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Chronicling international art from Realism through Surrealism, ArtSpoke explains such popular but often misunderstood movements and organisations as Impressionism, Post-Impressionism, the Salon, the Fauves, the Harlem Renaissance, and so on-as well as events ranging from the 1913 Armory Show to Brazil’s little-known Semana de Arte Moderna. Concise explanations of potentially perplexing techniques, media, and philosophies of art making-including automatism, calotype, found object, Pictorialism, and Readymade-provide information essential to understanding how artists of this era worked and why the results look the way they do. Entries on concepts that were crucial to the development of modern art-such as androgyny, dandyism, femme fatale, spiritualism, and many others-distinguish this lively guide from any other art dictionary on the market. Also unique to this volume is the ArtChart, a handy one-page chronological diagram of the groups discussed in the book. In addition, there is a scene-setting timeline of world history and art history from 1848 to 1944, overflowing with invaluable information and illustrated with 24 colour reproductions. Students, specialists, and casual art lovers will all find ArtSpoke an essential addition to their reference shelves and a welcome companion on visits to museums and galleries.

François Meyer was awakened very early on to the appeal of contemporary art; his father was a great collector. Even as a child, Meyer would accompany his father to art galleries and auctions.

Meyer began his photography career at world-renowned Swiss photographers Boissonas. Here, he developed a love of photography, portraiture in particular, and has, over the years, gone on to photograph some of the world’s best-known and best-loved artists. Included in this stunning book are portraits of Max Bill, Fernando Botero, Francesco Clemente, Sonia Delaunay, Helen Frankenthaler, April Gornik, David Hockney, JonOne, Wilfredo Lam, Roy Lichtenstein, Marilyn Minter, Beverley Pepper, Pierre & Giles, Kurt Sonderborg, Andy Warhol, and Yan Pei-Ming to name just a few.

This book tells the story of the forty-year career of a passionate art collector and photographer.

Text in English and French.

Beautiful China is the title of the Chinese government’s broad policy to ensure the traditions and aesthetics of Chinese culture not only survive as heritage but apply to contemporary society and to the future. Beautiful China is also nested within the larger policy concept of creating an ‘ecological civilization’. Applied to a nation of over 1.3 billion people and the second most powerful economy in the world, these policies are arguably the most fascinating socio-political experiment taking place anywhere in the world today. This book is the first serious consideration of this policy and what it means for the design professions in contemporary China.

Text in English and Chinese.

“…here’s eye candy on every page of the book.” — Natural Diamonds

“From the 1950s to the present day, a wide range of international designers are examined in detail with many examples of their work clearly illustrated. The author focuses on themes associated with jewellery, including colour, light, proportion, nature and legends.” — Lovely Books
This sumptuous book showcases the work of women jewellers in the 20th century. Beginning with Arts & Crafts jewellers in Britain, Europe and North America, the author then examines the key figures and movements of the pre-war period including Coco Chanel’s legendary ‘Bijoux de Diamants’ exhibition of 1932, the designs of Suzanne Belperron and the roles of Jeanne Toussaint at Cartier and Renée Puissant at Van Cleef & Arpels. From the 1950s to the present day, a wide range of international designers are examined in detail with many examples of their work clearly illustrated. The author focuses on themes associated with jewellery, including colour, light, proportion, nature and legends. Among the many names included are Vivianna Torun Bülow-Hübe (designer for Georg Jensen), Margaret De Patta, Wendy Ramshaw, Angela Cummings, Paloma Picasso, Marina B, Lydia Courteille and Michelle Ong.

Jewellery firms include: Boivin, Cartier, Van Cleef & Arpels, Bulgari, Jensen, Tiffany & Co.

