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“… This book attempts to be authoritative yet accessible in exploring places of pain and shame.” — NL Magazine 

Our significant dead and mortality moments are remembered at dark tourism sites, where complex issues of politics, history and ethics are exposed. This first-ever travel guide to dark tourism in England offers a thought-provoking compendium of difficult heritage.

We remember the dead or acts of suffering through ‘heritage that hurts’. This book explores infamous acts as well as obscure dark tourism sites lost to memory. Each site is challenged by its history and its political discourse and questions are raised as to how we remember our tragic past.

Each site also has ethical issues that need to be addressed and confronted and visiting these sites are often fraught with moral dilemmas. 111 Dark Places in England That You Shouldn’t Miss will help shine light on dark tourism and inherent complex issues associated with commemorating our dead. Dark tourism is politically vulnerable and ethically laden with moral commentary. This book attempts to be authoritative yet accessible in exploring sites of pain and shame.

An Overview of TCI and TIVA was written by two of the leading lights in anaesthetic pharmacology. It is an invaluable source of information on the practice of total intravenous anaesthesia (TIVA) with or without target-controlled infusion (TCI) technology. In this long-awaited third edition of their popular book they have maintained the small size while thoroughly updating it to include recent developments and insights in the field, many of which have emerged from the work of their own research group. The fine balance between the provision of practical information to promote safe and effective clinical practice, with information on the scientific and theoretical foundations, will benefit and stimulate novice and more experienced TIVA users alike.

“…on the whole it is a very accessible and reliable book of advice.” — Urban Design

Combining how-to with why-to, 9 Ways to Make Housing for People lays out the core principles that David Baker Architects uses to help communities develop great urban housing. Written for architects and residents – as well as officials, developers, and planners – this book is a kit of parts: nine proven strategies for getting the best outcomes for housing in urban contexts. Detailed explorations and comprehensive case studies show how to apply and combine the principles creatively to meet the needs of sites, people, and budgets. Pragmatic and imaginative, this book is a modern manual for urban housing – getting it built and making it great.

Celebrated world-wide for his modern romantic jewels that push the boundaries of contemporary design, Shaun Leane has been responsible for creating a new genre of jewellery; precious, poetic, with a sense of eternity, yet relevant to today’s world.

Illustrated with a breath-taking combination of high fashion shots and detailed close-ups of the pieces themselves. Captured by photographers Nick Knight, Robert Fairer and Chris Moore, along with a dedicated photo essay of unseen backstage images recorded by Leane’s close friend Ann Ray.

Shaun Leane is introduced by the jeweller himself, then divided into three distinct parts: His heritage and training, by Joanna Hardy; reflections on Leane’s famous collaboration with Alexander McQueen, by Claire Wilcox; and his modern classic commercial jewellery style, by Vivienne Becker. Altogether, this book provides a vital overview of an artist that will be of interest to anyone who follows the contemporary jewellery and fashion scene.

This special edition is limited to just 250 copies. Enclosed in a slipcase, the book is accompanied by a print by photographer Rob Busling, signed by Shaun Leane.

Celebrated world-wide for his modern romantic jewels that push the boundaries of contemporary design, Shaun Leane has been responsible for creating a new genre of jewellery; precious, poetic, with a sense of eternity, yet relevant to today’s world.

Illustrated with a breath-taking combination of high fashion shots and detailed close-ups of the pieces themselves. Captured by photographers Nick Knight, Robert Fairer and Chris Moore, along with a dedicated photo essay of unseen backstage images recorded by Leane’s close friend Ann Ray.

Shaun Leane is introduced by the jeweller himself, then divided into three distinct parts: His heritage and training, by Joanna Hardy; reflections on Leane’s famous collaboration with Alexander McQueen, by Claire Wilcox; and his modern classic commercial jewellery style, by Vivienne Becker. Altogether, this book provides a vital overview of an artist that will be of interest to anyone who follows the contemporary jewellery and fashion scene.

