For thousands of years, people have built so-called calendar buildings: buildings that served as sundials for measuring time or were used for astronomical calculations. The most famous examples include the Pyramids of Giza, the Megalithic Temples of Malta, the Solarium Augusti on Rome’s Campus Martius, or the ancient observatories in Korea, Baghdad, Cairo, or Samarkand. The oldest known archaeo-astronomical device dates back to around 6000 BC and was discovered only some 20 years ago at Nabta Playa in Egypt.
The German photographer Hans Pieler (1951-2012) dedicated himself comprehensively to these calendar buildings. In a wide-ranging photographic project spanning 15 years, Pieler travelled the world in the search for such sites, studied them, and recorded many of them in striking photographs. His interest was focused both on the architecture and its particular coding through the respective culture as well as on the theory of photography, the allegorical image of the time.
Due to Pieler’s premature death in 2012, the fascinating project remained unfinished and unpublished. This book now for the first time features a selection of some 100 of the best shots from the artist’s estate. Complemented by illuminating essays, they form a unique photographic study of these architectures and their meaning and purpose as a reflection of time in stone.
Text in English and German.
The 2000s proved a turning point for the skateboard and its relationship to art. Previously restricted to practical use, the skate deck left the pavement to appear on the walls of galleries and auction houses. Such was the advent of an entirely new contemporary art movement, laconically baptised Skate Art. From silk-screening to Posca markers, from repurposing and twisted shapes to upcycling broken boards, this volume provides an overview of the most significant techniques and decks of the last two decades. Artists from the realm of Street Art have long had a close relationship with Skate culture, and figures like Shepard Fairey, D*Face and ROA are among the first to have applied their art to this support. At the other end of the spectrum, Mark Gonzales, Thomas Campbell and Ed Templeton are pure products of the skater world, and it was through their collaborations with brands to produce boards that they acceded to the title of artist. In its 320 pages, this anthology presents a specialised and eclectic selection of decks made by artists from all over the world.
Text in English and French.
“Sumptuous, extra-large coffee-table book with readily understandable texts.” Bild der Wissenschaft
“This coffee-table book looks like breaking a record. Its two-page photographs demonstrate that the Large Hadron Collider is the mother of all machines. For those who could never be on site, photographer Peter Ginter provides an impressive and aesthetic look into the World Machine.” Physik Journal
“It took fifteen years to complete the 27 kilometres long ‘Large Hadron Collider’ at the European research centre CERN. For the entire fifteen years, photographer Peter Ginter accompanied and documented the construction of the LHC and created breathtaking pictures of the technology and the people dedicated to uncovering the last secrets of particle physics.” Frankfurter Allgemeine
The Large Hadron Collider is the largest particle accelerator in the world, a 27-kilometre ring of superconducting magnets in a tunnel 100 m beneath the Franco-Swiss border at the CERN research laboratory. It was built to answer the most fundamental question of our universe: where do we come from? Peter Ginter, one of the world’s leading photographers, acclaimed author Franzobel and Rolf-Dieter Heuer, Director General of CERN, tackle the subject of this largest and most complex machine ever imagined by man, the ‘World Machine’, a huge underground particle physics experiment, which will offer science insights into the beginnings of our universe. Unique and amazing photographs make the invisible visible. Peter Ginter has documented the making of the LHC over more than 15 years, not only at CERN, but also by visiting locations across the world where significant contributions have been made to the construction of the LHC. The book was published in scientific, editorial and artistic collaboration with CERN and UNESCO. Text in English, German & French.
Leonardo Da Vinci – Atlantic Codex offers an authoritative and accessible journey through the most extensive collection of Da Vinci’s surviving writings and drawings, preserved at the Veneranda Biblioteca Ambrosiana. With ultra-high-definition reproductions, this volume reveals extraordinary details from the 1,119 sheets that span topics such as engineering, anatomy, botany, military machines, and visionary inventions, providing a sweeping view of the master’s entire output.
This carefully curated selection of 100 pages highlights the modernity of Da Vinci’s ideas and his unique balance between art and science, delivering an essential work for scholars, enthusiasts, and admirers of his enduring genius.
