The robin was hardly understood when David Lack – Britain’s most influential ornithologist – started his scientific observations. This book is a landmark in natural history, not just for its discoveries, but because of the approachable style, sharpened with an acute wit. It reads as fascinatingly today as when it was written.
It is no longer words that narrate great historic events but photographs which in an instant can capture the drama of an event and impress its power and significance on us forever. This book features a collection of the 100 most contemporary historic photos that have revealed to the world epoch-making moments and points of no return, images whose expressive power has stirred people’s conscience and given rise to significant changes in politics and customs.
A young, enthusiastic student of marine life takes the readers on a quest to discover the fantasy creatures that live in the sea. The children will read her diary, filled with information, legends and details. Tips are also intended for all sea life lovers to do their part and keep the ocean clean and defend the kingdom of its creatures that today, more than ever, is threatened by dangerous, irresponsible behaviour. Two sections dedicated to the underwater creatures: those who live on the surface and those who live in the abysses. Short, fun, approachable stories that describe each creature and explain how to catch sight of it, how to tame it and what makes it angry. At the end of the story, the readers will find a short test, similar to the one the book’s narrator must take, so that they’ll get their Certificate of Fantastic Creatures Keeper, that children can detach from the book and fill in. Ages: 7 plus
The global porcelain scene is celebrating the 40th anniversary of the International Ceramics Fair and Seminar, which was founded by Brian Haughton and his wife, Anna, in London in 1982. That was just the beginning: further fairs and accompanying symposia on design, jewellery, and antiques in New York and Dubai were to follow, becoming important venues of exchange, not just for trade but for the academic world too.
To mark this anniversary, more than 40 renowned scholars were asked to write about selected European ceramics that had been traded in Brian Haughton’s gallery and that he had been particularly passionate about.
This publication is a wonderful kaleidoscope of unique ceramics from the 18th and 19th centuries, released as a homage to Brian Haughton, The Man with the Butterfly Tie.
‘This is me, Hee-haw. I’m going to tell you a story. Not just any old story – a Christmas story. You’re going to see the most beautiful paintings and drawings in the world too. You’ll probably be surprised to see how many pictures I’m in. Hundreds – no, thousands! And that’s because I, Hee-haw, play a very important part in this story. As you will see.’ Martine Gosselink, director of the Mauritshuis museum, tells the Christmas story through the eyes of Hee-haw the donkey, drawn by Thé Tjong-Khing. ‘How come? Because I was always there!’
The idea of this book is to shed light on the various stages in the construction of the buildings along with their use in the Cinquantenaire in Brussels from 1880 until today.
Besides statues and monuments, the history of the major institutions that are housed here are brought to life in text and image. The story of the World Fairs is linked to the history of Belgium as well as daily life in the park today with the help of the many unpublished documents.
Take a spectacular armchair voyage to one of earth’s most magnificent and ancient sites: Egypt’s Valley of the Kings. This exquisitely produced guide is lavishly illustrated with more than 800 pictures (including archeological reconstruction drawings); six gatefolds; and the finest paper. Conducted by a team of world-acknowledged experts who provide the most up-to-date information, this virtual guidebook to Egypt’s greatest treasures is the perfect mix of artistic brilliance and scholarly research. The Valley of the Kings and the tombs of the nobles are, with the pyramids of Giza, among the world’s best-known sites. Yet a significant portion of this remarkable place remains unseen by most who visit – but this illuminating and spectacularly produced volume fully maps both the artistic and the architectural features of the tombs. Renowned photographer Araldo De Luca was granted full access to these ancient wonders, and he provides unrivalled colour images of the funerary temples and private necropolises. An exploration of their structures and embellishments features plans, photos, drawings of motifs, and hieroglyphs. To complete the presentation: walking itineraries in the Theban mountains are shown from many unusual vantage points, making this book a visual treat, and an extraordinary adventure, for real and armchair travellers alike.
Chablis has a distinct identity amongst the wines of Burgundy. The gently sloping vineyards of this small, scenic region produce a remarkably diverse range of wines, even though all are made from just one variety – Chardonnay.
