This volume is dedicated to the phenomenon of staged photography, the trend that has revolutionised the photographic language since the 1980s.

Through over 100 works, the catalogue tells how photography was able to reach the heights of fantasy and invention between the end of the 20th and the beginning of the 21st-century, previously almost exclusively entrusted to cinema and painting.

Goldfish invading bedrooms, icefalls in the desert, imaginary cities, Marilyn Monroe and Lady D shopping together: all of this can happen thanks to veritable stages set up in order to build a parallel reality, or thanks to new technologies and, in particular, through the increasingly sophisticated use of Photoshop, released in 1990.

Photography, the realm of documentation and (presumed) objectivity becomes the realm of fantasy, invention and subjectivity, completing the last decisive evolution of its history.

Works by: Jeff Wall, Cindy Sherman, James Casebere, Sandy Skoglund, Yasumasa Morimura, Laurie Simmons, David Lachapelle, Bernard Faucon, Eileen Cowin, Bruce Charlesworth, David Levinthal, Paolo Ventura, Lori Nix, Miwa Yanagi, Alison Jackson, Julia Fullerton Batten, Jung Yeondoo, Jiang Pengyi.

Text in English and Italian.

The ‘golden age’ of advertising is usually seen to be the last decades of the 20th century, centred on Fitzrovia, vast in quantity, swamping the plethora of magazines and newspapers appearing (and disappearing) at that time, and making optimal use of the novelty of commercial television. But the true ‘golden age’ of British advertising was in the decades immediately after the First World War, when zealous entrepreneurs banded together in local clubs and in national bodies to take the activity from the back room of jobbing printers or from being sketched on the back of envelopes on ego-driven managers’ desks to becoming a valid profession.

It was in the inter-war years that Titans in the field, such as William Crawford and Charles Higham, not only built their own empires and taught the government how to publicise itself, but even morphed the concept of advertising and publicity from something rather shady and disreputable to having a moral status of being a crucial arm of the nation’s economy and an educator of the masses. This book tells the story of some of these early agencies and the contribution they made.

‘Portraiture shows us what it is to be human’. The Scottish Portrait Awards are a celebration of Scottish creativity and talent, spotlighting the many talented contemporary portrait artists in Scotland today. This is the first edition of the awards to be jointly organised by the Scottish Arts Trust and the National Galleries of Scotland, marking an exciting new era for the competition. The book beautifully reproduces all 127 artworks shortlisted from almost 1,500 entries across Fine Art and Photography. Each work is accompanied by a text in the artist’s own words to offer insight into the story behind the portrait. Artists from all corners of Scotland and beyond share how they see themselves, family, friends and strangers. They capture moments of joy and challenges at work, at rest and at play. From newborn babies to centenarians, this collection vibrantly conveys every stage of human life. 

Led by partners Laura Bouwman and Andrew Zago, Bouwman Zago brings open-ended, creative inquiry to disciplinary concerns in architecture. Noted for its prescient articulation of emerging sensibilities, the practice weds quasi-autonomous aesthetic studies to the art of making buildings and cities. In doing so, Bouwman Zago reaffirms the substantial and productive link amongst art, architecture and urbanism. The firm has completed projects in the United States, Mexico, Iran, and Korea including the Museum of Contemporary Art Detroit, Arup Downtown Los Angeles, the Fine Venture office tower in Seoul, Cornell Synthesis Studio for Cornell University’s Sibley School of Mechanical and Aerospace Engineering, and the Casa Autoproyectar in Nanacamilpa, Mexico. Current projects include “Blossom,” a multi-paneled digital billboard on the Sunset Strip in West Hollywood, California.
This volume features detailed presentations of Bouwman Zago’s designs for the University of Illinois Chicago’s Visual and Performing Arts Center; “A New Federal Project for Detroit,” commissioned for the US Pavilion at the 2015 Venice Architecture Biennale; Michigan; and “Property with Properties,” the firm’s contribution to the exhibition, Foreclosed: Rehousing the American Dream, at the Museum of Modern Art in New York. Alongside, Bouwman and Zago present the theoretical underpinnings of their approach to architectural form, urban space, colour, and other topics. Critical essays by Jeffrey Kipnis, Anna Niemark, and R.E. Somol further elucidate the significance of the firm’s work and speculate on its disciplinary stakes and implications.
Source Books in Architecture is a product of the Herbert Baumer seminars, a series of interactions between students and seminal practitioners at the Knowlton School of Architecture at The Ohio State University. Following a significant amount of research, students lead discussions that encourage the architects to reveal their architectural motivations and techniques.