Modernises Art History: Insights reveal the modernity of Leonardo’s ideas and the unique balance between art and science.
Condensed Overview of the Atlantic Codex: This volume summarises Da Vinci’s 1,000+ page codex into the need-to-know highlights.
Broad Appeal: The perfect gift for lovers and learners of art, history, and Renaissance and culture enthusiasts.
Privileged Access: A showcase of reproductions difficult to observe on the original sheets.
Sections Included: War Machines, Civil Machines, Architecture and Geometry, Flight and Movement.
Pretiosa Vitrea, whose title is inspired by the Latin definition of glass given by Gaius Petronius in the Satyricon written in the late first century AD, emphasises the heritage of glass manufacturing through the showcase of artefacts nowadays preserved in the state museums of Tuscany and in important private collections within the region. The quality of these 100 findings is comparable in excellence to the artefacts that can be found in the most renowned international museums. The book brings together such relevant archaeological findings of Roman glass manufacturing in Tuscany, as the glass cameo from Torrita di Siena or the chrysography of Arezzo. Alongside these exclusive glass products, a wide variety of findings will be showcased to illustrate the evolution of mass-production techniques, from the use of moulds to the discovery of the glass-blowing technique in the middle of the first century BC, which soon demonstrated clear advantages compared to the traditional ceramic production in terms of lower cost and preserving unchanged the taste of contained food and liquids.
Text in English and Italian.
Eclectic, eccentric and tirelessly innovative, art crafted from cut paper has experienced an exciting renaissance in recent years. Published to accompany a travelling exhibit organised by the Museum of Arts and Design in New York, Slash: Paper Under the Knife examines the resurgence of traditional handicraft materials and techniques in contemporary art and design. Highlighting the work of forty-five international artists, among them Olafur Eliasson, Tom Friedman, William Kentridge, and Kara Walker, the book features not only cut but also burned, torn, laser-cut, shredded and sculpted paper art. In addition, the book includes cut-paper animation, as well as cut paper incorporated in photography and fashion. Works range from small-scale intricate cuttings to large-scale architectural inventions and sculptures. With an essay by well-known decorative arts expert David Revere McFadden, this singular book reveals that, with ingenuity and craftsmanship, one of our most familiar implements can be transformed into unforgettable works of art.
The theatre is the central theme of this fourth volume in our series titled ‘Art Brut – The Collection’, published to coincide with the fourth Art Brut Biennale. After exploring architecture, vehicles, and bodies, attention turns to the theatre, a theme that is developed in its various aspects. The simplest example is the depiction of theatrical architecture, as in the work of Eugen Gabritschevsky or Victorien Sardou. Other artists create works that are intimately connected to the world of theatre, however without necessarily being a part of it. For example, for Giovanni Battista Podestà or Vahan Poladian, a public stage is a place where they put on a ‘performance’ that responds to a society that consigns them to its margins. Their intrinsically ephemeral approach uses clothing or accessories as a means of communication and to have their voices or protestations heard. Other artists conceive whole cosmogonies that take the form of a gigantic staging of a fanciful, phantasmagoric world, as in the case of Aloïse Corbaz, whose work is to be viewed as a ‘Theatre of the universe’, or in that of Marguerite Burnat-Provins, with her graphic work titled ‘Ma Ville’. The book includes over 100 illustrations, many of which are published for the first time, carefully chosen to enable the reader to explore the theme of the theatre in Outsider Art, or Art Brut. Also available in the series: Vehicles ISBN 9788874396580 Architecture ISBN 9788874397105 Body ISBN 9788874397884
Helen Williams Drutt English is an American gallerist, collector, mediator, and promoter of contemporary art jewellery. In homage to this grand dame of international studio jewellery and her 60 years of collecting, the publication presents selected works by American and German artists in a combination never before seen. Representing the diversity of American art jewellery are 140 examples from the last 70 years, from modernist minimalist or narrative works to objects with a strong sociopolitical message. The display of almost 100 works by German jewellery artists impressively documents the various developments in contemporary jewellery in both countries, as well as mutual influences and commonalities. The works testify to Helen Williams Drutt English’s great devotion to and engagement with art jewellery. Moreover, they represent her friendship with artists from both the USA and Germany and, not least, the close cultural and artistic connection between these two countries.