The Danner Rotunde, the jewellery room in the Pinakothek der Moderne, Munich, was opened in 2004. Ambitious activities by the Danner-Stiftung and Die Neue Sammlung – The Design Museum, with the support of renowned jewellery artists such as Hermann Jünger, Otto Künzli and Peter Skubic, bore the fruit of two globally renowned jewellery collections. Today these comprise far in excess of 1,700 jewellery items, presented in pictures for the first time in this synopsis. Interviews with the creative minds behind these two unique collections in the field of studio jewellery enable insights into a previously unknown history, and an illustrated chronology arrives at astonishing results. Biographies on more than 300 jewellery artists also present those who have been virtually forgotten today. An indispensable compendium on the subject of contemporary jewellery art.

Text in English and German.

Narcissus Quagliata is considered one of the most significant contemporary artists in glass. He has defined a new pathway in this field by combining painting with light, and he is best known for his spectacular artworks in public spaces, which have drawn world-wide attention. These include The Dome of Light: Wind, Fire, and Time in Kaohsiung, Taiwan, the largest illuminated glass dome in the world. Contrasted with this, MUTANT is perhaps his quietest, most personal and most intimate book, in which, for the first time, readers will come to know the person behind the artist through his thoughts, poems, sketches and his latest artworks – an impressive exploration on the relationship between dreams, words and images.

Text in English, Italian and Spanish.

“To my mind, Koen is the photographer of the instant. Whatever the subject, the format, the colour may be, the emotion that is implied is always expressed vigorously; either with a sense of humour, seriousness, or with lots of tenderness. Unlike other photographers, he is not the prisoner of a style; his goal is to express the sincerity of the moment in its widest variety. Koen’s freedom also lies in a real physical need to be in motion, on a journey. In this way, systematically taking pictures beyond the borders allows him to focus, to find himself, and to come as close as possible to the essence of his soul.” Antoine Reyre, CEO CAPA Pictures

Shot in Time
is the first anthology by the Belgian photographer Koen Lauwaert, who displays his talent for developing an original and poetic language that alternates the different registers of contemporary photography, from portraiture to abstraction through reportage. Partly academically trained, studying at the Brussels Filmschool and the Photo Academy Rhok, Koen Lauwaert devised his own language in the field, working as a film operator during his military service and for an agency specialising in portraits of children and families as well as a cover author for rock band albums. Shot in Time is an autobiographical narrative in which the passion for photography goes hand in hand with Koen’s nomadic soul, the images are taken all over the world, notably in Italy, a country for which the author has a predilection.

Text in English and Italian.

Following on from the success of the exhibition Before Time Began, Fondation Opale is taking on a new challenge with a show that juxtaposes contemporary Aboriginal art with prominent examples of contemporary art created in a Western and Asian tradition. This beautifully illustrated catalogue includes more than eighty works by over 54 artists from two separate collections, both of which are outstanding in their own right: the collection of Aboriginal art belonging to Bérengère Primat and the contemporary art collection amassed by Garance Primat. The works play off each other with powerful effect. Insightful pairings suggest an underlying unity, a merging of mankind, heaven, earth, and the whole cosmos.

The Aboriginal artists represented include: Rover Thomas, Gulumbu Yunupingu, Clifford Possum Tjapaltjarri, Judy Watson, Sally Gabori, Emily Kame Kngwarrey, Paddy Bedford, Nonggirrnga Marawili, Ronnie Tjampitjinpa, and John Mawurndjul. The artists working in the Western and Oriental traditions include: Jean Dubuffet, Kiki Smith, Anselm Kiefer, Sol Lewitt, Yayoi Kusama, Giuseppe Penone, and Anish Kapoor.

Published to accompany an exhibition at Fondation Opale, Lens – Crans Montana, 14 June 2020 – 4 April 4 2021.

This book features the best and most spectacular conversions on the international architecture scene, accompanied by an insightful text and photographs. It includes over 60 projects around the world, including work by Hassell + OMA, David Chipperfield, Heatherwick Studios, Ney + Partners, Herzog & de Meuron, Zaha Hadid and many others. The author explores how these architects creatively approached the conversions of older buildings, ultimately finding a new functionality and life for them in the 21st century.

The dahlia, a flower that was once thought of as old-fashioned, has surged in popularity over the past few years due to the development of new varieties and an uptick in appreciation from Royals and celebrities. They appear in a broad spectrum of beautiful colours and eccentric shapes, and thanks to their long flowering time they are garden crop favourites. This inspirational book explores every aspect of the dahlia from its history to its sustainable cultivation.