Designers featured: Alma Pihl, Coco Chanel, Suzanne Belperron, Juliette Moutard, Olga Tritt, Elisabeth Treskow, Margaret de Patta, Jeanne Toussaint, Line Vautrin, Margret Craver, Vivianna Torun Bülow-Hübe, Nanna Ditzel, Marianne Ostier, Barbara Anton, Gerda Flöckinger, Astrid Fog, Cornelia Roethel, Catherine Noll, Angela Cummings, Elsa Peretti, Wendy Ramshaw, Marina B, Marie-Caroline de Brosses, Marilyn Cooperman, Paloma Picasso, Victoire de Castellane, Alexandra Mor, Ornella Iannuzzi, Neha Dani, Paula Crevoshay, Nathalie Castro, Claire Choisne, Bina Goenka, Carla Amorim, Monique Péan, Michelle Ong – Carnet, Kara Ross, Lydia Courteille, Suzanne Syz, Sylvie Corbelin, Kaoru Kay Akihara – Gimel, Katey Brunini, Luz Camino, Cindy Chao, Aida Bergsen, Anna Hu, Barbara Heinrich, Jacqueline Cullen, Cynthia Bach.

Invisible is a book on St. Louis design practice, Axi:Ome led by Heather Woofter and Sung Ho Kim. A collection of essays, built, unbuilt and conceptual projects which maps the trajectory of the last seven years of work from 2015 through 2022. The book covers 24 projects in different cultures and landscapes around the world with various programs and scales. Nader Tehrani, Eric Mumford, Alan Balfour, Jennifer Yoos, Nanako Umemoto, and Jessie Reiser provide insightful texts supporting and articulating critical frameworks of Axi:Ome, while defining a discourse of complexities in contemporary practice that is emerging from academic expectations. The book documents the invisible ethos that constructs a project in an intricate world that challenges practitioners to re-think and re-examine how they position into architectural spectrum. Invisible cartographs and chronicles the legitimisation of architectural practice that engages the pedagogical visions of the profession and the education.

Chanel – Little Black Dress: The definition of elegance from the Icons of Style series tells the story of the world-famous little black dress.

In 1926, with a gesture as simple as it was radical, Coco Chanel created a black dress, sleek and devoid of unnecessary ornamentation. That dress would change womenswear forever. Featuring celebrated wearers like Audrey Hepburn, Kate Moss, Josephine Baker, Monica Bellucci, Jackie Kennedy, Elizabeth Taylor, Coco Chanel herself and many others, these pages prove that the little black dress has become timeless – the simple answer that is so often the right answer.

Icons of Style is a new series celebrating the objects that changed the way we live, dream and desire. Each compact, elegant volume tells the story of a timeless icon through engaging texts and more than 100 evocative images. From the revolutionary allure of Chanel N°5, the perfume that defined modern femininity, to the legendary Hermès Birkin Bag, the world’s ultimate symbol of luxury and status, these books reveal the origins, secrets and cultural impact of fashion’s most coveted creations. Perfect for collectors, fashion lovers and design enthusiasts.

Hermès – The Birkin: The Epitome of Style from the Icons of Style series tells the story of a handbag that began life as an accessory and became a near-mythical luxury. Born in a chance encounter between the Hermès CEO and the actress Jane Birkin, the Hermès Birkin Bag always carried a trace of destiny. This book features details of the production process, collectors’ guides and the privileged few whose patronage of the Hermès brand affords access to the ultimate status symbol, including Victoria Beckham, Lady Gaga, Travis Scott, Heidi Klum and more.

Louis Vuitton Bags: The symbol of luxury from the Icons of Style series is the definitive homage to Louis Vuitton’s most legendary product.

Emblazoned with the French brand’s famous monogram, the Louis Vuitton bag is unmistakable yet ever evolving. Lavishly illustrated throughout, this compelling volume features the most famous advertising campaigns and celebrity wearers, the rich history of the product, design collaborations, reinterpretations and more.

At the end of the nineteenth century numerous painters succumbed to the charms of the Orient. Travel to distant lands was easier, and artists brought back voluptuous images filled with sun and colour. The noted specialist Lynne Thornton has studied almost 150 painters, from Delacroix to Ziem. This stunning reference work features numerous lesser known masters and is an essential reference work for collectors. It is also a marvellous invitation to travel.

