich is the one London district whose name resonates around the world. As ‘the place where time began‘, everyone has heard of it, so naturally everyone wants to come here when they visit the capital.

With a memorable and picturesque Thames-side location, its maritime history means that there‘s more to see here per square foot than any other outer London neighbourhood, and this new guide tells you how to do it.

111 Places not only tracks down the most interesting nuggets among Greenwich’s mainstream sights, from the Cutty Sark to the Meridian Line, it also lifts the lid on the area’s lesser-known attractions – from haunted Jacobean houses and mudlarking in Deptford Creek to classic pie and mash shops and famous riverside pubs. It explores beyond the confines of Greenwich town centre, turning up treasures like Henry VIII’s favourite residence, Eltham Palace – now an Art Deco gem – and nearby engineering feats like the Thames Barrier.

You could come to London and spend half your time in Greenwich, and we wouldn’t blame you if you did. This book tells you how to make the most of London‘s maritime borough.

Close to one million people are unhoused in the United States today. Millions and millions are ill—housed – people living in shanties or leaky, mouldy trailers. And millions more are mis—housed – in houses that are abusive in their loneliness, forlorn and empty at so many levels. We can do something about it. Actually, it’s low hanging fruit, should we choose to do something; impossible, if we do not. And it’s essential, not only for the wellbeing of the individual, but also for the wellbeing of the State, and the society.

Current studies are overwhelmingly show that it is more cost effective, in terms of tax dollars earmarked for city, county, state, and federal governments, to house people than it is to just leave them outside. About $20k to $40k cheaper for each person per year. In the case of the unhoused, it also taxes our psyches and our emotions to see our neighbours sleeping on the sidewalk. It is difficult, if not impossible, to explain to our children and grandchildren how we Americans leave people outside in the cold — mentally challenged or not. Then, there is the moral issue.

If you are motivated to get a new homeless housing project moving in your town, this book is the best place to start.

ABS Bouwteam is a high-end contractor of exclusive residential projects: villas, country houses and mansions in timeless and contemporary style. This first monograph highlights the most important projects by the company, with an overview of 30 years of exceptional architecture and interior design.

India, Jewels that Enchanted the World presents for the first time the remarkable history and unique legacy of 500 years of Indian jewellery, from the 17th century to the present. The essays, all written by leading international scholars, explore the rich, distinctive, and unique heritage of Indian jewellery; the striking boldness of South Indian ornaments; the delicate refinement of the Mughal period; the dazzling jewels of the post-Mughal maharajas; the cross-cultural influences between Europe and India in the 19th and early 20th centuries; and the creations of leading contemporary designers whose jewels display the enduring beauty of Indian design and craftsmanship.

Published to accompany a major exhibition at the State Museums of the Moscow Kremlin organised jointly with the Indo-Russian Jewellery Foundation, this lavishly illustrated catalogue brings together royal, ceremonial, and personal Indian jewels to showcase the entire range and variety of the jeweller’s art in India.

The Ashmolean Museum houses one of the most extensive collections of wood engravings in the world. The collection effectively began with the gift in 1964, by Arthur Mitchell, of over 3,000 prints, including a large group of wood engravings. During the 1980s and 1990s, it expanded remarkably with acquisitions of large groups of prints, often as gifts from the artists, resulted in a succession of monographic exhibitions on some of the most important wood engravers. They included John Farleigh (1986), John Buckland Wright (1990), Clare Leighton (1992), Monica Poole (1993) and Anne Desmet (1998). A key point in this period of expansion was the acquisition of a comprehensive body of work by Gertrude Hermes and Blair Hughes-Stanton in 1995 from the artists’ family, which resulted in a memorable exhibition organised by Katharine Eustace. More recently, the Ashmolean has formed a close partnership with the SWE, and has been keeping the collection up to date by acquiring work by members, both at the Society’s annual exhibition and privately.

This diminutive survey features all aspects of Wright’s art, from lowslung Prairie houses to the dramatic, seminal Fallingwater, to larger projects such as his two homes, Taliesin and Taliesin West, culminating in that icon of modernism, New York’s Guggenheim Museum. This satisfying volume is complete with drawings and rarely seen works from Wright’s own Asian art collection.

Based on the eponymous symposium and exhibition, Fulfilled: Architecture, Excess, and Desire considers the role of architecture in a culture shaped by the excessive manufacturing and assuagement of desire. Until the term became synonymous with Amazon warehouses, the concept of fulfilment described the achievement of a desire – sometimes tangible, often psychological or spiritual. With the rapid growth of e-commerce, our understanding of fulfilment has evolved to reflect a seemingly endless cycle of desire and gratification – one whose continuity hinges on our willingness to overlook the cultural, economic, and environmental impacts of our ever-increasing expectation of quick and efficient fulfilment. A closer look at fulfilment reveals a social, typological, formal, aesthetic, and economic practice constructed collectively through both digital and physical interactions. It is a cultural practice which evolves like a language, both universally transferable and contextually specific. As a symposium, exhibition, and now publication, this project aims to draw out these new arrangements, sticky relationships, and material by-products of cultural production and to ask again the age-old question, “What does it mean to be fulfilled?”

This book examines the architecture of fulfilment through three lenses: logistical, material, and cultural fulfilment. Each reveals the new forms of architectural practice and research that are possible, typical, and even surreptitiously encouraged in the age of Amazon. Fulfilment networks are not invisible systems; they are tangible objects – warehouses, suburban houses, parking lots, cardboard boxes, shopping malls, mechanical systems, shipping containers – with which architects necessarily interact. From political mapping and questions of labour to digital and physical storage typologies, contemporary architects learn from and work critically within the architecture of fulfilment. Their interests and approaches include the material and environmental shortcomings of global logistics and the formal, representational, and cultural potentials of a culture of excess. This book highlights architecture’s unique capacity to offer methodologies for confronting an increasingly ambiguous, alienating world and produce new knowledge and unexpected solutions that go beyond the dichotomies of rural and urban territories.

Featuring new texts and visual work by more than a dozen contemporary architects: Ana Miljački – Boston, MA; Ang Li – Boston, MA; Ashley Bigham – Columbus, OH; Cristina Goberna Pesudo – Madrid, Spain; Curtis Roth – Columbus, OH; Jesse LeCavalier – Toronto, Canada; John McMorrough – Ann Arbor, MI; Keith Krumwiede – San Francisco, CA; Laida Aguirre – Ann Arbor, MI; Leigha Dennis – New York, NY; Lluís Alexandre Casanovas Blanco – Barcelona, Spain; Michelle Chang – Boston, MA; Miles Gertler – Toronto, Canada; Mira Henry & Matthew Au (Current Interests) – Los Angeles, CA

This book positions Ulaanbaatar as a unique case and one that allows us to view our urban world differently. Operating as a primordial soup of emerging conditions, Ulaanbaatar is conceived as an incubator for alternative urban concepts. The book rejects the agency of the masterplan as an effective tool in emerging urban conditions and instead positions the framework as a tool for incremental urbanism.

Although specific to the Ger districts of Mongolia, the story of how people, communities, planners, and politicians are grappling with the effects of becoming urban remains one of the critical issues facing the 21st century. How this process will be materialised and organised spatially, and by whom, will have profound ramifications on the climate and the social and economic make-up of our future cities.