How can you stay relevant for your customers? The answer is a combination of the following three factors: technology, personal involvement and social commitment. The past ten years have been marked by the arrival of 4G, mobile services, and robotics. These technologies have brought about a revolution in the field of customer experience and in the future, this will evolve even further. As a company, you will have to take a more active part in the personal life journey of your customers. This opens up the opportunity to tackle, together with your customer, concrete social world problems, including climate change, mobility, and health care. Customers increasingly seek out companies that do good for both themselves, and the world.

This body of work is a contemplation of human beings’ passage on earth and their intimate interrelation with the environment. This book attempts to bring humour to the things we are getting attached to. It points at the invisible within the visible, the immaterial within the material or the vertical nature of being (and its mirror-like quality) within our horizontal way of living (where our mind, time, and space condition our experiences). The naked body is seen as our primary indivisible unit of perception which is usually pushed and pulled by our thinking mind’s desire to either get less or more. In other words, our lives are coloured by our minds and since body-mind is a single entity, most of the colours painted on the body are an allusion to the range of our changing desires from being invisible or transparent to wanting to be singular and the centre of attention. The book’s Interviews (the interviewers are from Russia, Colombia, Korea, Germany, and the US) stanzas, and photographs are not seen as being subservient to one another but can be seen as an assemblage of three independent directions that may or may not intersect following each reader.

This book calls attention to the public space of cities. It proposes that the environmental performance of public space is underdeveloped and is primed to play a more integrated role in combatting the urgency of climate change, while also creating a more meaningful experience of the city. The approach is influenced by recent insights from neuroscience that are generating a growing body of evidence for the underlying bodily basis of mind and meaning imply a reformulation of urban design theory.

Minding the City
is an effort to refocus the subject of urban design on the tangible and visceral experience of public space, to remind urban designers that our concept of the city is grounded in bodily experience. It discusses emerging insights from neuroscience and their potential impact on urban design in detail, not as a formula for design, but to bring awareness, a new sensibility to the design process. It uses a set of case studies to illustrate how the insights from neuroscience are operative in how we experience and value the built environment. It finishes with an exploration of the sensory and aesthetic potential of sustainable systems and then illustrates, through a series of urban design studies, how they might be used to create better environmental performance while creating more meaningful, even poetic urban spaces.

The complex story of modern landscape architecture remains to be written, as does its precise definition. Thinking a Modern Landscape Architecture, West & East, written by one of the field’s most prolific and insightful authors, provides a rare cross-cultural study that examines the written and design contributions made by two of the movement’s most influential early protagonists: Christopher Tunnard (1910-1979) in England – and later the United States, and Sutemi Horiguchi (1896-1984) in Japan.

Tunnard’s pioneering manifesto, Gardens in the Modern Landscape, first published in 1938, laid out the thinking and provided the direction for a landscape architecture engaged more strongly with contemporary life, adopting ideas from modern art as well as the historical gardens of Japan. Rather than a book, it was the architect Horiguchi’s 1934 essay The Garden of Autumn Grasses that initiated a new direction for garden making in Japan, with a considered and artful use of seasonal plants and a stronger connection to the modern architecture it accompanied. Unlike Tunnard, who sought inspiration and sources in contemporary art, Horiguchi looked to the eighteen-century Rimpa School of painting for insights into the composition of the new garden by carefully placing individual plants against a simple background. Although the two theorists-practitioners never met, Tunnard’s interest in Japan, and use of Horiguchi’s work as illustrations, links them in a shared quest for a landscape architecture appropriate to their times and respective countries.

The Studio for Immediate Spaces (SIS) is a two-year MA programme at Amsterdam’s renowned Sandberg Instituut. It aims to explore and shape spatial practices on the genesis and production of contemporary spatial configurations. Through extensive field investigations, SIS works as a laboratory, testing ideas relevant to how we live today and how we could live tomorrow.

Rural flatlands, suburbia and gritty city settings; Mediterranean shorelines and Alpine mountainscapes; open-pit mines and industrial legacies; abandoned buildings and unfinished infrastructures; harbours, airports and refugee camps: Such places were the sites of SIS’s research and production between 2016 and 2019. Directed by Swiss architect Leopold Banchini, it embraced a truly global approach that crossed, and deliberately ignored, borders.