A ‘vessel for living’ – such were the words Glenn Adamson used to describe this remarkable residence. Richard Meier designed the Grotta home to house Sandra and Louis Grotta’s collection of contemporary studio jewellery and significant works in wood, ceramic and fibre. The building was conceived around the collection, framing the objects within the open architecture, which comprises an equal blend of glass and concrete. Nature, visible from many vantage points, plays an essential supporting role. The Grotta Home by Richard Meier: A Marriage of Architecture and Craft is rich in photographs of the collection and provides impressive insights into this exceptionally personal project. The accompanying essays afford the reader a greater sense of how the Grottas have not simply acquired art, but have immersed themselves in it.

In keeping with an editorial strategy that aims to bring to public attention all of the various groups of works belonging to the Calouste Gulbenkian Collection, a book devoted to its drawings and watercolours has been published. Featuring texts by Manuela Fidalgo, who worked as a curator at the Calouste Gulbenkian Museum until her retirement, this edition is the product of several years of thorough research underpinned by technical and scientific rigour and the involvement of several international experts in the art of drawing.

This publication therefore plays an essential part in raising awareness of one of the Calouste Gulbenkian Museum’s least-well known collections, which includes works produced in the main centres of European art (France, Holland, Flanders, England and Italy) between the 16th and early 20th centuries by great masters such as Dürer, Watteau, Boucher, Turner and Sargent, among others. This book also gives us a clearer picture of Calouste Gulbenkian’s artistic sensibility as a collector: despite claiming not to be attracted to drawing, the beauty and quality of the works brought together here were such that he could not resist purchasing them.

Why collect Russian stage designs? Why write about them? These questions are not rhetorical or idly academic. They have real historical, intellectual, and commercial relevance. Answers may vary, but surely a primary response must be that, quite simply, Russian stage designs are immensely pleasing to the eye. They vibrate, and scintillate with colour, texture and movement.

Furthermore, through their daring inventions, Russian artists of the first thirty years of the 20th century transformed, profoundly and permanently, our perception of stage design – and hence of the theatre. They belonged to an extraordinarily creative generation of impresarios, dancers, actors, patrons, and critics who inspired or at least made a major contribution to the international renaissance of the art of the stage, and in particular areas, e.g. the teaching and performing of ballet, their influence is still present today.

However, in spite of the many published commentaries on the Russian theatre, in spite of the autobiographies and biographies of its leading representatives, and in spite of the scholarly appreciations of its various components (ballet, drama, opera), the subject of stage design in Russia has yet to be explored in all its manifestations.

Each work presented here is documented as fully as possible, and includes curatorial data, provenance index, and references to relevant published sources, exhibitions; and variants such as copies and preliminary drawings. The catalogue raisonné addresses the issues of attribution, identification of stage production, and date of execution and adduces evidence in the form of bibliographical, archival, and photographic data, expert opinion, and circumstantial evidence in order to support assumptions and conclusions.

“For the general reader there are many splendid discoveries; for anyone in today’s theatre, with its drearily modish, predictabilities of image, it should prove an eye-opener, an eye-cleanser, an inspiration”. Clement Crisp, The Financial Times

“This is an essential guide not just to the works in the collection themselves, but to the biographies of the artists”. The Art Newspaper

The Encyclopedia of Russian Stage Design 1880-1930 has been published to accompany Masterpieces of Russian Stage Design 1880-1930 ISBN: 9781851496884.

William Bouguereau, the most popular artist in nineteenth-century France, is rapidly becoming one of the most popular realist artists of all time. This book is an exploration of the four main types of paintings that were most prevalent throughout Bouguereau’s body of work. This includes his mythological works, religious works, peasants, and portraits. This final section on portraits focuses on paintings of heads and hands, which gave the artist the opportunity to concentrate on the subtleties of capturing human emotion, something at which the artist was a consummate master, and is a primary factor in what makes his works, in general, so compelling.

Although each section of the book discusses the importance of the individual genera within Bouguereau’s oeuvre, and includes painting analyses to highlight his most important works, this book is a true showcase of the master’s lifetime achievement through beautifully illustrated full-page plates of over 120 of his greatest masterpieces.

