In mythology, art history and religious iconography, the apple has been imbued with every imaginable human desire. It has been a symbol of love and beauty, of temptation, of immortality, peace, death and poison, of sin and redemption. From Adam and Eve to the trials of Heracles, to the art of Cézanne and Magritte, to Newton’s theory of gravity, the death of Alan Turing and the growth of Steve Jobs, the apple resonates throughout western culture. It is Snow White, William Tell, it is The Beatles and the Viking gods, it is even the American frontier.
Now, Barnaby Barford offers a celebration of this fruit, exploring its impact on the history of humankind. Apples have become a recent feature of Barford’s eye-catching installations, whether ripe and healthy or in a state of decay. The Apple is Everything guides the reader through Barford’s work and ideology.
This monograph showcases the trajectory of an empire built by the sheer dint of its driving success. Archgroup has gained international recognition as a comprehensive service provider in the architectural segment, with special focus being on its prolific and vital role dominating the skyline of the UAE’s world-class destination, Dubai. The firm’s work has now become synonymous with epithets such as ‘tallest’, ‘highest’ and ‘longest’ across the Gulf region.
Inside, the richly illustrated pages chronicle close to 100 projects by Archgroup, both built and in progress. Each work provides insight into the values, design-thinking and process-orientated approach that is the firm’s signature, making this volume a valuable resource that goes beyond the study of the built form to talk about the firm’s inimitable ethos that guides its design candour.
Mark Fisher was the creator and designer of a new art form: the travelling rock show. His exuberant stage sets framed artists from The Rolling Stones, Pink Floyd, U2, Madonna, Lady Gaga and Jean-Michel Jarre to Elton John and Tina Turner. There were thousands of concerts and hundreds of bravura settings, from the 2000 London Millennium show to the 2008 Beijing Olympic Games, as well as permanent structures, such as the 2,000-seater theatre and stage machinery for KÀ by Cirque du Soleil, in Las Vegas, and the Dai Show Theatre, in China. Each of these projects first found expression in Fisher’s sketchbooks and on his drawing board. This book spans his entire career, with details of every major project and more than 100 drawings – some of which are virtually performances in their own right.
“In 1977, I went on the road with the Floyd, and that was really the moment I ran away and joined the circus.” – Mark Fisher
If Sir Elton John wrote the Foreword and director John Waters wrote the Afterword, then we’re surely dealing with a major talent. In this 400-page retrospective, award-winning photographer Greg Gorman presents the finest shots of his half-century in Hollywood. Throughout his star-studded portfolio entitled, It’s Not About Me, you’ll find the likes of Leonardo DiCaprio and Johnny Depp at the beginning of their careers, as well as the iconic posters Gorman created for films such as Scarface and Tootsie, record covers for David Bowie, and magazine covers for Andy Warhol.
The war in Ukraine has brought about a newfound curiosity and interest in a country that is often misunderstood. Beloved Ukraine offers a glimpse into this country before the recent conflict, as captured through the lens of National Geographic Society photographer, Paul Chesley, over the course of several years. Beloved Ukraine is a tribute to this enigmatic country and its people.
In recent years, China has issued several basin-scale plans to deal with pressing resources, environmental, and social problems caused by regional urbanisation. These plans help push ahead flood control and disaster reduction, the allocation, utilisation, and conservation of water resources, water ecological environment protection, and integrated basin management. The development of Yangtze River Delta, the Yangtze Economic Belt, the Yellow River Basin, Beijing–Tianjin–Hebei Region, Guangdong–Hong Kong–Macao Greater Bay Area, etc., has now become new national agendas, which are guaranteed by top-down policies and offer opportunities for regional growth. Several new laws and regulations coming into effect as of 2021 also reinforce the collaborative basin management that drives regional social and economic development.
Meanwhile, territorial spatial planning systems established under the requirement of Multiple-Plan Integration also underscore basin development strategies in spatial management and ecological restoration. This issue, mainly focusing on the regional planning research based on water and land resources through revealing their ecological characteristics, is expected to include contribution to the following aspects (but is not limited to):
1) Research on regional ecology, land use, and ecosystem service at the basin scale
2) Research on theories, approaches, and practices relevant to basin spatial planning and ecological restoration
3) Research on spatial strategies and economic zoning to propel basin-scale social and economic development
4) Research on basin-scale collaborative planning and sustainable development of water resources and environmental protection
5) Integrated basin management planning geared to guaranteeing basins’ ecosystem services
6) ecological river-corridor conservation and restoration at the basin scale
In all these topics, researchers and planners are called to act as leaders in interdisciplinary collaboration within the fields of biology, geography, geology, and the climate sciences to solve ecological and environmental problems by treating the water network of a basin, as a whole. In this issue, LA Frontiers also attempts to learn from cutting-edge exemplars worldwide in basin management, especially in ecosystem conservation and restoration, to provide reference for Chinese researchers and practitioners.