This book offers a glimpse into this unique journey around the world. Illustrated with some 790 colour and black-and-white photographs, it features work produced collectively by participants in simultaneous roles of geographer, researcher, architect, urban planner and designer. Brief texts on each project and essays by Leopold Banchini and other SIS faculty, studio participants as well as by curator and writer Lukas Feireiss round out this exceptional documentation of forward-thinking higher education in spatial design.

What happens when an architect sets out to design the extraordinary, and by doing so challenges the established norms of the industry? A riot of inventive and ingenious residential structures to delight the eye and gladden the soul. This book decodes a wide selection of stunning experimental designs. By shaking off any limitations and seeking to challenge established design conventions, and using architectural ingenuity and modern technical aspiration, these carefully selected architects show how they develop bold and striking designs that will serve as inspiration for years to come, creating home designs that are both out of left field and can take residential ingenuity to the next level.

This edition is lavishly illustrated with crisp and evocative full-colour images of the architecture, with insight from the architect detailing their inspiration and the challenges encountered through the designing and building processes. Whether it be a uniquely challenging location, the decision to use materials in innovative ways, or simply experimenting with a new design shape, the works featured within these pages challenge the everyday notions of what a residence should be.

Through these pages, the reader is drawn into a beautiful journey through a diverse range of truly beautiful homes as imagined—and realised—by some of the best architectural visionaries of our time.

Philip Kotler, the father of modern marketing, once said, “An impressive brand brings intangible assets such as brand premiums and value-added, which are based on the impression of the brand in the minds of consumers.” The book starts from the typeface, graphics and colour scheme, breaking down the LOGO to analyse the design process. Commonly used techniques are listed, teaching you how to design an excellent LOGO.

Divided into five chapters, this book not only introduces the importance of LOGO design, principles and the conventional process, but also provides an in-depth analysis of the typeface and graphic design in LOGO. The book contains more than 70 excellent case studies from different industries, including some classic cases with detailed design ideas. From knowledge to practice, from explanations to cases, this is a good understanding, comprehensive and practical design guide.

Tells the very personal story of the man who changed the face of modern cinema

Special-effects superstar Ray Harryhausen elevated stop-motion animation to an art during the 1950s to 1980s. With material drawn from his incredible archive, his daughter, Vanessa, selects 100 creatures and objects, in chronological order, that meant the most to her as she watched her father make world-famous films that changed the course of cinema.

Ray Harryhausen’s work included the Sinbad films of the 50s and 70s, One Million Years B.C. and Mighty Joe Young, as well as a wider portfolio including children’s fairy tales and commercials. He inspired a generation of film-makers such as Peter Jackson, Aardman Animation, Tim Burton, George Lucas and Steven Spielberg, and his influence on blockbuster cinema can be felt to this day. Some of the objects featured in the book, such as Talos from Jason and the Argonauts, are world famous, while others are less well known but hold special personal significance to Vanessa. Many newly restored works that have never previously been seen are included.

This book is published in collaboration with the Ray and Diana Harryhausen Foundation and it will receive a great deal of international publicity. It celebrates the legacy of a filmmaker who changed the face of modern cinema and it is certain to delight and fascinate those who appreciate film, art, science fiction and fantasy.

Shortlisted for Saltire Society Scotland’s National Book Awards, First Book Award 2021. Scotland’s National Book Awards recognise work across Scotland’s literary and publishing community. [The Saltire Society] is delighted to highlight Scotland’s outstanding talent, raise the profile of writers and introduce audiences to exceptional new works.

Way Beyond Bigness is a design-research project that studies the Mekong, Mississippi and Rhine river basins, with particular focus on multi-scaled, water-based infrastructural transformation. The book proposes a simple, adaptive framework that utilises a three-part, integrative design-research methodology, structured as: Appreciate + Analyze, Speculate + Synthesize, and Collaborate + Catalyze. To do such, Way Beyond Bigness realigns watersheds and architecture across multiple: scales (site to river basin), disciplines (ecologists to economists), narratives (hyperbolic to pragmatic), and venues (academic to professional). The research critiques and recasts Oxford Dictionary’s two very different definitions for a ‘watershed’: 1) “An area or ridge of land that separates waters flowing to different rivers, basins, or seas” and 2) “An event or period marking a turning point in a situation in a course of action or state of affairs” and its two very different definitions for ‘architecture’: 1) “The art or practice of designing and constructing buildings” and 2) “the complex or carefully designed structure of something.” The book highlights the author’s comprehensive work of over more than a decade, including in depth field research across the Mekong, Mississippi and Rhine, along with a diverse body of academic and professional collaborations, ranging from the speculative to the community-based.

