The review of this book in Apollo Magazine speaks for itself: it describes it as ‘essential’ and ‘hard to put down’, declaring that ‘the reader will be given an education in how to look at and write about works of art’.
The Ashmolean’s collection of European sculpture is among the finest of its kind in the world. The collection accumulated over four centuries, from the dawn of English Art Collecting through to the Victorian period, which saw the arrival of one of the world’s great collections of Renaissance bronzes and other sculpture assembled by the scholar-connoisseur C.D.E. Fortnum, as well as further gifts and occassional purchases leading up to the present day. The catalogue covers the Ashmolean’s collection dating from 1200 to around 1540. From Romanesque bronzes and Gothic ivories to High Renaissance sculpture, this three-volume set is a meticulous and comprehensive record of over 500 pieces, each one fully illustrated.
“Who doesn’t know Paul Newman? The man with the beautiful blue eyes, the chiselled face and body, the 50-plus years of memorable acting and directing roles, the awards, the movie-star marriage. Well, it turns out, there is lots more to know.” — Parade Magazine
“Newman’s preternaturally piercing baby blue eyes shine through in every picture, and he was well aware of how his fame rested on the colour of his irises.” — Peter Sheridan, Daily Express
“Hollywood Hunk Paul Newman as you’ve never seen him before.” — Yahoo! News
“Paired with raw and unvarnished commentary from the photographers themselves, Newman’s incomparable authenticity and appealing persona bleed through each page.” — Newsweek
Once, when asked how he’d like to be remembered, Paul Newman replied: “I’d like to be remembered as a guy who tried. Tried to be part of his times, tried to help people communicate with one another, tried to find some decency in his own life, tried to extend himself as a human being.”
As an actor who became a film star, Newman repeatedly tapped into his times and in doing so redefined what movie stardom could be. Newman was a new kind of movie star, bringing a particular authenticity, intensity and sensitivity to his performances.
Throughout his career, Newman was extensively photographed: these images enriched film audiences’ connection to him as a cool and graceful presence both on and off-screen.
Milton Greene, Douglas Kirkland, Lawrence Fried, Terry O’Neill, Al Satterwhite and Eva Sereny are amongst the photographers who worked with Newman on and off-set across his career. From early stage work with his wife, Joanne Woodward, to his love of racing cars, to the essential 1980s drama Absence of Malice to the great success of the new western Butch Cassidy and the Sundance Kid and the cult favourites, Pocket Money and The Life and Times of Judge Roy Bean, Newman’s movies were an essential part of American culture.
With comment and contributions from the photographers, Paul Newman: Blue Eyed Cool, gathers together portraits, stage, racing and on-set photography — including never before seen images — in a celebration of an actor who was always… cool.
Paul Newman: Blue Eyed Cool is a must-have for fans who see in Newman’s work and in his life a true hero.
Before they became two of America’s most iconic pop artists, Andy Warhol and Robert Indiana were young aspiring creatives, living in New York. There, they met and befriended William John Kennedy, who would take some of the first photographs of these artists in their career. Many photographers worked with Andy Warhol, but few so early on in his career or in a such a uniquely collaborative fashion. After establishing a friendship with Robert Indiana and taking some of the first, important close-up images of him in his studio, Kennedy went on to work in a similarly creative way with Warhol.
These striking images of the young Warhol and Indiana were lost for nearly 50 years before being rediscovered. They were immediately recognised as important documents by the Warhol Museum and by Robert Indiana, and presented in the Before they were Famous exhibition, which travelled to London and New York. The story of the re-discovery of these photographs was made into an acclaimed documentary in 2010 – Full Circle: Before They Were Famous, Documentary on William John Kennedy.
William John Kennedy: The Lost Archive: Photographs of Andy Warhol and Robert Indiana will be the first of William John Kennedy’s books devoted solely to the time he spent with Andy Warhol and Robert Indiana. The book features pictures of both artists as well as images of Taylor Mead, UltraViolet and other members of Warhol’s circle.
The Landscape Project is a collection of essays by the landscape architecture faculty at the Weitzman School of Design at the University of Pennsylvania, long considered a leading institution in the field of landscape architecture. This collection covers topics such as food, biodiversity, water, plants, energy, public space, politics, mapping, practice, and representation and serves as essential reading for students and professionals wishing to engage with the full scope of today’s landscape. These essays radically expand the purview of landscape architecture.
