Dinosaurs were the undisputed rulers of a very long period in the history of our planet; and even today, millions of years after their mass extinction, they amaze and fascinate us with their appearance and their proportions. But how did dinosaurs really live, what did they eat, how did they move about, and what differences existed between their families? The palaeontologist and scientific author Riley Black will guide you through the discovery of some of the most iconic and rarest species of dinosaurs, revealing the history of the discovery of their fossils and providing you with the most up-to-date information that scientific research has made available.

What kind of world do we want to bequeath to our children? What planet, what future do we want to pass on to them? In his latest book, Cyril Christo poses the most fundamental of all questions. Together with his wife Marie Wilkinson and their son Lysander, Christo has been seeking out the wonders of this world for more than 40 years and across all continents. During their travels to the Inuit or the first peoples of Africa, they come into contact with communities who seem to have everything that modern, technological society has lost: time, family and an almost inexhaustible kindness towards strangers.

The photographers present the wonder of unspoiled nature in their book, captured in powerful duo-tone images that provide a fascinating glimpse into the beauty of life. With a fighting yet sensitive spirit, they share how their experiences and encounters have guided their son’s development and how nature can serve as a teacher to all children with their irrepressible yearning for wonder. The world’s greatest classroom, nature as the school of life, is threatened as never before by climate change and the continuous loss of habitat. Christo and Wilkinson regard their book as a manifesto and a warning, because “without wonder we are lost.”

Andrew Holmes is renowned for his hyper-real coloured pencil drawings. His subject matter is the fixed and mobile service infrastructure that sustains the city of Los Angeles. The gleaming trucks, automobiles, and motorcycles that traverse the highways, and the industrial armature of storage tanks, service stations and truck stops to be found beyond the city’s edge are, for Holmes, the greatest artefacts of a society based on oil. Over the past 50 years, he has captured scenes from this uniquely American landscape in painstaking detail. Together they evoke a lost civilisation. Gas Tank City presents 100 of Holmes’s Los Angeles drawings, along with commentaries by art historian, Thomas E Crow, architects Mark Fisher and Cedric Price, and Holmes himself.

Geert Baudewijns, full-time ransomware negotiator, is called every week by hacked companies and governments across the globe. But by then, it’s too late. Cybercriminals have infiltrated the system. To prevent worse-case scenarios – weeks of downtime, all your data leaked – over 70 percent of the victims give in to ransom demands. And malicious hacker collectives on the dark web are making fortunes. This is still a taboo because no one wants to go public with it. Who is at risk? How do hackers operate? How can we protect ourselves? In this book, Baudewijns takes the reader into the dark side of the digital world. His insider stories describe recent cases from around the world.

If Richmond VA represented the historic heart of the Confederacy, then Monument Avenue was meant to memorialise its soul. The avenue was conceived in the 1870s, when the city elected to build a memorial to General Robert E Lee. It was not until 1890, however, that the massive monument was unveiled. Over the succeeding decades, Lee was joined by statues commemorating other leading Confederate military and political figures – JEB Stuart, Jefferson Davis, Stonewall Jackson and Matthew Fontaine Maury.

Almost from the moment they were erected, the Confederate monuments, as symbols of white supremacy, were the focus of controversy and protest. The climax came in the summer of 2020 when Black Lives Matter protesters, outraged by the death of George Floyd, converged on the avenue to vent their fury. On July 10th, Jefferson Davis was dragged from his pedestal. Two days later, Brian Rose packed up his cameras in New York and drove back to his home state to document the last days of the grand boulevard of the Lost Cause. En route, he reflected on his own history and the roles played by his forebears in the Antebellum South.This new edition of a classic book captures a pivotal moment in modern American history.

Discover the esoteric insights and enchanting imagery of the Baroque emblem book, a long-lost cousin of the tarot.

The emblem book, which reached the peak of its popularity in the 16th and 17th centuries, presented mysterious allegorical images—rather like those we now find on tarot cards—alongside Latin mottoes. A learned text explained the connection between image and motto, and the lessons each emblem held for the reader’s life. Drawing on sources such as medieval bestiaries and Aesop’s fables, emblem books reflected an enchanted view of nature in which our human lives were intertwined with plants, animals, the moon and the stars. World-renowned natural perfumer Mandy Aftel first encountered emblem books in the course of her researches into antique botanical illustrations, and quickly became entranced. Here she presents 100 emblems from perhaps the finest emblem book, the Symbolorum et Emblematum of Camerarius, originally published in four parts between 1590 and 1604. Aftel has sensitively tinted in watercolour the bewitching circular engravings of the Symbolorum, in which giant hands reach from the sky; lions, bears, and unicorns gambol; and distant spires beckon. The mottoes and explanatory texts are given in translation from the original Latin, along with Aftel’s own commentary. An illustrated introduction illuminates the history and magic of emblem book.