Acclaimed florists Per Benjamin and Max van de Sluis share their extensive knowledge in the field of floral art in this voluminous recipe book. Step-by-step they create bouquets, table decorations, arrangements with cut flowers and plants, wedding flowers, sympathy pieces, festive Christmas decorations and other impressive designs for the home.

This book compiles all eight volumes of the popular (and sold out) series Creativity with Flowers. It covers a nice mix of commercial and artistic designs and caters both to the hobbyist and the professional. In addition to the hundreds of arrangements, both florists graciously grant us a peek behind the scenes: they explain their way of working, sources of inspiration, thought process and creativity to encourage the reader to do more than merely copy their arrangements.

The ultimate goal of this book is not only to provide the necessary tools and techniques, but also to give florists the confidence to develop into artists with a personal style and a unique artistic personality.

Robert Konieczny, founder and principal of KWK Promes, in Poland, specialises in projects renowned for ingenious concepts and unique design. His works examine closely the nature and interpretations of spatial journeys for the viewer or those who inhabit the space, be it for residential works, public buildings, or international cultural festivals and exhibitions, such as the Venice Biennale. The firm’s work especially with kinetic architecture fuses seamless design principles with inventive concepts, namely movable structures that both catch light and create a uniquely experiential environment. A leader in industry innovation, Konieczny and KWK Promes was awarded the World Architecture Festival Award for the best building in 2016.

“Our designs are shaped by logic. Inside these pages we showcase a unique and detailed précis that narrates the story of the concepts behind our buildings.” — Robert Konieczny
“The ideas expressed by Robert Konieczny are quite radical and surprising—his forms are unexpected, and often closed or heavy at first sight. Though the Polish context, in terms of climate, history, and sociology may imply such solutions, KWK has laid out a series of concepts that could readily be applied to other places, surely generating other types of buildings. This is not a style so much as it is an intellectual construct.” — Philip Jodidio

The ‘golden age’ of advertising is usually seen to be the last decades of the 20th century, centred on Fitzrovia, vast in quantity, swamping the plethora of magazines and newspapers appearing (and disappearing) at that time, and making optimal use of the novelty of commercial television. But the true ‘golden age’ of British advertising was in the decades immediately after the First World War, when zealous entrepreneurs banded together in local clubs and in national bodies to take the activity from the back room of jobbing printers or from being sketched on the back of envelopes on ego-driven managers’ desks to becoming a valid profession.

It was in the inter-war years that Titans in the field, such as William Crawford and Charles Higham, not only built their own empires and taught the government how to publicise itself, but even morphed the concept of advertising and publicity from something rather shady and disreputable to having a moral status of being a crucial arm of the nation’s economy and an educator of the masses. This book tells the story of some of these early agencies and the contribution they made.

Whilst many books have been published about war, the role of the prisoner of war has been largely ignored or paid scant attention. This book, along with the author’s other title – The Arts and Crafts of Napoleonic and American Prisoners of War 1756-1816 – aims to correct this imbalance, and is the result of the author’s quest over thirty years into this almost-forgotten field of history. Part One tells of the various wars that saw the men, from many different countries, become prisoners. Tales of individuals and their voyages, mutinies, fortunes and failures also feature, adding more personal touches to the history and, as with the author’s other title, all the accounts are written in a highly evocative style. Part Two is largely devoted to the prison hulks, describing the vessels and the conditions on board that the prisoners would have had to endure. Many of these hulks were former warships. Now stripped of all their equipment, and with their masts, sails and rigging removed, they sat disabled offshore, filled with their human cargo. Part Three concerns itself primarily with the depots and prisons on land, beginning with a general overview, and going on to explore in greater detail individual establishments and the conditions within. The final three chapters in this section deal with the terms and conditions of various types of parole – many officers granted parole were able to live almost as free men, as long as they did not take up arms against their captors – as well as the punishments to be expected should parole be broken. Written with numerous personal accounts, and drawing upon many years of painstaking and dedicated research, this important book fills a significant gap in the literature of military history.