“Newman’s preternaturally piercing baby blue eyes shine through in every picture, and he was well aware of how his fame rested on the colour of his irises.” — Peter Sheridan, Daily Express
Once, when asked how he’d like to be remembered, Paul Newman replied: “I’d like to be remembered as a guy who tried. Tried to be part of his times, tried to help people communicate with one another, tried to find some decency in his own life, tried to extend himself as a human being.”
As an actor who became a film star, Newman repeatedly tapped into his times and in doing so redefined what movie stardom could be. Newman was a new kind of movie star, bringing a particular authenticity, intensity and sensitivity to his performances.
Throughout his career, Newman was extensively photographed: these images enriched film audiences’ connection to him as a cool and graceful presence both on and off-screen.
Milton Greene, Douglas Kirkland, Lawrence Fried, Terry O’Neill, Al Satterwhite and Eva Sereny are amongst the photographers who worked with Newman on and off-set across his career. From early stage work with his wife, Joanne Woodward, to his love of racing cars, to the essential 1980s drama Absence of Malice to the great success of the new western Butch Cassidy and the Sundance Kid and the cult favourites, Pocket Money and The Life and Times of Judge Roy Bean, Newman’s movies were an essential part of American culture.
With comment and contributions from the photographers, Paul Newman: Blue-Eyed Cool, gathers together portraits, stage, racing and on-set photography — including never before seen images — in a celebration of an actor who was always… cool.
“Newman’s preternaturally piercing baby blue eyes shine through in every picture, and he was well aware of how his fame rested on the colour of his irises.” — Peter Sheridan, Daily Express
Once, when asked how he’d like to be remembered, Paul Newman replied: “I’d like to be remembered as a guy who tried. Tried to be part of his times, tried to help people communicate with one another, tried to find some decency in his own life, tried to extend himself as a human being.”
As an actor who became a film star, Newman repeatedly tapped into his times and in doing so redefined what movie stardom could be. Newman was a new kind of movie star, bringing a particular authenticity, intensity and sensitivity to his performances.
Throughout his career, Newman was extensively photographed: these images enriched film audiences’ connection to him as a cool and graceful presence both on and off-screen.
Milton Greene, Douglas Kirkland, Lawrence Fried, Terry O’Neill, Al Satterwhite and Eva Sereny are amongst the photographers who worked with Newman on and off-set across his career. From early stage work with his wife, Joanne Woodward, to his love of racing cars, to the essential 1980s drama Absence of Malice to the great success of the new western Butch Cassidy and the Sundance Kid and the cult favourites, Pocket Money and The Life and Times of Judge Roy Bean, Newman’s movies were an essential part of American culture.
With comment and contributions from the photographers, Paul Newman: Blue-Eyed Cool, gathers together portraits, stage, racing and on-set photography — including never before seen images — in a celebration of an actor who was always… cool.
“Newman’s preternaturally piercing baby blue eyes shine through in every picture, and he was well aware of how his fame rested on the colour of his irises.” — Peter Sheridan, Daily Express
Once, when asked how he’d like to be remembered, Paul Newman replied: “I’d like to be remembered as a guy who tried. Tried to be part of his times, tried to help people communicate with one another, tried to find some decency in his own life, tried to extend himself as a human being.”
As an actor who became a film star, Newman repeatedly tapped into his times and in doing so redefined what movie stardom could be. Newman was a new kind of movie star, bringing a particular authenticity, intensity and sensitivity to his performances.
Throughout his career, Newman was extensively photographed: these images enriched film audiences’ connection to him as a cool and graceful presence both on and off-screen.
Milton Greene, Douglas Kirkland, Lawrence Fried, Terry O’Neill, Al Satterwhite and Eva Sereny are amongst the photographers who worked with Newman on and off-set across his career. From early stage work with his wife, Joanne Woodward, to his love of racing cars, to the essential 1980s drama Absence of Malice to the great success of the new western Butch Cassidy and the Sundance Kid and the cult favourites, Pocket Money and The Life and Times of Judge Roy Bean, Newman’s movies were an essential part of American culture.