This book elaborates on the thinking and designing methods of infographic design in media. With more than 100 creative infographic projects, this title provides an updated perspective of the media landscape that examines contemporary visualisation techniques in design. In each case there’s an informative theoretical introduction, where the authors adopt succinct summaries of the works based on sound expertise, so that the readers can quickly catch the main ideas of each profile, appreciate the author’s creativity, and can apply these concepts to drive their own inspirations.
The Never-Taken Images documents a unique long-term project that Swiss photographers Françoise and Daniel Cartier have been pursuing since 1998. They have put together a vast collection of unfixed photographic papers, glass negatives, and films, mostly dating from 1880 to 1990. Samples of these are mounted and displayed, and, exposed to light over the course of several exhibitions, evolve towards colour saturation. Instead of looking at still images, the Cartiers’ installations, titled Wait and See, allow the viewers to perceive a kind of reality for themselves.
The book features on around 100 pages the entire test catalogue that the Cartiers have put together to date, showing some 900 different papers and photosensitive supports. These facsimiles offer an almost real impression of their formats, colours, and materiality. Essays by Kathrin Schönegg, photo historian and curator, Thilo Koenig, scholar of art history and critic, and Christophe Brandt, former director of the Institute for the Conservation of Photographs at the University of Neuchâtel, supplement the images and place the Wait and See project in the art historical and technological context of abstract media art.
The Never-Taken Images also celebrates the industrially manufactured photo-sensitive support, representing the long central pre-digital period in the history of photography.
Text in English, French and German.
Chairman is the first comprehensive book dedicated to artist and designer Yinka Ilori, tracing his celebrated chairs and the vibrant design language shaped by his British-Nigerian heritage. Bringing together over a decade of work, the book explores how Ilori transforms discarded and overlooked furniture into powerful vessels of memory, migration and joy. Rooted in the storytelling traditions of his Nigerian upbringing and shaped by the visual landscape of London, Ilori’s chairs operate at the intersection of art, design and social commentary. Each piece carries a narrative, often inspired by parables shared in his childhood, re-imagined through bold colour, pattern and craft. Through newly commissioned photography, archival material and in-depth studio insights, Chairman reveals the processes behind Ilori’s distinctive aesthetic, from material sourcing and restoration to surface intervention and conceptual development. Essays situate his practice within wider conversations on diasporic identity, sustainability, and contemporary design culture, positioning the chair as both a functional object and a cultural archive. Visually rich and critically engaged, Chairman is both a collector’s object and a significant contribution to twenty-first-century design discourse, offering the first sustained study of an artist whose work reshapes how we understand furniture, authorship and belonging.
Indonesia fosters many noteworthy architects who have amassed a remarkable collection of works. Tropical Houses showcases a compilation of house designs by an outstanding group of Indonesian architects. Highly illustrated and providing a wide scope in terms of design integrity, architectural sophistication and style, this book follows closely in the wake of its incredibly successful first volume, published in 2013, disclosing each architect’s distinctive approach to the contemporary residential design realm. Featuring a wide range of design philosophies, projects are presented with full-colour photographs, visualising the detailed environment of every project and fully immersing the reader into every part of the house. Complete with detailed plans, sections, and elevation drawings, this book is an inspiring source for people in the architecture and design domains.
Valode & Pistre seem atypical in the world of contemporary architecture. Their bright, cheerful offices on the Rue du Bac in the heart of Paris reflect this nature. It seems quite natural that artists who work with light such as Yann Kersalé and the late François Morellet have been pleased to create installations specifically for these offices because, from their first iconic completed work, the renovation of the CAPC Bordeaux Contemporary Art Museum, the pair have been actively interested in the connections between art and architecture.
Denis Valode says, “We are convinced that the role of the architect is to do more with less and not the contrary. The economy of means—the correct choice of means—is essential. Our goal is to create the best possible result with a certain frugality of means.” Once again, this interest in obtaining the maximum result with a minimum of means leads the architects to note that their approach is particularly well suited to current ecological concerns. Denis Valode and Jean Pistre’s sense of efficiency has proven to be far more durable and better adapted to the demands of contemporary architecture than the many flamboyant styles that have come and gone since they started working together. Their words are in perfect harmony with their ideas—they avoid excessive rhetoric but when they talk about buildings they do so with passion and with clear ideas and methods, often involving their aesthetic sense developed through the world of art.