Crown moldings or cabinetry? Vintage or Victorian? Orange or ocher? Successful interior design – creative, comfortable rooms with a personal touch – is built from layer upon layer of colour, texture, pattern, embellishment, and more. But the plethora of choices available in the early twenty-first century has made it almost impossible to assemble these layers thoughtfully. Prominent decorator and author Penny Drue Baird is here to help with On Interior Design, an incisive exploration of the essential aspects of contemporary interiors. Baird considers architectural details, furniture, colour, fabric, flooring, lighting, and accessories, offering equal servings of expertise, history, and recommendation. She illustrates her topics with dozens of photographs of her own work, from apartments in New York City to houses in the Hamptons and Palm Beach to a residence in Paris. Building on her three previous books, in On Interior Design Baird imparts the lessons and principles gleaned from her thirty-plus years in practice.

This book about Cesare Colombo (Milan, 1935-2016) is an essential reference for 20th century Italian photography. Animated by a strong civil sense, Colombo was also an historian, critic, curator of important exhibitions since the post-war period, and promoted debates which have contributed to a significant growth of photographic culture in Italy. Alongside his advertising and industrial activities, he collaborated with the Agfa Advertising Service, the 3M Foundation, the Archive of the Italian Touring Club, the Alinari Archives, together with a constant presence in prestigious photography magazines.

This volume brings together 250 images that testify to the variety of interests and themes of his research: a nucleus is dedicated to his city, Milan, narrated in 60 years of urban, cultural and social transformations; included here are also photographs of political subjects, those dedicated to work, trade and finally art and culture.

Text in English and Italian.

This monograph is the first title in a new series titled Opera Maestra, specifically focused on the work and itinerary of the artists who made history, from an unprecedented perspective. The series begins with Leonardo da Vinci, captured by the expert Marco Versiero.

At the core the analysis is the specific soul, among the thousands of Leonardo’s, that Marco Versiero wants to underline: his mirror-soul; namely, Leonardo’s eye between Human and Nature. In other words, the eye that allowed the artist to mediate between his favourite dimensions (the human and the natural one), and allowed them to communicate with each other without cancelling themselves, but rather managing to reflect one in the other’s light, like in front of a mirror.

An essential biographical note introduces the reader to Marco Versiero’s pages, enriched with 61 detailed pictures. The pictures, proposing not only a selection of Leonardo’s paintings but also of his drawings, enhanced with comprehensive captions, tell the itinerary of the genius from the years of his apprenticeship in Verrocchio’s workshop till the days of his maturity.

Encompassing two thousand years of building history, The Architecture Reader includes 40 key texts from Alberti, Lloyd Wright, Le Corbusier, Gropius, Venturi, Gehry, and many more. The writings address persistent concerns in architecture and design, including the role of the architect and the relationship of architecture to nature, art, and science.

The carefully chosen texts provide a taste of the multiplicity that characterises historical and contemporary views of architecture. Krista Sykes organises the selections chronologically and introduces each with a helpful commentary, contextualising the author and the salient issues covered in the piece. The excerpts appear in a variety of formats, including interviews, manifestos, lectures and treatises, and are representative of the varied sometimes conflicting approaches to building and design. In combination, they provide a fascinating overview of significant concepts within the field of architecture.

The review of this book in Apollo Magazine speaks for itself: it describes it as ‘essential’ and ‘hard to put down’, declaring that ‘the reader will be given an education in how to look at and write about works of art’.

The Ashmolean’s collection of European sculpture is among the finest of its kind in the world. The collection accumulated over four centuries, from the dawn of English Art Collecting through to the Victorian period, which saw the arrival of one of the world’s great collections of Renaissance bronzes and other sculpture assembled by the scholar-connoisseur C.D.E. Fortnum, as well as further gifts and occassional purchases leading up to the present day. The catalogue covers the Ashmolean’s collection dating from 1200 to around 1540. From Romanesque bronzes and Gothic ivories to High Renaissance sculpture, this three-volume set is a meticulous and comprehensive record of over 500 pieces, each one fully illustrated.