With comment and contributions from the photographers, Paul Newman: Blue-Eyed Cool, gathers together portraits, stage, racing and on-set photography — including never before seen images — in a celebration of an actor who was always… cool.
“Newman’s preternaturally piercing baby blue eyes shine through in every picture, and he was well aware of how his fame rested on the colour of his irises.” — Peter Sheridan, Daily Express
Once, when asked how he’d like to be remembered, Paul Newman replied: “I’d like to be remembered as a guy who tried. Tried to be part of his times, tried to help people communicate with one another, tried to find some decency in his own life, tried to extend himself as a human being.”
As an actor who became a film star, Newman repeatedly tapped into his times and in doing so redefined what movie stardom could be. Newman was a new kind of movie star, bringing a particular authenticity, intensity and sensitivity to his performances.
Throughout his career, Newman was extensively photographed: these images enriched film audiences’ connection to him as a cool and graceful presence both on and off-screen.
Milton Greene, Douglas Kirkland, Lawrence Fried, Terry O’Neill, Al Satterwhite and Eva Sereny are amongst the photographers who worked with Newman on and off-set across his career. From early stage work with his wife, Joanne Woodward, to his love of racing cars, to the essential 1980s drama Absence of Malice to the great success of the new western Butch Cassidy and the Sundance Kid and the cult favourites, Pocket Money and The Life and Times of Judge Roy Bean, Newman’s movies were an essential part of American culture.
With comment and contributions from the photographers, Paul Newman: Blue-Eyed Cool, gathers together portraits, stage, racing and on-set photography — including never before seen images — in a celebration of an actor who was always… cool.
“This gorgeous book has the heft of an ancient herbal. It is a treasure for anyone interested in the healing properties of plants. Blackwell’s precise depictions… are beautifully reproduced. It is a joy to turn every page.” — Susan Fraser, Director Emerita of the LuEsther T. Mertz Library, New York Botanical Garden
“The [text], so carefully researched, for the first time provides what feels to be a factual and fascinating insight into Blackwell’s life and the depth of her endeavor, in a world dominated by men, whilst dispelling some of the myths and misinformation that surrounded her.” — Sue Medway, Director and Curator of the Chelsea Physic Garden, London
“Magnificent and long-overdue, it will surely become an essential reference for scholars of Blackwell, and anyone interested in 18th century botany.” — Will Beharrell, Librarian of the Linnean Society of London
“As a wife and mother excluded from the male institutions of eighteenth-century British botany and medicine, Elizabeth Blackwell created her Curious Herbal against tremendous odds. In this new edition, Blackwell’s gorgeous plates bloom afresh, while two engaging essays―by Martha McDowell and Janet Stiles Tyson―vividly capture the life and times of this brave, talented woman. Almost three centuries on, this stunning volume does justice to Blackwell’s great achievement in medical botany.” ― Victoria Johnson, National Book Award and Pulitzer Prize finalist for American Eden
A complete edition of the first herbal published by a woman artist—which has a remarkable backstory
In the 1730s, Elizabeth Blackwell (1699–c. 1758) found herself penniless, with her ne’er-do-well husband confined to a London debtor’s prison. A talented artist, she came up with a unique and ambitious moneymaking scheme: the publication of a new illustrated guide to medicinal plants, including many New World species not depicted in earlier books. Blackwell’s Curious Herbal, published between 1737 and 1739, was hailed for its usefulness to doctors and apothecaries and met with considerable financial success.
This magnificent volume—the first modern edition of Blackwell’s herbal—reproduces all 500 of her exquisite plates. Blackwell not only made the drawings, but prepared the copper plates and personally hand-coloured them. Her handwritten descriptions of the plants, which she creatively adapted (with permission) from Joseph Miller’s Botanicum Officinale, retain considerable interest. This book features a previously unknown preface by Blackwell, in which she reveals her passion for art and nature, and her vision for the herbal. Two introductory texts contextualise Blackwell’s achievement: the noted garden writer Marta McDowell explores the history of herbals as a genre, and the state of botanical knowledge in Blackwell’s time; and the historian Janet Stiles Tyson relates the artist’s rather extraordinary biography.
A Curious Herbal will be essential for all lovers of botanical art, and for anyone interested in women’s history and the history of science.