Symbolorum will be a treasure for anyone who is drawn to uncover ancient wisdom and feel the breath of the universe.

“Object Lessons … is a grand tour of the latest obsession of an indefatigable collector. For the last decade … George Loudon has gathered some 200 extraordinary natural-history specimens, scientific models and botanical drawings from the Darwinian age. And the Boston photographer Rosamond Purcell has documented every last one of them in this thoughtfully compiled, scrapbook-style compendium.” – The New York Times Style Magazine

Assembling nearly 200 pieces from the collection of George Loudon, this volume encompasses a vast assortment of objects relating to nineteenth-century life sciences. Originally designed to capture the complex structures of nature, they range from books and illustrations to botanical specimens and anatomical models. Having lost most of their original pedagogical function over time, the objects are now open for contemporary reappraisal – acquiring new values that can inspire, seduce and even disorientate today’s viewer. Offering a unique perspective on the intersection of art and science, the historic curiosities in this collection reveal their creators’ remarkable capacity for artistic expression.

Alongside new images by celebrated photographer Rosamond Purcell, explanatory texts on the objects by Loudon, an essay by Robert McCracken Peck, and a conversation between Loudon and art historian Lynne Cooke together offer insight into the objects’ original context and potential for new perspectives.

Guerel Sahin, one of the pioneers of the young outdoor photography movement, presents an exclusive selection with teNeues: Discover his handpicked natural and photographic treasures amidst the breathtaking mountain landscape of the Dolomites, in South Tyrol and the Dolomites.

Among the featured highlights are natural wonders such as Val Gardena, Passo Gardena, Seiser Alm, Passo Sella, Cir Spitze, Langental, Tre Cime di Lavaredo, Cadini Di Misurina, Lago di Braies, Puez Odle Nature Park, Seceda, Platt and Langkofel, Plätzwiese, Antorno Lake, Stevia, Passo Giao, or Lago Di Sorapis. Sahin personally introduces each of these locations, shares valuable tips for the perfect photo, and succinctly provides alpine basic information on accessing each spot. An overview map provides a quick reference.

The breath of nature in breathtaking landscapes: Sahin’s lens brings the landscape to life with the whisper of mountain air, creating an enchanting symphony of untouched wilderness. Immerse yourself in incredibly atmospheric, sometimes dark photography that brings dreams of real adventure, untamed terrain, and boundless freedom to life.

Text in English and German.

Welcome to Birmingham, a super-diverse city with an ever-shifting identity. This is the quiet medieval market town that overnight became the centre of the industrial revolution, over the centuries rolling out leather wares, jewellery, steam engines, motor cars, fountain pens, gun smithery, toys, chocolate, heavy metal music and nanotechnology. The city’s drive to successively reinvent itself as motor city, conference capital and shopping destination reflects that initial burst of energy. The result is a city of many layers, bold planning experiments, overlapping fragments and pockets of creative endeavour which can be tough to navigate without a guide. However, its many treasures coruscate more brilliantly for being lost. This book tells the story many would miss through the art, places, buildings, people and the dynamic mix of cultures that reveal the Birmingham identity, from the smallest architectural details to epic civic structures. Only here can you chill on a bench with local heroes Black Sabbath, will you be greeted at the museum by the fallen angel Lucifer, chance upon a golden Burmese peace pagoda, time travel in the Shakespeare Library and find the world’s oldest surviving instance of railway architecture.

This book grants unexpected, beautiful and provoking insights into the diversity of the collection of treasures held in Leipzig’s GRASSI Museum of Applied Arts. Focusing on the joy of contemplating the works, its hope is to awaken the desire for a personal encounter with them. The sequence of illustrations highlights exciting connections, diversions and views between the objects. Chronological records or even the stringent arrangement of the collections and materials play no role here, allowing surprisingly novel, latent qualities that are frequently otherwise hidden, to be revealed.

In this publication the works meet face to face and present a wonderful survey of the diverse forms of applied art and design.

Ever since at least the ninth century, the Chinese province of Zhejiang has been known for its fine celadon porcelain with wonderful shimmering surfaces in qing, the magnificent shades of green. Chinese celadon enjoyed its golden age from the eleventh to the fourteenth century, a time when it found its way into the Imperial collections and was exported worldwide. A decline of craftsmanship followed, and by the end of the nineteenth century celadon had almost completely disappeared. It was not until the 1950s that this style of pottery was successfully brought back to life. In the 1990s changes to the market economy forced porcelain artisans to reorient; to this day they have been able to successfully align themselves, similar to the UNESCO World Cultural Heritage system, as ‘Living State Treasures’ with their unparalleled celadon glazes. Seladon im Augenmerk offers an exciting social anthropological insight into the cultural history, technology and sociality of celadon production in the porcelain metropolis of Longquan, PR, China, up to the present day.