Text in English and German.
From the famous Lujiazui skyline to the bustling crowds, from cosy corners to vibrant streetscapes, these pages capture the Shanghai of the present. Yucheng also delves into Shanghai’s history, paying particular attention to the 1960s-1990s. Later chapters focus on Chinese culture, the contrast between megacities and remote villages, and Yucheng’s favourite animal – the horse. While this book is the perfect companion piece to Blossoms, a novel set in late-20th-century Shanghai, it will also appeal to anyone interested in Chinese culture and art.
To mark what would have been Alf Lechner’s 100th birthday, the Lechner Museum is celebrating one of Germany’s most important steel sculptors with a comprehensive centennial project comprising two exhibitions and an accompanying catalogue. The retrospective Alf Lechner 100: Materie Stahl features pieces from throughout all the phases of his creative work and traces how Lechner’s understanding of materiality changed—from the subordination of material to form, through to the recognition of steel as an independent player in the artistic process. A Matter of Perspective expands this view and positions Lechner’s work in the context of statements by international artists including Charlotte Posenenske, Robert Morris, Hanne Darboven, Richard Serra, Agnes Martin, Fred Sandback, Reiner Ruthenbeck, Nasreen Mohamedi, Franz Erhard Walther, and Riki Mijling. With images of sculptures along with academic texts, this volume opens up new perspectives on material aesthetics, ecology, and production.
Text in English and German.
The British architect Tony Fretton has long been renowned as a pioneer of London’s architectural scene, winning many commendations and prizes for his buildings. Highlights include the Lisson Gallery in London, for which he attracted initial attention in 1990, as well as the Red House in London (2001) and the Danish Fuglsang Art Museum (2008).
The three parts of this comprehensive and conclusive monograph address all aspects of his creative oeuvre: including his buildings, sketches, project ideas and his non-architectural photographic work. The reserved design of this overall presentation reflects his own rational, unembellished work, which is inspired by each respective location.
A Night Full of Stars is an award-winning novel by V.Vinicchayakul, one of Thailand’s most foremost novelists, and the author of over 100 novels, many of which have been adapted for TV and film. Set against the backdrop of the 1932 revolution, this beautiful novel deals with universal themes of love, loyalty, greed, anger, lust and jealousy which, whilst giving a unique insight into Thai way of life, will resonate with readers worldwide.
00s is the first exhibition that explores the 2000s, taking as its starting point one of the most important European collections of contemporary art – the Cranford Collection. This accompanying catalogue selects 100 works from the collection, and includes pieces by artists such as Louise Bourgeois, Cindy Sherman, Damien Hirst, Gerhard Richter, Raymond Pettibon, and Josh Smith.
With an introduction by Nicolas Bourriaud, the CEO of MO.CO, and interviews with Muriel and Freddy Salem, the Patrons of the Cranford Collection.
Text in English and French.
This sumptuous book invites you to follow the course of the Nile and Egyptian history on board a floating historical monument, the Steam Ship Sudan. At 100 years old, and made of wood and copper, it is the last steamship still cruising in Upper Egypt and the only survivor of a flotilla established by Sir Thomas Cook at the beginning of the 20th century.
Illustrious personalities from British and American high society travelled on board this prestigious ship – archaeologists, diplomats, actors… and writers, including Agatha Christie who drew inspiration from it for Death on the Nile.
The publication Ueli Zbinden Architekt is more than just a monograph of his work. It is an inventory of 30 years of teaching and building activity, reflecting the Zurich-based architect’s modern understanding of architecture, derived not from a radical break with tradition, but from a further development of historical, social and cultural continuity. His wide-ranging work reflects the fact that architecture should not only meet design requirements, but also fulfill a social mandate – from social concerns to climate issues – going beyond its purely practical value. This volume highlights that approach, covering projects ranging from the housing estate in Seon (1985–1989) to the design of the town centre for Dietikon (1992–2007).
Text in English and German.