The art of Peter Paul Rubens (1577-1640) is synonymous with the female nude, with the term ‘Rubenesque’ first coined in the 19th century to describe a voluptuous female body. Yet remarkably, there has never been a focused study of Rubens’ depictions of women, making this book, and the exhibition that it will accompany, a first.
Bringing together a diverse range of paintings and drawings from throughout the artist’s career and from a range of international lenders, the exhibition at Dulwich Picture Gallery (October 2023 – January 2024) will challenge the popular assumption that Rubens only painted one type of woman. Instead, it will present a more nuanced view of the varied and essential role that women played in the artist’s life and work, uniting and contributing to recent scholarly developments in subjects such as the identities of Rubens’ sitters, 17th century artistic theory and practice, and Rubens’ treatment of the human body.
Rubens evidently enjoyed painting the female figure, especially in its sensual and unclothed form. But his women are never mere bodies trapped by the male gaze, on the contrary; they are proud and complex heroines, full of character and gravitas. No other male artist has created such potent images of female power, assurance, determination, commitment, and beauty. Providing a catalogue for the works in the exhibition and featuring three introductory essays that contextualise Rubens’ work, this publication will both contribute to the existing corpus of scholarly literature on Rubens and introduce his masterpieces to new audiences, discussing them in the context of current debates around sexuality, power and feminism.
“An informed and detailed assessment by someone with a deep understanding of art” – Martin Gayford, The Sunday Telegraph
“It has sufficient breadth of content and clarity of purpose to have wide appeal among the uninitiated, and yet would not be out of place on the shelves of the most knowledgeable art pundit” – Frances Spalding, Art Quarterly
This pocket guide to the art of the Western world, covers all the essential places to visit and sets the major works in the collections in their historical and social context. Helen Langdon takes us not only to the best-loved museums around the world but also to a vast selection of minor but equally fascinating galleries, churches, villas and houses, where she draws our attention to outstanding paintings and sculptures.
Introductory essays to the art of each country, together with extensive indexes and glossaries, and over 200 colour illustrations that range from some of the world’s greatest works of art to unfamiliar treasures, make this a pocket compendium of Western art that will be as useful to the student as the traveller.
“Now Aftel has created this beautiful book, illustrated with treasures from her museum’s collection, so that readers at home can immerse themselves in the world of scent.” — 7 x 7
“Aftel, … explores the natural and cultural history of scent in her newest book, The Museum of Scent.”— Veranda
“A beautiful book about beautiful things, with a fascinating narrative told by an author who loves her subject.”— Kirkus Reviews
“It is so rich in story, information, and images, you don’t just read it, you fall into it and don’t want it to end!” — Ivy Ross, co-author of New York Times bestseller Your Brain on Art and VP of Hardware Design at Google
“…just leafing through Aftel’s stunning compilation of olfactory magic is like being gifted a book of secrets.” — Smithsonian
Breathe in the natural and cultural history of scent with this richly illustrated book inspired by the Aftel Archive of Curious Scents.
“This work . . . is a true original ― a rarest of rare legacy volume. This book was created by a beautiful elder who is a polymath: meaning, a highly unique person of multiple modern and old ways of knowing. . . . Mandy Aftel’s dons and talents are now resting in your hands in this magical tome that, I deeply sense and hope, will bless you time and again.” ― From the foreword by Dr. Clarissa Pinkola Estés Reyés, author of Women Who Run with the Wolves and the forthcoming La Curandera, Walking in Two Worlds
Mandy Aftel is one of the world’s preeminent natural perfumers, with a clientele ranging from the singer-songwriter Leonard Cohen to Ivy Ross, head of hardware design at Google. Eschewing the synthetic molecules that dominate commercial perfumes, Aftel creates her complex and subtle fragrances using only natural essences. For her, each of these essences is a gateway to a lost world of scent, stretching back to the beginnings of human civilization and intertwined with the history of medicine, cuisine, adornment, sexuality, and spirituality. In 2017, Aftel opened a one-room museum ― the Aftel Archive of Curious Scents ― in her backyard in Berkeley, California, to help a modern audience rediscover the enchantment of this lost world. Her museum has attracted thousands of enthusiastic visitors and has been featured in the New York Times, Vogue, Goop, O: The Oprah Magazine, and numerous other media outlets.