Denis Valode and Jean Pistre oversee one of the most successful architectural offices in France, working on prestigious towers, hospitals, and research facilities, but also on shopping centers and sports venues. Nor are their projects limited to France—they have worked in China, Russia, and numerous other countries. The pair first worked together in 1978 and created Valode & Pistre in 1980. Today the office employs 200 people and provides interior, architectural, and urban design as well as engineering services. These projects highlight the success of the office in breaking through the barriers that usually separate architects who work on privately funded projects and public ones in France.
“Stunning images in fine art photobook capture the ‘strength and dignity’ of America’s cowboys and their breathtaking Wild West home.” – Daily Mail
“Titled American Cowboys, the book captures the pioneering spirit of modern cowboys and cowgirls, turning the camera on high-stakes rodeos, hard-working ranchers and horseback rides across stunning desert landscapes.” – Daily Mail
The ranching communities in the heartland of the great American West may be a long way from New York City, but renowned photographer Anouk Masson Krantz has been drawn back time and time again to explore this largely unfamiliar and overlooked part of the world. In West: The American Cowboy, Anouk revisits this enduring iconic symbol of America’s pioneering spirit. Set out in a stunning large-format book, the pages within inspire with a fresh and contemporary perspective of the American West. Along with the cowboy’s ranching traditions comes a life built around the core values and faith that are central to their integrity. Long admired for their strength, relentless work ethic, and humble values, the forgotten American cowboy is alive and well, and has never stood in such stark contrast to the rapidly changing nation that surrounds them.
Earning wide acclaim for her incredible fine art work exhibited in galleries and published in the bestselling Wild Horses of Cumberland Island (2017), also by IMAGES, West: The American Cowboy is another artful, intimate study of the American character and their sense of place, and is a unique collection of works brought together by this award-winning photographer and storyteller. Also available by Anouk Krantz: Wild Horses of Cumberland Island ISBN 9781864708851
All the pomp and circumstance of over 100 years of royal events come together in this colourful and evocative Royal Scrapbook, which celebrates the coronations, weddings and jubilees over five reigns, beginning with Queen Victoria’s Diamond jubilee and ending with a celebration of Her Majesty Queen Elizabeth II’s Golden Jubilee. Here are all the souvenirs, from badges and bunting to pencils and money boxes, which have captured the flavour of each memorable moment: souvenirs that have been treasured and handed down from one generation to the next. Included are not only the more enduring items: the commemorative flags, mugs, jigsaws and chocolate tins but also the ephemera, whether milk bottle tops, sweet wrappers or paper hats. Now for the first time, this Royal Scrapbook brings together over 1,000 images magnificently illustrating royal festive occasions, for us to relive either with wonder or nostalgia. Once again material from the Robert Opie collection illuminates the past in a remarkable way.
Do fashion and art go together? Fashion and art are both physical and psychological instruments that define our identity in this world. They bring moments of enchantment and passion. Discover the romantic clash between art and fashion in the form of a love story between two young people and get to know the true nature of two worlds that seem completely different from each other. This book is a mix of fiction and non-fiction. The love story between an artist and a fashionista teaches us that both fashion and art can be an élan vital for men and women. Do you remember your first encounter with art and fashion? Was it collecting art or consuming fashion? Fashion is action. Art is a reflection of this action. The authors of this book bring together experts from both disciplines, including 20 top designers and artists.
They changed the world – and yet their names remain unknown. Forgotten Heroines tells the inspiring stories of extraordinary women who made groundbreaking contributions to politics, science, and the arts, but who have been all but erased from public memory. Did you know that modern Bluetooth technology was invented by the most beautiful actress in film history? That the world’s first parliamentary president was a woman? Or that the iconic “I love NY” slogan was created by one of the earliest female pioneers in advertising? Unjustly overlooked by male-dominated historiography, these pioneering inventors, brilliant artists, and courageous activists finally receive the recognition they deserve. With engaging portraits, fascinating facts, and powerful imagery – complemented by reflections from today’s experts – this book shines a spotlight on the women who helped shape our world.
After studying art for many years under highly respected teachers, Asta Nørregaard (1853–1933) became an established artist. She exhibited at the Paris Salon and carried out numerous portrait commissions for prominent figures from the upper class of Norwegian society, and from the fields of science and culture. She also ran her own painting school and established endowments for female artists and musicians. Even though Nørregaard is primarily known for her portraits, she also painted landscapes, interiors, and religious scenes. For many years, Nørregaard was overshadowed by more famous contemporaries, but recently she has gained recognition as a substantial force in Norwegian art history.