Los Angeles has so much to offer, and this guide helps you to choose where to start when discovering this beautiful city. Where are the best farmers’ markets? Which street foods are not to be missed? What are the liveliest places to go dancing? What are some unlikely places to spot celebrities? Which art galleries are worth a visit? In The 500 Hidden Secrets of Los Angeles, Andrea Richards shares 500 must-know addresses in one of the coolest cities in the United States. It is an affectionate guide to the City of Angels that avoids the touristy places and points out the urban details you are likely to miss. From the best outdoor concert venues to the most beautiful country escapes, this guide is the perfect companion visitors who want to make the most of their stay and residents who want to get to know their city even better.
Also available: The 500 Hidden Secrets of Miami, The 500 Hidden Secrets of New York, The 500 Hidden Secrets of Toronto, The 500 Hidden Secrets of Vancouver and many more. Discover the series: the500hiddensecrets.com
Conradin Clavuot’s work is based on his dedication to his own roots, his discussions during his training in the field of Analogue Architecture, and the values he learned to implement while working for the architect Peter Zumthor. With his minimalist approach and integration of natural elements, Conradin Clavuot has played a key role in shaping the modern architectural landscape in the last 30 years. The works of the Chur-based architect are characterised by clear lines and a harmony with the landscape, while also combining conception, functionality, regionalist cultural interests and constructive sophistication. In recognition of his overall work, this publication compiles his most formative buildings in hand-stitched volumes and a striking slipcase. The publication presents projects including the school facility in Laax (2023), the emergency unit of the Waldhaus Psychiatric Clinic in Chur (2022), the Carboni-Brot single-family home in Rhäzüns (2014), the Kuoni house in San Nazzaro (2012), the railway station in Chur (2006), the school with a multipurpose hall in St. Peter (1998) and the Vorderprättigau Substation in Seewis (1995).
Text in English and German.
Always New: The Posters of Jules Chéret highlights the role that French artist Jules Chéret (1836–1932) played in transforming the illustrated poster into a form of ephemeral art that embraced the public’s interest in novelty and rapid change during the 19th century. Recognised as the father of the poster, Chéret was one of the first artists to bring colourful, large-scale advertisements to the streets of Paris. People strolling down the boulevards were captivated not only by Chéret’s vibrant images, but also by how frequently new designs appeared. Chéret’s printmaking innovations allowed him to produce astonishing numbers of posters rapidly and inexpensively enough to publicise the latest pleasures the city had to offer. Drawing from the largest collection of Chéret posters in the United States, the book features over 100 works that span the artist’s career and includes both his most celebrated and lesser-known images. Always New brings Chéret into focus as a master of his medium, an artist who celebrated the ephemeral nature of posters and shaped the way they were created and experienced.
In the last twenty-five years contemporary art in Scotland has grown from a tiny and tightly knit scene to a globally recognised centre of artistic innovation and experiment. Generation Reader provides the first collection of key documents from the period including essays, interviews, critical writing and artists’ own texts. This publication will fill a significant gap in the scholarship of the period and provide a resource for the future, an illustrated guide to the ideas, events and debates that shaped a generation. The selected archive texts from the period will sit alongside some newly-commissioned writing which includes essays by the novelist Louise Welch and by Nicola White, Dr Sarah Lowndes, Francis McKee, Professor Andrew Patrizio and Julianna Engberg. GENERATION is a landmark series of exhibitions tracing the remarkable development of contemporary art in Scotland over the last twenty-five years. It is an ambitious and extensive programme of works of art by more than 100 artists at over 60 galleries, exhibition spaces and venues the length and breadth of Scotland between March and November 2014.
The Brothers Grimm collected some of Europe’s most popular folk tales, immortalising stories whose origin goes way back in time. This book, with beautiful watercolours by the imaginative illustrator Francesca Rossi, gathers ten of their most famous and magical works. Children will love meeting such favourite characters as Cinderella, the Brementown musicians, Hansel and Gretel, Rapunzel, and Snow White. Ages: 6 plus.
“The book “Rihanna and the Clothes She Wears” satisfies the cravings of fans and fashion enthusiasts alike, boasting over 100 images of Rihanna and her favorite designers who have influenced her taste.” — HOLA! Magazine
“I grew up on a really small Island, and I didn’t have a lot of access to fashion, but as far as I could remember, fashion has always been my defence mechanism. Even as a child I remember thinking, she can beat me, but she cannot beat my outfit.” – Rihanna, accepting the CFDA Fashion Icon of the Year Award in 2014.