Now Aftel has created this beautiful book, illustrated with treasures from her museum’s collection, so that readers at home can immerse themselves in the world of scent. She guides us through the different families of botanical fragrances (including flowers, woods, leaves and grasses, and resins), depicting each plant with a hand-colored antique woodcut and revealing its olfactory notes and lore. Special chapters are devoted to the most rare and precious fragrances ― such as ambergris, formed of a rare secretion of the sperm whale ― and to antique essential oil bottles, handwritten recipe books, and other evocative artifacts. The Museum of Scent, which includes a bookmark subtly scented with a natural essence, invites us on a sensuous, imaginative journey.
LPA Design Studios rose to national prominence by demonstrating that designers can make a real impact on carbon reduction on a large scale. The firm’s integrated design approach breaks down the traditional model, eliminating barriers between disciplines to develop innovative designs that reduce energy and water and create a better human experience. The firm’s diverse body of work has earned the industry’s top awards and set new benchmarks for building performance, proving that there is a better process for designing buildings.
No Excuses presents a beautifully curated collection of LPA projects that illustrate what can be achieved through a collaborative design process with architects, engineers, interior designers and landscape architects working together from a development’s earliest stages. The projects cross a wide range of sizes and types, including transformational education, commercial, civic, cultural and healthcare facilities. Each was created through a repeatable process focused on cost-effective research-driven design strategies. As a collection, LPA’s work is an inspirational model for an integrated, inclusive approach that connects design excellence and building performance.
The classic How Artists See series that opens children’s eyes to the world as seen by great artists, now available in boxed sets perfect for home or classroom. Includes: Animals, People, Feelings, and Weather With over 200,000 copies in print, the How Artists See series has introduced thousands of children to the timeless visions of some of the world’s most celebrated artists. Now all twelve books in this remarkable series are available in boxed sets of four and six volumes, making it easy for parents, grandparents and teachers alike to build a meaningful art library designed especially for young minds. In How Artists See children learn about the world by looking at art and about art by looking at the world. Each volume presents sixteen diverse works of art devoted to a subject familiar to children through their own experience, organised into four subcategories for better comparison and contrast.
Author Colleen Carroll engages readers with open-ended questions about the works, stimulating their thoughts, building their visual literacy and communication skills, and expanding their own artistic imaginations. For children curious to learn more about the artists featured, short biographies are provided at the end of each volume, along with suggestions for further reading and a list of museums where the artists’ works can be seen. Handsomely packaged in sturdy slipcased sets, these classic books make ideal gifts for the home and essential resources for the classroom. As teaching tools they are especially versatile, being readily adaptable to grades K-6 and intersecting with disciplines as various as literature, history, science, and social studies through the many activities detailed in the series Teachers’ Guide (available separately). Whether pouring over Matisse’s goldfish, Jacob Lawrence’s Olympic athletes, or Hiroshige’s moonlit cityscapes, readers of How Artists See will delight in discovering how the world can be transformed by great artists’ creativity-and their own.
With this handy guide, you can make drinks, whether fancy or easy, classic or modern, that will fit any occasion. Following the detailed instructions of skilled bartenders, everyone will be able to duplicate these 260 recipes at home. The recipes are divided into four different themes: evergreen cocktails (such as the Hugo and Tequila Sunrise), happy hour (such as the Beethoven and Margarita), after-dinner (such the Alexander and B-52), and trendy cocktails. For each drink, the book offers readers the perfect proportions of ingredients, the best techniques, and the nutritional information about calories and alcohol content.
Every bartender must know each and every ingredient behind the bar. The third edition of Spirits distilled, by Mark Ridgwell, is a comprehensive guide to all of the major spirits categories. Taking the reader through the principles of distillation to an explanation on how to taste spirits, Ridgwell reveals the history and legends behind vodka, gin, tequila, genever, rum, brandies, liqueurs, eaux-de-vie, flavoured white spirits and the entire range of whiskies. Lovers of spirits will find this book to be an invaluable resource for understanding and appreciating the world of spirits from a qualitative rather than quantitative perspective. Professionals too will find the quizzes in Spirits distilled a particularly useful tool for understanding better the spirits they sell. This edition of Spirits distilled contains a new chapter on cocktails by drinks consultant Michael Butt, with a section at the end of each spirit chapter detailing the best cocktails featuring that spirit. An essential book that belongs on the reference shelf of everyone who works with or enjoys spirits, Spirits distilled is a classic in the making.