As in other parts of France, it was the Romans who introduced vines and the medieval Church which expanded the vineyard. By the twelfth century the wines of Chablis, were already being celebrated in poetry. However, over the centuries a considerable amount of everyday wine also found its way via the river Yonne to the cafés of Paris. In its heyday of production towards the end of the nineteenth century the region encompassed 40,000 hectares of vines. But that was before phylloxera and oidium ravaged the vineyards and the railways brought competition from further south to the capital’s wine drinkers.
From a low point of 500 hectares just after the Second World War, the vineyard has now expanded more than tenfold, and quality has increased too. Wines in the appellation’s four categories – grand cru, premier cru, Chablis and Petit Chablis – are created by vignerons keen to work with the terroir to produce the elegant, mineral, long-lived wines for which the region earned its reputation. To this end, ever greater care is being taken in the vineyards and the routine use of chemicals is becoming increasingly uncommon.
The region’s history, unique soil, geography and climate are all covered in detail, but it is Rosemary George’s lively and insightful profiles of those who make the region’s wines that form the body of The wines of Chablis and the Grand Auxerrois. Through the lives of these vignerons – from the lows of disastrous weather to their love of the land – she paints a unique picture of a much-admired region.
“…a significant contribution to the study of Chinese photography.” – The Art Newspaper
From political leaders to celebrities, photographic portraits exert considerable influence over our reaction to public figures. As the first academic publication focused on the Taikang photography collection, this book explores both the mechanics of portraiture and its psychological effects.
Taikang Space is one of the most important non-profit art institutions in China. Based in Beijing, they focus on contemporary art and photography. The Chinese Portrait: 1860 to the Present is based on the framework of the eponymous exhibition, which ran at Taikang Space from March 2017. This book introduces the curator and researchers involved with the exhibition, as well as researchers such as Shi Zhimin, Jin Yongquan, Liu Jianping, Liu Zhangbolong, who deliver their own unique angles on the topic of portrait photography. The Chinese Portrait: 1860 to the Present also features the curator’s interviews with Qia Sijie, Chen Shilin and Zhang Zuo – respectively the personal photographer, standard portrait re-toucher and darkroom technician of Chairman Mao.
This catalogue describes what is probably the most encyclopaedic collection of early coloured Worcester porcelain in existence. Henry Marshall assembled the collection between the two World Wars. In the years that followed, he sought to represent as comprehensive a range of patterns as possible, with minimal duplication, so that his collection would become a true reference work in itself. Every piece was acquired for specific purpose, many of them either to further his knowledge or because they were so rare. He was one of a small group of ceramic collectors who sought to document sources and influences, creating comprehensive hypotheses for the objects’ histories.
In this case specifically, Marshall’s records reveal the Far Eastern influence on Worcester porcelain, alongside the many other prototypes used by decorators of these fine ceramics. This catalogue, like the collection itself, seeks to present early Worcester porcelain to collectors and a wider public in a systematic way. It describes, classifies, and reproduces every item in the Marshall Collection. It does not seek to present detailed new research, but to record the state of knowledge about the subject at the time of writing.
The collection of 18th- and early-19th-century French silverware brought together by Calouste Sarkis Gulbenkian is the most important of its time and one of the most significant sections of the Gulbenkian Museum’s collection. Amassed between 1900 and 1950, these pieces constitute a unique group due to their diversity and quality. The collection comprises over 150 works, including several world-class masterpieces that represent the collector’s taste.
The catalogue is dedicated to a selection of silver works of different typologies, such as centrepieces, tureens, salt cellars, candelabras and candlesticks, made by renowned silversmiths such as François-Thomas Germain, Antoine-Sébastien Durant, Robert-Joseph Auguste and Martin-Guillaume Biennais. Despite this diversity, these works all share the characteristics that make this collection unique: quality and authenticity combined with original designs, technical expertise and distinguished provenances, with former owners including members of European aristocracy and the Russian imperial family. These works were mostly purchased in Paris, but there is also an important group of works from the Hermitage collection, acquired through negotiations made between Calouste Gulbenkian and the Soviet government between 1928 and 1930.
