Jewellery in Israel Multicultural Diversity 1948 to the Present
Arnoldsche Art Publishers
Territory: UK, US, Eastern Europe, France, Benelux, Japan, South Korea, Africa, South America & Ireland exclusive. South Africa, N&M East non-exclusive
Size: 290 mm x 220 mm
Illustrations: 340 colour
- A comprehensive presentation of Israeli art jewellery, its history and its development, from 1948 to the present
In Israel East meets West. Their jewellery traditions blend, resulting in creative innovations. In the 1930s, European immigrants introduced the spirit of the Bauhaus, while oriental craftsmanship was invigorated in the 1950s and 1960s by immigration from Islamic countries. State jewellery companies preserved traditional crafts, while at the same time developing a new and elegant style, designed to express the national identity of the still young state of Israel.
There are important links between native jewellery makers and European and American jewellery artists, who were guest lecturers at the Bezalel Academy of Art and Design in the 1970s and had a lasting influence on Israeli artists. The transition to art jewellery was finally completed in the 1980s, paving the way for artists who are now internationally renowned.
A further chapter is dedicated to contemporary works by some outstanding young artists. Although their works are part of the global jewellery scene, they are also dedicated to their homeland, for example through unequivocal references to local political tensions.
Artists (a selection): Bianca Eshel Gershuni, Esther Knobel, Deganit Stern Schocken, Vered Kaminski, Attai Chen.