This book brings together the breadth of Nørregaard’s artistic practice. It presents portraits of leading cultural and scientific figures of her time, studies of dress and fashion, and a museum-based detective story in which the question of who is portrayed takes centre stage. Taken together, the texts offer an understanding of Nørregaard, not only as a portrait painter, but as an active participant in the art world and as an artist who challenged the boundaries of what women could be in her time
Loving: A Photographic History of Men in Love, 1850-1950 portrays the history of romantic love between men in hundreds of moving and tender vernacular photographs taken between the years 1850 and 1950. This visual narrative of astonishing sensitivity brings to light an until-now-unpublished collection of hundreds of snapshots, portraits, and group photos taken in the most varied of contexts, both private and public.
Taken when male partnerships were often illegal, the photos here were found at flea markets, in shoe boxes, family archives, old suitcases, and later online and at auctions. The collection now includes photos from all over the world: Australia, Bulgaria, Canada, Croatia, France, Germany, Japan, Greece, Latvia, the United States, the United Kingdom, Russia, and Serbia. The subjects were identified as couples by that unmistakable look in the eyes of two people in love – impossible to manufacture or hide. They were also recognised by body language – evidence as subtle as one hand barely grazing another – and by inscriptions, often coded.
Included here are ambrotypes, daguerreotypes, glass negatives, tin types, cabinet cards, photo postcards, photo strips, photomatics, and snapshots – over 100 years of social history and the development of photography.
Loving will be produced to the highest standards in illustrated book publishing, The photographs – many fragile from age or handling – have been digitised using a technology derived from that used on surveillance satellites and available in only five places around the world. Paper and other materials are among the best available. And Loving will be manufactured at one of the world’s elite printers. Loving, the book, will be up to the measure of its message in every way.
In these delight-filled pages, couples in love tell their own story for the first time at a time when joy and hope – indeed human connectivity – are crucial lifelines to our better selves. Universal in reach and overwhelming in impact, Loving speaks to our spirit and resilience, our capacity for bliss, and our longing for the shared truths of love.
An illustrated exploration of the fundamental connections between art and science, from an author who has lived in both worlds.
In this thought-provoking book, Philip F. Palmedo, a former physicist who now writes on art, reveals how the two defining enterprises of humankind – art and science – are rooted in certain common instincts, which we might call aesthetic: an appreciation of symmetry, balance, and rhythm; the drive to simplify and abstract natural forms, and to represent them symbolically.
Palmedo traces these instincts back to a very early time in human history – demonstrating, for example, the level of abstract thinking required to create the stone tools and cave paintings of the Paleolithic – and then forward, to the builders of the Gothic cathedrals, to Leonardo da Vinci and Isaac Newton, to Einstein and Picasso.
Illustrated with more than 125 creations of the genus Homo – from a flint hand axe chipped half a million years ago to the abstractions of Hilma af Klint and the James Webb Space Telescope – Palmedo’s text leaves us with a new appreciation of the instinct for beauty shared by artists and scientists alike.
An attractive new hardcover edition of the classic biography of Tamara de Lempicka, whose paintings defined Art Deco and whose life epitomised the Jazz Age.
As F. Scott Fitzgerald portrayed the mad glories of the 1920s on the printed page, Tamara de Lempicka (1898-1980) captured them on canvas. A seductive Garbo-esque beauty with an irresistible force of personality, this refugee of the Russian Revolution successively conquered Paris, Hollywood, and New York with coruscating portraits of the world’s rich and famous. Her Art Deco paintings earned for her a life more fabulously excessive than anything Fitzgerald dreamed of.
Passion by Design, authored by Tamara de Lempicka’s own daughter, is an intimate look at a fascinating personality, and remains the best account of her life and work. This new edition is illustrated with vibrant colour reproductions of her finest paintings, as well as exclusive photographs from family albums. An additional chapter by Victoria de Lempicka, the artist’s granddaughter, explores the ever-evolving legacy of Tamara de Lempicka, from the record eight-figure price fetched by her painting La Tunique Rose in November 2019 to the new musical based on her life.
You can’t sit still. You don’t like unannounced visitors. You always triple-check if the lights are out. But you also see details that no-one else notices. You’re always coming up with surprising solutions. You can focus intensely for hours at a stretch. Usually without realising it, many people lie somewhere on the spectrum of a neurodivergent condition. We often tend to focus on the many downsides of neurodivergent conditions such as AD(H)D, ASD, dyslexia and OCD. This book takes a different approach by looking in depth at the special talents that go hand in hand with these conditions. Whether you already have a diagnosis or simply feel you’re somewhere on the neuroatypical spectrum, one thing is certain: once you’ve identified your unique talents, you’ll be able to make more focused choices in your life and work. You’ll discover which jobs best showcase your talents, which colleagues complement your personality, and which environments and corporate cultures are right for you.