After an initial text about Calouste Gulbenkian’s passion for 18th-century French silverware, the most prominent pieces of the collection are presented in chronological order of acquisition and are accompanied by comprehensive descriptions and analyses, as well as detailed information on hallmarks, inscriptions, provenances and historical and bibliographical sources. An excellent photographic survey, carried out specifically for the purpose, illustrates the 43 catalogue entries.
At the end of the publication, the reader can find a list of secondary silverware, an index of names and the group of archive documents and bibliography consulted.
Images Credits: Panorama
This lavishly illustrated book presents one hundred significant drawings from the 15th- to the 21st-century, including new discoveries and works by both celebrated masters and others who deserve to be better known. Among the artists represented are Annibale and Ludovico Carracci, Guido Reni, Giovanni Domenico Tiepolo, Antoine Watteau, Jean-Honoré Fragonard, Pierre-Paul Prud hon, Thomas Gainsborough, George Romney, Edgar Degas, Henri Matisse, Lovis Corinth, Ernst Ludwig Kirchner, Käthe Kollwitz, Otto Mueller, Emil Nolde, Egon Schiele, Edward Hopper, John Marin, Grant Wood, Roy Lichtenstein, Jasper Johns, Andy Warhol, and Edward Ruscha. Catalogue entries for each drawing includes complete documentation, provenance, and bibliography. The text provides important new scholarship and attributions; examining a variety of themes, such as connoisseurship, patronage, materials and techniques, watermarks, and collectors’ stamps; and discusses how a work fits into the artist’s oeuvre or represents larger developments in artistic movements or trends in artistic production. Published to accompany an exhibition in Minneapolis, MN July 13, 2014 – September 21, 2014. Contents: A History of Drawings at the Minneapolis Institute of Arts Tom Rassieur; Topography of a Drawing; Contributors to the Catalogue; To the Reader; Catalogue.
This book of photographs by Swedish photographer Christer Löfgren explores the diverse and multifaceted world in which we live, from north to south. In comparing photographs of various cultures, diversity is more noticeable: the colours, clothes, and food point to the identity of each place. The further north or south of the equator you travel, colours are paler, and the food is milder and less spicy. The more extreme nature is, the more difficult the lifestyle. These vibrant photographs ask us to broaden our vision and grasp the complexity and beauty of the world as a global whole. This deluxe edition consists of three hardcover books in a slipcase.
More than other painters, the Impressionists wanted to shake off the dust of the studio, and swarmed the noisy streets of Paris, filling the cafés and living in garrets and humble little dwellings on the hill of Montmartre, which still seemed like the countryside at the time, its slopes covered with vineyards and vegetable gardens. Nor did they limit themselves to the city, planting their easels in the clearings of the forest of Fontainebleau, on the coast of Normandy, in the rustic villages in the Oise Valley and in Bougival and Argenteuil on the banks of the Seine. Like their Naturalist friends Zola and Maupassant, they liked to mix with the locals so they could experience the places directly, painting everywhere, even on a boat, like the one where Monet had his floating studio.
From the 2nd century CE to the 19th century, the people of the fertile estuary of the great Mekong River created treasures of sacred art, architecture and accomplished feats of water engineering that are coming to light in Vietnam’s vigorous new archaeological research programmes. The large stilted wooden houses of Oc Eo, the early Venice of the maritime routes of the East in the earliest centuries of the first millennium, drew in ships with precious cargoes from Rome, India and China to trade while waiting for the change of the monsoon wind to continue their voyages.
Chinese annals record that the early polity they called ‘Funan’ ruled 1,000 km of coastline along the shipping route. Among the earliest Mekong Delta Buddhist icons are a breathtakingly elegant 2.7m tall Buddha carved in hardwood that has survived more than 1000 years in the delta mud and a 29cm bronze Buddha that arrived on a trading ship from the 6th century Chinese Northern Qi dynasty. Very early Vishnu statues wear high, floral mitres and clasp war conch-trumpets on their left hip, and Shiva’s face stares out from stone lingas.