Over centuries, the transnational Alpine region Tyrol – South Tyrol – Trentino (Alto Adige) has developed along ancient trade routes between Germany and Austria on one side of the Alps and northern Italy on the other. Similar to the region’s modern and contemporary architecture, its product design is in many cases rooted in a rich local tradition of craftsmanship. Yet since the 1920s, this multi-lingual region has also proven its remarkable openness to European modernism’s most progressive movements and become an unexpected laboratory for technical and formal exploration in the middle of the continent. Design from the Alps, published to coincide with an exhibition at museum Kunst Meran in autumn 2019, tells the story of a century of product design from Tyrol – South Tyrol – Trentino, highlighting the vast variety of discoveries and innovations that have emerged there. Featured artists include, among others, Fortunato Depero (1892-1960), whose experiments were inspired by the Secondo Futurismo, Gino Pollini (1903-91), a pioneer of the interwar period, as well as the celebrated architects and designers Lois Welzenbacher (1889-1955), Clemens Holzmeister (1886-1983), and Ettore Sottsas (1917-2007). Lavishly illustrated, the book follows the many protagonists of this at the same time heterogenous and collectively strong scene and offers an insightful tour d’horizon of the multifaceted design culture of western Austria and northern Italy. Design from the Alps (Kunst Meran, Merano, Italy, 11 October 2019 to 12 January 2020).

Text in English, German and Italian.

Dreamscapes is a long-term artistic project of Swiss photographer Dominic Büttner, in which he is recording actual performances at night, both in natural and built environments. Bearing a torch, he slowly walks away from his large format view camera. Time exposure captures the scenery illuminated by the moving light, and sometimes his footprints, while the artist’s figure is eradicated again from the image. At the same time familiar and strange, the fascinating pictures of enchanted or haunted landscapes tell us what an eerie place our everyday surroundings can be, depending on the light in which we see it. This first monographic book on Dominic Büttner’s art features some one-hundred of his Dreamscapes alongside essays by literary scholar and critic Elisabeth Bronfen and by publicist and art critic Nadine Olonetzky. Text in English and German.

Over the years, Swiss photographer Tomas Wüthrich has visited Borneo many times to document the daily life of the Penan, a partially nomadic indigenous people living in the rainforest of Borneo. The way of life that these hunter-gatherers lead in the Sarawak state of Malaysia is critically threatened by illegal logging and oil palm plantations.

The Penan people came to the world’s attention thanks to Swiss-born environmental activist Bruno Manser, who disappeared in the jungle without trace in the year 2000 while campaigning for the Penan cause.

In this book, Wüthrich paints a nuanced portrait of this unique culture. A selection of Penan myths, collected by Ian Mackenzie are published for the first time alongside Wüthirch’s photographs. An essay on Bruno Manser and his mission for the Penans’ case completes the book.

Text in English, German and Penan.

Home for Christmas – Around the World takes readers on a festive journey around the globe and transforms every home into a true winter wonderland. In this enchanting follow-up to Home for Christmas, published in 2024, Christmas interiors from different cultures are presented with great attention to detail – from the charming country houses of Great Britain and Scandinavian cosiness, to the sunny beaches of Australia and the picturesque villages of snowy Switzerland.

In addition to impressive photo series, readers can expect ingenious mood boards on various Christmas themes, such as tree decorations, lighting and table decorations. These creative ideas help to create the perfect Christmas atmosphere and make the festive season shine in all its splendour. 