Text in German.

From Sumatra to Java, from the Moluccas to Papua, across the whole of Indonesia, ancestors have played and still play a leading role. The cults and representations are evidence of an enormous diversity, power and poetry. This unique introduction to Indonesia starts from a cultural heritage perspective, but also poses topical questions about the place of traditions and rituals in contemporary society. Never before exhibited archaeological and ethnographic treasures are brought together with unique footage and interviews. In collaboration with the National Museum in Jakarta and numerous collections from all four corners of the archipelago.

The National Galleries of Scotland comprises three galleries: the Scottish National Portrait Gallery, Scottish National Gallery of Modern Art and the Scottish National Gallery. Together these galleries house one of the finest collections of art to be found anywhere in the world, ranging from the thirteenth century to the present day. Many of the greatest names in Western art are represented by major works, from Titian, Rembrandt and Vermeer through to Picasso, Hockney and Warhol. This lavishly illustrated book contains one hundred of the National Galleries of Scotland s greatest and best-loved treasures. The selection made by the Director-General Sir John Leighton is intended to evoke the special character of the collection at the National Galleries with its distinctive interplay between Scottish and international art as well as the many conversations that it establishes between the art of the past and the present.

The largest maps in the world are to be found in the floor of the Citizens’ Hall, in the heart of the Royal Palace Amsterdam. The three circular mosaics, each measuring over six metres in diameter, together depict the known world and the night sky. They remain to this day an iconic and beloved part of the majestic palace, which was originally built in the mid-17th century to serve as Amsterdam’s town hall. At that time, the city was the world’s leading cartography centre. The prominent place of the floor maps relates directly to that primacy. This book tells the story of these unique maps and of the flourishing of cartography in Amsterdam in the 17th and 18th centuries.

Breathtaking photographs and details provide a tour through the rich sites of this legendary city. Tracing Munich’s history from the 12th century through the present, this sumptuous book illustrates the city’s treasures, from the collections of antiquities in the Alte Pinakothek, to incomparable baroque and rococo buildings, to the neon-lit festivities of the modern-day Oktoberfest.

This publication was designed to celebrate the 50th anniversary of the discovery of the Riace Bronzes. In it, Luigi Spina’s photographic research dialogues with the texts written by Carmelo Malacrino.

The photographer here develops a continued narrative, offering a direct comparison between the two sculptures, identified as A and B, exploring interpretations of the physicality of the two subjects as well as the three-dimensional quality of the bronze bodies, often concealed by the two-dimensional appearance of photographic images.

Carmelo Malacrino analyses these famous 5th century BC masterpieces from two points of view: as ancient works of art on the one hand, and considering their significance for contemporary culture on the other. He retraces the story of the Bronzes beginning with their discovery in August, 1972, exploring the circumstances of their unearthing, the restoration they underwent, the exhibitions in which they were shown, as well as the impact they have had on the public, both nationally and internationally. Equally relevant is the reinterpretation of these two statues, beginning with their contextualisation in the sphere of ancient Greek art, the related stylistic issues, and the reflection upon the practices and the knowledge possessed by Classical sculpture workshops.

This volume will be a pleasant surprise for those of you who love Classical sculpture, for archaeology enthusiasts, and for all those who aren’t satisfied with a quick glance when it comes to admiring a work of art.

The Hispanic Society of America in New York is the vision of Archer M. Huntington (1870–1955). From an early age, Huntington developed an abiding love both of Hispanic culture and of museums and libraries. He resolved to devote his considerable fortune to combining these two passions, and carried out his project so resourcefully that the collections he assembled remain exceptional for their depth and richness, displaying the culture of Spain and Latin America in the broadest sense.
Their scope ranges from the prehistoric era to the early 20th century, including antiquities, decorative arts, Islamic works, manuscripts and rare books as well as superb canvases by Old Masters such as El Greco, Velázquez and Goya. This handsome new publication features an introduction to Archer M. Huntington and the Hispanic Society by Patrick Lenaghan, the Society’s Head Curator of Prints, Photographs and Sculpture, and plates and catalogue entries on some of its greatest treasures by the Society’s curators.