The Ho Chi Minh Museum collection conserves diverse masterpieces of the art from Vietnam, from the prehistoric Dong Son drums of the Red River Delta in the north to the vibrant Hindu and Buddhist statuary of the former kingdoms of Champa in Central Vietnam. In addition, there is an immense array of art and imperial furnishings of the last Vietnamese dynasty, the Nguyen, which was founded in the Mekong Delta at the beginning of the 19th century. There are refined inlaid wooden cabinets, sets of the finest blue and white ceramics and embroidered silken court costumes worn by the royal family, as well as huge wooden and ceramic Buddha statues which played crucial social and political roles in establishing the dynasty and quelling its foes.
Established by an act of Congress in 1989, the Smithsonian’s National Museum of the American Indian (NMAI) is dedicated to the preservation, study, and exhibition of the life, languages, literature, history, and the arts of Native Americans. The museum’s collections span more than 10,000 years and – as this lavishly illustrated miniature volume demonstrates – include a multitude of fascinating objects, from ancient clay figurines to contemporary Indian paintings, from all over the Americas.
“It’s such a good read…” — Decanter
“Rocks and soils haunt our thinking about wine. We see links, sniff origins, taste connections, digest differences. Is this cause and effect — or fantasy? Alex Maltman is ghostbuster-in-chief. This wide-ranging and clearly reasoned book shines a torch through the cobwebs.” — Andrew Jefford
Burgundy thrives on the limestone remnants of a warm, shallow sea while Sancerre and Pouilly wrap their roots around flint. The finest Pomerols bloom in a ‘button’ of blue clay, and Beaujolais famously begins life in granite. Cabernet Sauvignon loves just about any sandstone and Champagne gets on gloriously with chalk. But is the secret to great port really schist? Alex Maltman, Emeritus Professor of earth sciences at Aberystwyth University, finds himself between a rock and a vineyard place as he explains how a wine’s flavours relate to the geology at foot, and discovers that there is more to ‘minerality’ than mud, rocks and the earth’s stark materials…
Terroir is as intrinsic to the quality of a wine as the grapes it comes from or the intentions of the wine maker. This beautifully produced and illustrated book looks at the many factors that influence, or don’t, how a wine tastes. Professor Maltman poses lots of questions and answers, while busting some myths along the way.
“The subtle forms and modelled curves and planes in a skeleton were to George Stubbs what a symphony is to a musician.” — Oxford Companion to Art
“The most unique thing of its kind ever compiled. This heroic effort, an epic of the eighteenth century, is as great and unselfish a work as anything could be.” — Sir Alfred Munnings
George Stubbs was one of the most original artists Britain has produced, and it is easy to forget how much his success was based on rigorous scientific observation. In 1756 he rented a farmhouse where he erected scaffolding to hold the cadavers of horses as he dissected and drew. After 18 months, Stubbs produced the drawings for The Anatomy of the Horse, which he later etched. The result was sensational. Scientists from all over Europe sent their congratulations, amazed at the perfection of the work. The Anatomy remained a textbook for artists and scientists for over a century, and its strange, spare beauty continues to fascinate.
This edition is taken from the 1853 printing, the last to use Stubbs’ original plates. The full Stubbs’ commentary is included for the veterinarially minded. Extensive texts by Constance Anne Parker and Oliver Kase place Stubbs’ work in the context of his life and times, and of 18th-century medical science.
The Vatican Museums is one of the most important museum complexes in the world, housing incredible masterpieces from the Egyptian Age to the late Renaissance.
The Vatican Museums hold a treasure trove of art and history, as well as an inestimable patrimony of our culture and our civilisation. This volume focuses on the paintings to be found in the collection – including The Sistine Chapel.
Text in English and Italian.
The Tekkieh Moaven is a significant religious monument in Kermanshah and one of the most important national memorials in Iran. Following the building’s destruction in the early 20th century, it was rebuilt and furnished with exclusive tiles, the focal point of this publication. Since 1975, it has also been a popular museum visited by hundreds of thousands of people every year. The tiles illustrate the fascinating world of art in the Persian empire and Islamic era and are distinguished by colourful illustrations featuring floral, calligraphic, and also figurative motifs. Author Hadi Seif weaves the recollections of the ancient guardian Sojdehpur into his narratives, contributing valuable insights into the evolutionary history of these impressive tiles. This is the first major English-language publication dedicated to this outstanding cultural monument.