From the author of the runaway bestseller Harry Styles and the Clothes He Wears comes a new, fresh look at style icon Rihanna.
Rihanna has learnt how to define her own terms whatever she does – whether in the worlds of fashion, music, beauty, philanthropy, business, or activism, she is both muse and creative, a collaborator and pioneer. To date she has 135 million Instagram followers and counting. In 2022 at the age of 34, largely because of her Fenty Beauty empire, she became Forbes’ youngest self-made billionaire.
But it is her personal wardrobe and the way she wears it that embodies Rihanna’s charisma, integrity, and humour most: everything she does reflects what she wears herself. She is a risk-taker, but as she said on the red-carpet in 2014 “you will never be stylish if you don’t take risks.” The gamble has paid off. Rihanna’s mix-and-match method of wearing high fashion and streetwear, young designers and vintage, hip-hop classics, and avant-garde custom-made pieces, has meant that she has equal footing in both the music and fashion industries. Chairman and CEO of the LVMH group, Sidney Toledano says she is: “a style icon for today’s generation”.
The breadth of Rihanna’s fashion knowledge and style is astounding. In Rihanna and the Clothes She Wears, Terry Newman steps into the world of this fashion icon by examining her style. From couture catwalks to her own empire Fenty, political statements to high street casual, this chic book fizzles with facts about Rihanna’s styling choices, presenting the star’s most revered looks. With quotes from key designers, this is the perfect gift for any fan.
For its 34th Curve commission (2021), the Barbican presents the first major London solo exhibition by Mumbai-based artist Shilpa Gupta, whose celebrated practice explores physical and ideological boundaries and how, as individuals, we come to feel a sense of isolation or belonging.
Gupta presents and builds on her acclaimed project For, In Your Tongue, I Cannot Fit (2017–18), an experiential sound installation of 100 microphones suspended above 100 metal spikes, each piercing a page inscribed with a fragmented verse of poetry by a writer who has been imprisoned for their work, writings or beliefs. Spanning the eighth to the 21st centuries, the soundscape alternates between languages, each microphone uttering verses of poetry, echoed by its 99 counterparts. Giving a voice to those who have been silenced, Gupta’s haunting installation highlights the fragility of personal expression while raising urgent questions of censorship and resistance. Gupta also presents new drawings and sculptures that reflect on issues of confinement and the right to free expression. The book includes a loose-insert postcard featuring a poem in Urdu and English by the revolutionary Pakistani poet Faiz Ahmad Faiz.
The formal and content-related concept of this publication is based on a series of lectures by Armon Semadeni, covering a number of years. The book sheds light on and documents 14 selected buildings, studies and competitions that have been designed, planned and implemented by the architectural practice since its foundation in 2009. Going beyond classic project presentation, the volume offers a thematically focused investigation of contemporary urban-planning and architectural aspects, with the aim of guiding readers beyond the concrete projects to a critical engagement with society and its constructed environment.
The renowned book designers Valeria Bonin and Diego Bontognali were responsible for the volume’s high-quality design and graphic implementation. Roman Keller has photographically documented all the buildings, from their conception to their presentation to the clients; Alexandre Jaquemet and Anja Schori use their unconventional photographic perspectives to highlight specific urban, landscape and architectural moments.
For 65 years now, Cartoonfestival Knokke-Heist in Belgium, the oldest in its kind in the world, has been calling on the international cartoon community to submit their best work for the international cartoon contest Golden Hat. Successfully so, because each year the call results in a wealth of cartoons. Some are hilariously funny, others cleverly sharp. Cartoons 2025/2026 collects the hundred best cartoons of the past contest in one book. It is the accompaniment to the yearly Cartoonfestival during the months of July and August, in Knokke-Heist in Belgium. Cartoons 2025/2026 is a sought-after book for avid cartoon fans and the mix of styles and themes will appeal to anyone with a love of the genre. This year, the cartoon book was given a new look, so that it can face the future all refreshed.
Text in English and Dutch.