“Who doesn’t know Paul Newman? The man with the beautiful blue eyes, the chiselled face and body, the 50-plus years of memorable acting and directing roles, the awards, the movie-star marriage. Well, it turns out, there is lots more to know.” — Parade Magazine
“Newman’s preternaturally piercing baby blue eyes shine through in every picture, and he was well aware of how his fame rested on the colour of his irises.” — Peter Sheridan, Daily Express

“Hollywood Hunk Paul Newman as you’ve never seen him before.” — Yahoo! News

“Paired with raw and unvarnished commentary from the photographers themselves, Newman’s incomparable authenticity and appealing persona bleed through each page.” — Newsweek
Once, when asked how he’d like to be remembered, Paul Newman replied: “I’d like to be remembered as a guy who tried. Tried to be part of his times, tried to help people communicate with one another, tried to find some decency in his own life, tried to extend himself as a human being.”

As an actor who became a film star, Newman repeatedly tapped into his times and in doing so redefined what movie stardom could be. Newman was a new kind of movie star, bringing a particular authenticity, intensity and sensitivity to his performances.

Throughout his career, Newman was extensively photographed: these images enriched film audiences’ connection to him as a cool and graceful presence both on and off-screen.

Milton Greene, Douglas Kirkland, Lawrence Fried, Terry O’Neill, Al Satterwhite and Eva Sereny are amongst the photographers who worked with Newman on and off-set across his career. From early stage work with his wife, Joanne Woodward, to his love of racing cars, to the essential 1980s drama Absence of Malice to the great success of the new western Butch Cassidy and the Sundance Kid and the cult favourites, Pocket Money and The Life and Times of Judge Roy Bean, Newman’s movies were an essential part of American culture.

With comment and contributions from the photographers, Paul Newman: Blue Eyed Cool, gathers together portraits, stage, racing and on-set photography — including never before seen images — in a celebration of an actor who was always… cool.

Paul Newman: Blue Eyed Cool is a must-have for fans who see in Newman’s work and in his life a true hero.

Before they became two of America’s most iconic pop artists, Andy Warhol and Robert Indiana were young aspiring creatives, living in New York. There, they met and befriended William John Kennedy, who would take some of the first photographs of these artists in their career. Many photographers worked with Andy Warhol, but few so early on in his career or in a such a uniquely collaborative fashion. After establishing a friendship with Robert Indiana and taking some of the first, important close-up images of him in his studio, Kennedy went on to work in a similarly creative way with Warhol.

These striking images of the young Warhol and Indiana were lost for nearly 50 years before being rediscovered. They were immediately recognised as important documents by the Warhol Museum and by Robert Indiana, and presented in the Before they were Famous exhibition, which travelled to London and New York. The story of the re-discovery of these photographs was made into an acclaimed documentary in 2010 – Full Circle: Before They Were Famous, Documentary on William John Kennedy.

William John Kennedy: The Lost Archive: Photographs of Andy Warhol and Robert Indiana will be the first of William John Kennedy’s books devoted solely to the time he spent with Andy Warhol and Robert Indiana. The book features pictures of both artists as well as images of Taylor Mead, UltraViolet and other members of Warhol’s circle.

The Landscape Project is a collection of essays by the landscape architecture faculty at the Weitzman School of Design at the University of Pennsylvania, long considered a leading institution in the field of landscape architecture. This collection covers topics such as food, biodiversity, water, plants, energy, public space, politics, mapping, practice, and representation and serves as essential reading for students and professionals wishing to engage with the full scope of today’s landscape. These essays radically expand the purview of landscape architecture.

“Newman’s preternaturally piercing baby blue eyes shine through in every picture, and he was well aware of how his fame rested on the colour of his irises.” — Peter Sheridan, Daily Express

Once, when asked how he’d like to be remembered, Paul Newman replied: “I’d like to be remembered as a guy who tried. Tried to be part of his times, tried to help people communicate with one another, tried to find some decency in his own life, tried to extend himself as a human being.”

Throughout his career, Newman was extensively photographed: these images enriched film audiences’ connection to him as a cool and graceful presence both on and off-screen.

With comment and contributions from the photographers, Paul Newman: Blue-Eyed Cool, gathers together portraits, stage, racing and on-set photography — including never before seen images — in a celebration of an actor who was always… cool.

Throughout his career, Newman was extensively photographed: these images enriched film audiences’ connection to him as a cool and graceful presence both on and off-screen.