Aerial photography had a special place in the business of the legendary former Swiss airline Swissair. Walter Mittelholzer (1894-1937), aviation pioneer and one of Swissair’s founders, trained as a photographer before turning to aviation. The airline had a specialised subsidiary, Swissair Photo AG, producing well over 100,000 pictures between 1931-2001, when Swissair ceased operations, and still exists as an independent enterprise, BSF Swissphoto. The photographs show landscapes, towns and villages, and mountains, but also industrial plants, infrastructures, and individual buildings in Switzerland and abroad. Swissair – Aerial Photography features around 300 striking, beautiful and informative images, revealing changes in landscape and settlements over nearly a century. It is also an inventory of lost elements making a landscape, untamed rivers, orchards, receding glaciers or vanished historical buildings that shows how an idyllic agricultural country turned into one of the most densely inhabited places over a few decades. With an introductory essay that explores the content of the collection now held at ETH Bibliothek and what can be read from these images today, Swissair – Aerial Photography provides an illuminating look at the history of aerial photography in Switzerland. Text in English and German.

Le Corbusier (1887-1965) is one the most influential architects of the 20th century. In the Scandinavian countries, his influence is arguably most pronounced in the writings and art of the Danish experimentalist Asger Jorn (1914-1973). Their collaboration on Le Corbusier’s pavilion for the 1937 Paris World Exhibition sparked Jorn’s lifelong fascination with the great architect and with architecture more broadly as an inherently public form of art. At the same time, Le Corbusier began revealing his work in visual art and started to move from a rational, technological approach towards a more poetic, materialist approach to architecture. Published in collaboration with the Museum Jorn, Silkeborg, What Moves Us? focuses specifically on the reception of Le Corbusier in Scandinavia, with the relationship between Jorn and Le Corbusier as a thematic thread. The book first highlights the architect’s change of direction and subsequently takes readers through his influence on the young artist. The book’s distinguished contributors explore the relationships that emerged among their artistic theories and practices, including Jorn’s later critique of Le Corbusier. Essays also explore the wider influence of Le Corbusier on Scandinavian architecture and urbanisation and consider Le Corbusier alongside the Danish architect Jørn Oberg Utzon and the Aarhus Brutalism movement.

Roger Eberhard, Swiss-born and American-educated photographer, conceives his works as series, taking-up impulses and inspirations for new projects from any possible source, such as a story he learns about or media reports catching his attention. He is particularly fascinated by people in the landscape, or rather the absence of mankind from a place leaving it again to nature and weather. But he has also done series of portraits of people in their given environment. Some series he has created in collaboration with other artists. In late 2008 Eberhard set out for a campaign searching for the visually lyrical backstage of the United States. His road-trip stared in Reno, Nevada, and led him through the states of Montana, North and South Dakota, Nebraska and Wyoming to Denver, Colorado. From there he continued his journey to Kansas, Oklahoma, Texas, New Mexico, and finally across Arizona back to Nevada. The resulting series Wilted Country is published for the first time in this book. The resulting, highly atmospheric photographs show the enduring impact humans have on their landscape and simultaneously offer an evocative tour through the past and present of the American West. The images are accompanied by essays by Anthony Bannon, director of George Eastman House International Museum of Photography and Film in Rochester, NY, and by the young German novelist Benedict Wells. Text in English & German.

Georg Baselitz’s collected writings brings together more than 30 texts by, and interviews with, the artist – spanning the period 1961 to the present – including conversations with Michael Auping, Henry Geldzahler and Donald Kuspit. Known for his rebellious approach to Abstract Expressionism, Baselitz here discusses the impression his paintings convey, the act of painting, his biography and much more. The texts shift between these personal pieces – some of which have never before been published in English – to interviews conducted by a variety of respected critics and art historians. These conversations present a different voice as Baselitz responds to careful and critical questions about his work.

Giovanni Bellini, ‘one of the great Italian poets’ in the words of Roberto Longhi, and Andrea Mantegna, he who ‘sculpted [the image] alive and real in his painting’ in the sonnet by Ulisse degli Aleotti, were two giants in the history of Western art – extremely distant in character, certainly, yet connected by deep family ties. Nicolosia – Jacopo Bellini’s daughter and thus half-sister to Giovanni – married Mantegna in 1453. This marriage engendered one of the most fascinating pictorial dialogues of the Quattrocento, as they both developed the motif of The Presentation of Jesus at the Temple. Now we see this pair of works exhibited side-by-side for the very first time, half a millennium after they were painted. This volume narrates an extraordinary event, down to the last detail, through a riveting analysis of the paintings themselves and of the relationship between the two artists.