This lavishly illustrated book records the high profile restoration of Rembrandt van Rijn’s 17th century masterpiece, The Night Watch, one of the world’s most famous paintings. Many questions about the creation of this work have been answered by extensive technical studies done in conjunction with the restoration. The popular Dutch TV program The Secret of the Master has documented the restoration of The Night Watch in four episodes, assisted in this by various external specialists. This book, by the producer of that series, reveals the many secrets of this fascinating and important work.
The jewellery department at the Musée des Arts Décoratifs in Paris comprises some 3,500 pieces and is the only national collection of its kind in France. This book presents bijouterie and joaillerie masterpieces from this high-profile collection which ranges from the Middle Ages to the contemporary period and shines a particular spotlight on the 18th century and the age of Art Nouveau.
Daytime or evening jewellery and art jewellery pieces in the form of tiaras, necklaces, bracelets, earrings, pendants, hair or tie pins, rings and stomacher brooches illustrate the boundless creativity of designers.
The greatest artists are represented: Sandoz, Vever, Falize, Boucheron, Lalique, Fouquet and Gaillard for Art Nouveau, Raymond Templier and Jean Després for Art Deco, Georges Braque, Jean Lurçat, Line Vautrin, Jean Schlumberger, Torun, Dinh Van, Jonemann and Claude Lalanne for the post-war period, and a number of contemporary designers. The collection also features pieces by the great jewellery houses: Cartier, Boucheron, Chanel, Van Cleef & Arpels and, more recently, JAR.
This richly illustrated book accompanies the display in the Galerie des Bijoux at the Musée des Arts Décoratifs, which features the collection’s highlights.
“A beautiful coffee table book you will actually read from cover to cover, over and over again.” — Homes & Gardens
“Blue Carreon’s latest book, The Gardens of the Hamptons, takes us behind the hedges into some of the East End’s most spectacular properties.” — Hamptons Cottages & Gardens
” …With richly hued photography and evocative storytelling, Carreon artfully reveals the soul of each garden, unearthing the personal philosophies of the owners behind the blooms.” — Modern Luxury
The Gardens of the Hamptons is an awe-inspiring collection of vibrant, luxurious, full-colour photography amid personal profiles of individuals who have shared the story behind their private garden with lifestyle writer and photographer Blue Carreon, who is also the author of bestseller Equestrian Life in the Hamptons.
The Hamptons is a well-known destination for sunshine, luxury, and fun, especially during the summer. This book embraces the well-established, beloved, and aesthetic qualities of the glorious Hamptons communities by showcasing over 50 wonderful examples of lush gardens, ranging from bespoke private oases to public offerings and also larger garden estates, inspired by renowned gardens overseas.
Each individual speaks of their personal interest and purpose when envisioning and designing the garden of their dreams. Blue effortlessly conveys each gardener’s sense of pride and the reasons behind the choices of landscape design and architecture, as well as colour scheme and flora selection—whether the garden be the source of an intimate escape or a space to activate family laughter and glee.
Blue captures the heart of the Hamptons by showcasing the friendly people and elegant portraits of nature at its best.
“The subtle forms and modelled curves and planes in a skeleton were to George Stubbs what a symphony is to a musician.” — Oxford Companion to Art
“The most unique thing of its kind ever compiled. This heroic effort, an epic of the eighteenth century, is as great and unselfish a work as anything could be.” — Sir Alfred Munnings
George Stubbs was one of the most original artists Britain has produced, and it is easy to forget how much his success was based on rigorous scientific observation. In 1756 he rented a farmhouse where he erected scaffolding to hold the cadavers of horses as he dissected and drew. After 18 months, Stubbs produced the drawings for The Anatomy of the Horse, which he later etched. The result was sensational. Scientists from all over Europe sent their congratulations, amazed at the perfection of the work. The Anatomy remained a textbook for artists and scientists for over a century, and its strange, spare beauty continues to fascinate.
This edition is taken from the 1853 printing, the last to use Stubbs’ original plates. The full Stubbs’ commentary is included for the veterinarially minded. Extensive texts by Constance Anne Parker and Oliver Kase place Stubbs’ work in the context of his life and times, and of 18th-century medical science.