For centuries, we have been fascinated with the iconic architecture, mystical religious beliefs, and once-thriving societies of the ancient Egyptians. Starting with a detailed chronology and ending with a comprehensive glossary of terms and bibliography, this meticulously researched resource explores the development of the ancient civilizations of the Egyptians. Organised chronologically, it traces Egyptian history in chapters starting with prehistoric times and including The Age of the Pyramids, The Classical Period, The Empire of the Pharaohs, The Late Period and The Age of Foreign Dominion. Hundreds of photographs of the major sites, three-dimensional reconstructions, and close-up shots of ancient artifacts, statues, and funerary goods take readers on a tour of the pyramids, temples, and other major monuments of ancient Egypt. The images reveal fascinating insights into the religious beliefs and rituals of the ancient Egyptians as well as demonstrate their unsurpassed artisanship and remarkable artistic output. The compelling text provides fascinating information on the everyday lives of the ancient Egyptians, interweaving these details with the thrilling tales of the major archaeological discoveries including those relating to Khufu, Tutankhamun, and Ramesses II.

Seattle has fueled the hopes, dreams, and imaginations of countless individuals throughout its history. Their energy, ideas, and inventions have influenced the city’s skyline, the evolution of air travel, the music and art worlds, and even the very coffee we drink. They are the reason Seattle is gifted with so many unusual, offbeat, and truly compelling places for explorers to discover and enjoy, from a coin-operated attraction filled with enormous shoes, the world’s greenest commercial building, and urban old growth forests, to a haunted staircase and museums dedicated to pinball, dialysis machines, and rubber chickens.
111 Places in Seattle That You Must Not Miss invites and inspires locals and visitors alike to seek out the Emerald City’s hidden treasures, overlooked gems, and charming curiosities.

Welcome to 111 Places in Richmond That You Must Not Miss, a collection of the sites and experiences that make the River City such a special place. To those who don’t know Richmond, Virginia, USA, you’ll find the city itself to be a hidden gem, the cradle of 400 years of American history, steward of the magnificent James River, and the unlikely home to heralded culinary masters.

To those who do know Richmond, the self-deprecating but proud populace inured to its remarkable features, by flipping through these pages you will uncover secrets about your city, new and old. You know Hollywood Cemetery, but do you know the final resting place of our famous psychic horse? Have you kept an open mind about our smaller neighbours to the North and South and gazed at the Heavens from “the Center of the Universe” or seen the Petersburg residence constructed entirely from tombstones?

There’s something for everyone within these pages, whether a nature lover, history buff, aesthete, epicurean, tippler, or just an adventurous soul seeking curiosities – the River City welcomes you to partake in its treasures. Join us in discovering the secret spots that Richmond hides so well.

A landmark publication that invites New Yorkers to look up — and marvel at some of the city’s greatest unsung architectural treasures, its sheet-metal cornices.

In the late nineteenth and early twentieth centuries, the facades of many, if not most, residential and commercial buildings in America’s cities were crowned with sheet-metal cornices. These offered certain practical advantages over stone or brick cornices — for example, they were lighter and safer to install — but the easy workability of sheet metal also allowed for greater decorative possibilities. It was in the sheet-metal cornice, in fact, that the architectural eclecticism of the era found some of its most elaborate and impressive expression; in their complex play of geometric elements, of light and shadow, of multiple symmetries, the finest cornices can almost rival the ornament of a Gothic cathedral or a Moorish mosque. And of all the cities where these cornices were installed, New York may preserve the greatest number and variety — particularly in such Manhattan neighbourhoods as Chinatown, the Lower East Side, the East Village, and Harlem.

Henry C. Millman first became fascinated with New York’s sheet-metal cornices when, as a draftsman for a building preservation firm, he had the unusual opportunity to examine their remarkable workmanship close up, from scaffolding or a swing stage. Decades later, he surveyed nearly every building in Manhattan to select some one hundred examples that would showcase the artistry and variety of the sheet-metal cornice. He then orchestrated an ambitious drone photography campaign to document these cornices, and made a detailed elevation drawing of each one, to illustrate its scale, structure, and graphic patterns with the utmost clarity. This volume presents the fruits of Millman’s multiyear project, organised by neighbourhood, along with his incisive text exploring the history, construction, and design of these sheet-metal marvels.

Ornamental Cornices is an essential volume for architects, builders, and curious urban wanderers alike — but it is also an eloquent plea for the preservation of Manhattan’s metal masterpieces, which even now are falling victim to time and elements.

Of the more than 40,000 pieces that make up the Collection Flemish Community, only a small portion hangs in the halls of major museums. Most of the collection is out of sight of the general public.
Reflections – Views on the Collection Flemish Community reveals for the first time the result of years of collecting and unveils the diversity of art in Flanders. Masterpieces are placed alongside unknown treasures. Present and past are interwoven in marvellous combinations. The result is not only a feast for the eyes, but also offers a surprising insight into the multitude of ways in which one can look at art and demonstrates how unique the collection is.