The texts and interview included in this catalogue shed new light on Cybèle Varela’s contribution to Latin American and international artistic discourses, including Pop Art, Narrative Figuration and Video Art. Questions of identity, social and political issues and transnational experiences are central to Varela’s multifaceted production, from the 1960s to the present day. Text in English, German and Portuguese.

Pieter Brugel the Elder – Fall of the Rebel Angels argues that many of the hybrid falling angels are carefully composed of naturalia and artificialia, as they were collected in art and curiosity cabinets of the time. Bruegel’s much noted emulation of Hieronymus Bosch was thus only part of his wider interest in collecting, inspecting, and imitating the artistic and natural world around him. This prompts an examination of the world at the time that Bruegel painted the Fall of the Rebel Angels, locally, in the urban and courtly centres of Antwerp and Brussels on the eve of the Dutch revolt, and globally, as the discovery of the New World irreversibly transformed the European perception of art and nature. Painted as a tale of hubris and pride, Bruegel’s masterpiece becomes a meditation on the potential and danger of man’s pursuit of art, knowledge and politics, a universal theme that has lost nothing of its power today.

Tina Modotti was at the centre of key events of the early 20th Century: the cultural ferment of the Mexican renaissance, the Cuban revolution and the heroic period of the Communist International, during which her political commitment was expressed through bold, daring actions. The book paints a vivid multifaceted portrait of this extraordinary woman and includes around a hundred photographs in which her quest for formal perfection is combined with her talent for resolutely and passionately capturing the pulse of life.

Text in English, Italian and French.

Over the last 10 years, the Faculty of Art and Design at West University of Timișoara has developed into one of the most important driving forces for culture in Romania. The vibrant arts scene around the campus helped the city establish itself as a hot spot for art and was instrumental in Timișoara being named European City of Culture in 2023.

In 2025, the faculty is celebrating its 35th anniversary. Chasing Light traces the footsteps of some of its outstanding and internationally successful graduates—including Olah Gyarfas, Laurian Popa, Dinu Bodiciu, Diana Marincu and Bogdan Rața—and provides fascinating insights into the creative epicentre of this western Romanian city.

Text in English and Romanian.  

By retracing the salient moments through the words of its protagonists, this book illustrates the DesertX project: the first Ducati specifically designed for off-roading. A bike built to transform our wildest travel dreams into reality, DesertX is not just enjoyment, performance and the timeless appeal of legendary Dakarian feats. It is also a design challenge, creative rather than solely engineering-based, that harnesses all the Borgo Panigale manufacturer’s technological passion and developmental drive.

Text in English and Italian.

With Macromancy, the British photographer Mark Pinder (*1966) presents a photographic essay on the state of the nation that spans three and a half decades. In it, he examines the social, political, and economic changes that Great Britain (and the North East of England in particular) experienced in the years when traditional industries such as coal mining, engineering, and shipbuilding were declining, as well as the social and political tensions that resulted from this, which have led to the situation in which Great Britain finds itself today.

The story of Ladurée started in 1862 when Louis Ernest Ladurée opened a bakery in the heart of Paris at 16 rue Royale. In 1872, following a fire, the little bakery became a pastry shop and the decoration was then done by Jules Cheret, a famous painter and poster-designer of the time. Jeanne Souchard, Ernest Ladurée’s wife, then had the idea of combining the Parisian café with a pastry-shop, thereby creating one of Paris’ first tea-rooms. 

In 1993 Ladurée was bought by Francis and David Holder and becomes one of the best-known gourmet addresses in Paris, a veritable institution with its famous “macaron” as its emblem. In 1997 Ladurée opened a tea-room/restaurant on the prestigious Champs-Elysées, followed by another in the Printemps department store and on the Left Bank as well as the beginning of their international adventure with branches in London, Geneva, Monaco and Tokyo.