Sparkling wine has delighted humanity for nearly 500 years. It has become essential at celebratory meals, a toast to new marriages, new babies, new jobs, and is even used to launch ships, but there’s more to it than the fizzy and festive. In Fizz!, Anthony Rose takes an in-depth look at sparkling wines around the world, exploring how and where they are made, and why they are such a joy to drink.
The first part of Fizz! delves into the history of sparkling wine, including early accidents and experiments in sparkling winemaking, its nineteenth-century surge in popularity (and associated debauchery) and the breakthroughs in vineyard and cellar that ensured Champagne’s place among the great wines of the world. Rose then goes on to detail fizz-making techniques, from the traditional method to pet nat, and explores the terroirs and grapes suited to producing the wines, from the Champagne trio of Chardonnay, Pinot Noir and Meunier to the native varieties producing compelling effervescence worldwide.
Following a look at the science behind the bubbles, Rose begins his global quest in search of sparkling wines. Travelling Europe, from Portugal to Moldova, he samples Cava from Spain, proves there’s more to France than Champagne, finds out why southern England makes some of the world’s best bubbles, discovers Sekt secrets of the Germans and explores Italy beyond the Prosecco that began the new fashion for fizz. Journeying further afield, Rose recommends the best fizz from California, Canada, Australia and New Zealand, tastes some of South Africa’s Cap Classique and even finds sparklers of note in Japan and China.
This comprehensive celebration of sparkling wine is rounded off with thorough appendices, making it essential reading for wine lovers and students of wine.
The greatest director and set designer of the Cinquecento, Paolo Caliari (1528-1588), ‘Veronese’ to his patrons and admirers in Venice – the city in which he lived and worked becoming its citizen – was appreciated first and foremost as a colourist, capable of proposing an unprecedented bright palette, daring combinations of colours, skilful plays of light. Furthermore, he was a sumptuous narrator.
Alone he created a genre: the Cene, or Suppers, grandiose in size and display of fabrics, poses and portraits, where the evangelical event is an opportunity to stage the patrician society of his time, within architectural spaces in which the classical orders are articulated in urbanistic fantasies that are as impressive as they are creative. Furthermore, he painted for a clientele of patricians and main religious orders an impressive variety of biblical scenes, stories of saints and martyrs, sophisticated and allusive allegories, verging on ambiguity and irony.
Appreciated and admired, carefully studied, Veronese must be considered the painter who paved the way, through his illusionistic solutions and taste for staging, to 17th-century painting and was finally welcomed as a colourist by the painters of the Romantic generation and the Impressionists. This book retraces the essential stages of an early creativity, immediately masterful, then developed in 40 years of inventions boasting an inexhaustible imagination.
Volker Hermes: Hidden Portraits gathers the essential works by one of the most beguiling artists of the present era, in a very modern reinterpretation of historical privilege.
Using only elements of the original paintings, Volker Hermes masterfully alters photos of historical portraits to mask the faces of their subjects. With each figure concealed under their own ceremonial attire, these one-time elites quickly lose their individuality in a plume of decorations and accessories.
In this official collection, Hermes delivers his wry commentary on wealth, fame and social status with taut imagery, intense focus and a suitably shrewd sense of humour. His immaculately reproduced artworks are accompanied by the thoughts of German art historian Till-Holger Borchert and Professor Francesca Raimondi of Berlin’s Institute for Philosophy, as well as the artist himself.
A must-have revision of classical portraiture from a celebrated digital creator.
“Hermes’s meticulously described collages pay homage to their sources while gently ribbing the social pretensions and ambitions of the courtly classes.” – Christopher Alessandrini, metmuseum.org
Learn how to craft a powerful growth strategy, from defining your vision to outmanoeuvering competitors, and from leveraging technology to optimising your marketing and sales funnel. Delve into critical chapters that cover everything from foundational growth principles to advanced tactics in marketing, financial management, and organisational development. Benefit from expert advice on navigating acquisitions, entering new markets, and fostering a company culture that champions growth as a mindset. Equip yourself with the knowledge to manage financial risks, drive customer engagement, and maximise your resources through data-driven decision-making. Designed for ambitious entrepreneurs and seasoned executives alike, this guide is your roadmap to sustainable success and industry leadership. Whether you’re looking to refine your approach or transform your business model, Growth Strategy offers the guidance, insights, perspective, and inspiration to thrive in a competitive marketplace. Don’t miss out on this essential resource for anyone looking to take their business to new heights.
Even though knowledge about identity, sociocultural diversity, and popular media culture in society and academia has increased, many students, scholars, and engaged citizens are seeking out information and academic insights to being better equipped to talk and think about these themes. For instance, some may have a basic understanding of what ‘woke’ means but lack a historical awareness of the transformation of the term. Similarly, some may desire to understand why some television programs have been argued to be ‘heteronormative’ or ‘ableist.’ The aim of this book is to provide readers with comprehensible, tangible, and nuanced explanations about the way popular media culture has dealt with sociocultural diversity in Western societies. To do so, this book’s approach is threefold. First, starting from the belief that historical insights are essential to better grasp contemporary debates and practices vis-à-vis sociocultural diversity and popular media culture, the book provides insight into a selection of historical contexts and milestones. The historical sections will pay attention to changes in media representations of certain minority groups and to the way research into sociocultural diversity in media and popular culture developed. Second, the book explores a selection of key theoretical concepts, developed by scholars from communication sciences, media and cultural studies, and social theory, which help better understand the diverse ways sociocultural diversity has been engaged with in popular media culture, particularly in relation to aspects of production and representation. Third, the book offers reflections on contemporary trends, transformations, and challenges.
We often don’t talk to kids about money – labelling it as a conversation for adults. Additionally, for some reason, money is often mixed up in ethical discussions. Educating children on how money works is an essential life skill. Helping them understand how it works and how to manage it. Help them take that first step with this fun and engaging activity book!
Age 8+
‘Festive and cosy Christmas living room decor ideas.’ — The Spruce
“There is no need to buy expensive ornaments or visit exclusive florists… Her guide focuses on using pinecones, dried branches, dried flowers and fewer, but quality, Christmas decorations — in a wonderful mix of old and new, inherited, eclectic, bought and homemade.” — HGTV
“Inspirational and poetic, this Nordic collection is sure to spark your imagination… “ — Aspire
The Christmas Season is an essential guide to Scandinavian-style Christmas perfection.
Taking the core tenets of Scandinavian design and applying them to the festive season, this book reimagines the midwinter holiday as a time for tasteful restraint and creature comforts.
Blending minimalism, clean lines and functionality with ‘hygge’, a uniquely Danish concept of cosiness, Scandi interiors are some of the most sought-after and recognisable in the world. This inspirational and poetic collection of Nordic designs is sure to spark your imagination. Combining traditional Scandinavian Christmas customs with clever DIY ideas and recipes for the whole family to enjoy, this book invites you to redesign Christmas within your own home.
An exciting and essential record of downtown Manhattan—iconic street scenes captured from the same vantage point in 1980s and today.
When photographer Daniel Root moved to the East Village in the early 1980s, this constantly changing neighbourhood was in one of its periods of greatest ferment. Multiple immigrant groups maintained enclaves there—including Ukrainians, Puerto Ricans, Italians, Dominicans, and Poles—even as drug dealers plied their trade in abandoned buildings and young artists flooded in looking for cheap rents, followed close behind by real estate speculators. Through his lens, Root captured a young Madonna filming Desperately Seeking Susan on St. Mark’s Place; the storefront galleries of the East Village art scene; Life Cafe, where Jonathan Larson would write—and set—Rent; retirees playing chess in Tompkins Square Park; junkies fleeing the police. Forty years later, Root—still an East Village resident—has returned to the very same places where he took those pictures, to document how the scene has changed. Root’s “then and now” photographs, presented together in this volume along with his wry commentary, document the transformation of a legendary New York neighbourhood for better and worse—higher rents, yes, but lower crime; displacement, but also the persistence of community and creativity. A foreword by renowned artist Peter McGough and noted Beat historian Bill Morgan shed further light on the history of the East Village. This will be an essential volume for all downtown denizens, past, present, and future.