In this book Philippe Andrieu, the Pastry Chef at Ladurée, reveals 100 of the most famous Ladurée recipes, adapted for the general public. From the Strawberry Cake with Rose Choux Pastry to Pistachio Financiers and the world-famous macarons in all their variety, this icon of French “art de vivre” is brought to life in a palette of pastries the colour of powder pink, light green, bright purple, and lemon yellow.

“I went to Noma and interviewed René (Redzepi). We were talking about art and food but the restaurant was closed. Everybody asked me how was the food, what did you eat – and he basically gave me some marmite. The best marmite I’ve ever had.” – David Shrigley

“This is not a coffee table book….notions of ‘taste’ get a grilling, while there are some fruity artist interviews….that make for entertaining accompaniments.” – Melanie Gerlis, The Financial Times

“This comprehensive and expansive explorations of art restaurants marries the nourishment of senses, both visual and taste, along with the meeting of minds.” – Chris Corbin, Corbin and King group

“A new and unique book.” – Layla Maghribi, The National News

This is the definitive guide to Art Restaurants — a new way to appreciate food. Christina Makris, collector of art and a Patron of The Tate and RA, takes the reader on a tour of 25 of the world’s greatest art restaurants, from New York to Hong Kong and Cairo to London.

Makris traces their stories, details the art highlights, and meets artists, restaurateurs and chefs including Vik Muniz, Julian Schnabel and Tracy Emin. A captivating guide to where great art and memorable food meet.

Restaurants featured include: Abou el Sid, Cairo; Bibo, Hong Kong; Casa Lever, New York; Chateau la Coste, Aix en Provence; Colombe d’Or, St Paul de Vence; Currency Exchange Café, Chicago; del Cambio, Turin; Dooky Chase, New Orleans; Gunton Arms, Norwich; Hix Soh, London; Kronenhalle, Zurich; Langan’s, London; Lucio’s, Sydney; Michael’s, Santa Monica; Mr Chow, London; Osteria Francescana, Modena; Paris Bar, Berlin; Red Rooster, New York; Scott’s, London; Sketch­, London; The Ivy, London.

Including interviews with: Ai Weiwei; Antony Gormley; Beatriz Milhazes; Bill Jacklin; Conrad Shawcross; Damien Hirst; David Bailey; David Hockney; David Shrigley; Gary Hume; John Beard; John Olsen; Julian Schnabel; Maggi Hambling; Michael Craig-Martin; Michael Landy; Peter Blake; Polly Morgan; Sanford Biggers; Tracey Emin; Vik Muniz.

In Anouk Masson Krantz’s most expansive work to date, she travels tens of thousands of miles across the Americas, broadening her focus from the United States to both American continents. In her exquisite, large-scale photographs – all new for this book – Anouk captures sweeping landscapes and paints an intimate portrait of the enduring cross-boundary legacies of the North American cowboy, Central American vaquero, and South American gaucho. Her time spent at ranches and rodeos across The Americas has culminated in a magnificent book honouring a way of life many around the world dream of but rarely have experienced first-hand. Frontier builds upon Anouk’s renowned body of work with her bestselling Wild Horses of Cumberland Island (2017); West: The American Cowboy (2019); American Cowboys (2021); and Ranchland (2022). Her stunning black and white, large-scale photographs capture a culture deeply rooted in principled, timeless values, sacrifice, strength, and self-reliance. From stunning panoramas to the intimate everyday lives of working cowboys and their families, Frontier is a must-have addition to her impressive body of work.

Bernie Taupin, Oscar winner, Rock & Roll Hall of Fame inductee, and long-time song-writing collaborator with Elton John, has contributed an exceptional foreword.

“There’s an honesty and integrity in these images that parlays all the elements of what it means to exist outside the boundaries of conformity and confinement. The rebel spirit, the rugged individualism, and the absolute unapologetic rhythm of history. This is stunning work—a true testament to the men and women who are the anvil on which America’s backbone was forged.” —Bernie Taupin

Also available in a standard edition Frontier ISBN 9781864709810, £70.00.